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Jerry Joseph (solo & side projects)
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Today In History
June 5th
Years
2026
2 shows
2 tapes
2025
25 shows
26 tapes
2024
18 shows
20 tapes
2023
9 shows
12 tapes
2022
15 shows
21 tapes
2021
10 shows
13 tapes
2020
33 shows
38 tapes
2019
32 shows
40 tapes
2018
7 shows
10 tapes
2017
15 shows
18 tapes
2016
8 shows
13 tapes
2015
8 shows
13 tapes
2014
29 shows
43 tapes
2013
33 shows
44 tapes
2012
9 shows
10 tapes
2011
3 shows
3 tapes
2010
40 shows
58 tapes
2009
35 shows
44 tapes
2008
30 shows
34 tapes
2007
48 shows
56 tapes
2006
37 shows
44 tapes
2005
23 shows
25 tapes
2004
18 shows
20 tapes
2003
15 shows
16 tapes
2002
5 shows
5 tapes
2001
12 shows
12 tapes
2000
11 shows
11 tapes
1999
7 shows
7 tapes
1998
7 shows
7 tapes
1997
8 shows
11 tapes
1996
2 shows
2 tapes
1995
5 shows
5 tapes
1994
5 shows
5 tapes
1993
2 shows
2 tapes
1990
1 show
1 tape
2021
12/18/21
tuning, intro
1:21
Pogue's Weather
7:09
Beautiful Child Of God
9:18
Burn In Hell
5:35
Hallelujah Trail
8:29
Light Is Like Water (slow)
12:00
2020 Moons #
12:28
Days Of Heaven #**$$
8:28
Bone Towers #**$$
11:51
Book Burning #**$$
9:08
Eureka #**$$
9:32
San Acacia #**$$
7:17
band intros #**$$[][]
4:30
Loving Kindness #**$$++
17:50
E: Wisconsin Death Trip #**$$@
11:44
FIN
View on archive.org
Sources
Taper: Bill Mulvey
2:16:40
SBD
Taper:
Bill Mulvey
Transferrer:
Bill Mulvey
SHNID:
jj2021-12-18.vgmtx.vgrm701.flac1648
Source:
Matrix: [schoeps cmc621 (onstage, dfc) + SBD]>SD 744t
Lineage:
SD 744t>firewire>pc>WAV>Sound Forge 10.0 (Balance, lc, PD&Norm, alignment of SBD channels, massive amount of Sec.Balance [SBD only], EQ, FR, CR, tracking)>WAV>TLH>FLAC1648 (level 8)
Taper Notes:
View Notes...cover tunes & their corresponding artists/writers: "maybe i'm amazed" - Paul McCartney, artist (1st release on 4/17/1970); Paul McCartney, writer "let it be" - the Beatles, artist (1st recording in 1969); Paul McCartney, writer (credited to 'Lennon–McCartney') "wisconsin death trip" - Stockholm Syndrome, artist; Jerry Joseph/David Schools/Isaac Pritzker, writers Jerry Joseph - acoustic guitar, vox #=w/ Craig Greenberg - keys, b.vox **=w/ Walter Salas-Humara - doumbek, hand percussion $$=w/ Dimpker Brothers: Adam Dimpker - electric guitar, bass pedals, b.vox; Martin Dimpker - acoustic guitar, kick drum, b.vox Rich Lamb - foh sound (soundcheck, 1st song & a half of set) Bill Mulvey - foh sound (rest of show) Matrix: [schoeps cmc621 (onstage, dfc) + SBD]>SD 744t>firewire>pc>WAV>Sound Forge 10.0 (Balance, lc, PD&Norm, alignment of SBD channels, massive amount of Sec.Balance [SBD only], EQ, FR, CR, tracking)>WAV>TLH>FLAC1648 (level 8) recorded, mixed, mast/remastered & info research by Bill Mulvey vanillag NOTES: --This series was billed by City Vineyard as "Voices On the Hudson" --Jerry jokingly named this band the "Metaphysical Fuck-Yous" from the stage at this show. --This SBD portion of this matrix was a bear of a project & a literal MOUNTAIN of work to get it right before mixing it with the stage mics (what you are currently enjoying in your sexy earholes). Many, many days & sessions & hours were spent fixing so many strange balance issues on one side or the other (Left or Right), sometimes in very, very laborious, incremental sections...the right channel was also slightly ahead of the left throughout (by 0.014 ms), so that also had to be properly aligned...& lots of other detailed stuff. Something going on with the settings for that scene in the digital mixing desk that evening, no doubt. --I have never come across a SBD that needed that much help of fixing that many 'swings in balance' issues & I pray that I never come across & have to fix one like that again. --After mixing the sources, I found, targeted & cleanly scrubbed 62 bits of tiny little feedback rings from the set for all of our increased listening pleasure. Nothing too terrible or anything to begin with, but super clean now. --The 3 sections where Jerry leaves the stage to talk or sing up close & personal with the crowd, he is far away from any microphones (mics for the sbd or stage mics, etc.) so his voice can be barely heard at those times. Not much I could do to remedy that...I experimented with raising the stage mics at those points, but that was not very effective & made things sound weird. Would have been nice to have a pair of mics in the house for those portions. --Working on this & seeing it thru was a true labour of love & I spent a ton of blood, sweat & tears trying to get it right...I almost gave up on it a few times as it was just so frustrating. Why did I push it thru & finish it??...well, it was such a beautiful show that I knew would be represented well if I could just finish it & it also was a fairly important one as it is the only show Jerry played in NYC in 2021 or 2020 (for obvious reasons). --Jerry was only scheduled to play a 75-minute set at this event, but I finagled the super nice house sound guy to allow us an extra half hour & then they just played an additional half hour on top of that. That might not seem so amazing as JJ regularly plays over 2 hour shows, but in a venue such as this in NYC where things are tightly scripted & scheduled, it was a pretty sweet feat to pull off. A HUGE shout out must truly be given to the crowd who continued to order drinks & therefore aided big time in allowing JJ to go on...nice job, everyone!! --I hope everyone enjoys this. Absolutely!! https://www.jerryjoseph.com/ https://cosmosexschool.com/ https://www.facebook.com/jerryjosephmusic https://twitter.com/JerryJosephNMF https://www.instagram.com/jerryjosephofficial_/ https://open.spotify.com/artist/6Si6obxYS5yBJrdpZieVf3 https://www.youtube.com/channel/UCAAcjjItiUZSQJL6k2wAkwQ