2016
2016
Sources
Taper: Kirk Davis
1:29:48
SBD
Taper:
Kirk Davis
Transferrer:
Kirk Davis
SHNID:
JMO2016-02-23
Source:
Multitrack
Lineage:
ADK TL(~2.5' high, stage corners, card setting) > Grace Design Lunatec V3 > Alesis HD-24(@24/48) SBD(direct outs) > Alesis HD-24(@24/48) SBD(mono sum) > Alesis HD-24(@24/48) ADK SC-T(card caps, Guitar amp) > Sound Devices MP-2 > Alesis HD-24(@24/48)
Taper Notes:
View NotesRecording/mixing/mastering: Kirk Davis RECORDING: ADK TL(~2.5' high, stage corners, card setting) > Grace Design Lunatec V3 > Alesis HD-24(@24/48) SBD(direct outs) > Alesis HD-24(@24/48) SBD(mono sum) > Alesis HD-24(@24/48) ADK SC-T(card caps, Guitar amp) > Sound Devices MP-2 > Alesis HD-24(@24/48) MIXING: Adobe Audition[CS5.5]; delay; guitar suite; Normalize; hard limiter Izotope Alloy-1; Alloy-2; Ozone-3, MASTERING: Adobe Audition[CS5.5]; Izotope Alloy-1; Waves L1; Izotope Rx Advacned[v2.0](resample & dither) > CD Wave(tracking) > Tag and Rename[v3.4.6](track naming > Traders Little Helper(level 8 flac) NOTES: No kick drum mic for this show. First song " The Night I Got Drunk" was mostly incomplete due to technical issuess setting up. The band on stage before Jackmormons ran very long, almost 45 minutes past scheduled ending time. They were actually asked to finish their set shorter of what they planned on playing. Sort of pushing the rude mark in my opinion. This made for setting up extra mics to facilitate recording a multi-track recording very difficult. I was still hooking up equipment as band started their set. The gain was set way too high on Scott Laws guitar feed for begining. I dropped levels to keep same approx. loudness curve, but has slight distortion during Mountain Home. Scott's guitar levels stabilize at about 3 minutes in to song. Mixing & mastering programs not listed in order of use. Exact track settings & parameters used available on request.
Source 2 of 2
1:29:48
SHNID:
JMO2016-02-23.JMO2016-02-23-24bit
Taper Notes:
View NotesREMIXED 5/12/16 Recording/mixing/mastering: Kirk Davis RECORDING: ADK TL(~2.5' high, stage corners, card setting) > Grace Design Lunatec V3 > Alesis HD-24(@24/48) SBD(direct outs) > Alesis HD-24(@24/48) SBD(mono sum) > Alesis HD-24(@24/48) ADK SC-T(card caps, Guitar amp) > Sound Devices MP-2 > Alesis HD-24(@24/48) MIXING: Adobe Audition[CS5.5]; delay; guitar suite; Normalize; hard limiter Izotope Alloy-1; Alloy-2; Ozone-3, MASTERING: Adobe Audition[CS5.5]; Izotope Alloy-1; Waves L1; Izotope Rx Advacned[v2.0](resample & dither) > CD Wave(tracking) > Tag and Rename[v3.4.6](track naming > Traders Little Helper(level 8 flac) NOTES: No kick drum mic for this show. First song " The Night I Got Drunk" was mostly incomplete due to technical issuess setting up. The band on stage before Jackmormons ran very long, almost 45 minutes past scheduled ending time. They were actually asked to finish their set shorter of what they planned on playing. Sort of pushing the rude mark in my opinion. This made for setting up extra mics to facilitate recording a multi-track recording very difficult. I was still hooking up equipment as band started their set. The gain was set way too high on Scott Laws guitar feed for begining. I dropped levels to keep same approx. loudness curve, but has slight distortion during Mountain Home. Scott's guitar levels stabilize at about 3 minutes in to song. Mixing & mastering programs not listed in order of use. Exact track settings & parameters used available on request.