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Helping Phriendly Orchestra
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June 19th
0 shows
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Years
2017
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2012
7
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2012
SBD
12/27
SBD
Reggie's Rock Club
Chicago, IL
2:19:34
1
tape
11/14
SBD
Martyrs
Unknown Location
50:37
1
tape
8/16
SBD
Martyr's
Chicago,IL
2:22:28
1
tape
5/17
SBD
MARTYR'S
Chicago,IL
2:29:50
1
tape
5/05
Slowdown
Omaha, NE
2:33:13
1
tape
2/02
Reggie's
Unknown Location
2:23:52
1
tape
1/19
SBD
MARTYR'S
CHICAGO,IL
2:52:53
1
tape
5/17/12
Runaway Jim
9:03
Foam
10:20
Sparkle
5:10
Down with Disease
11:07
Glide >
9:23
Rift >
1:44
Demand,
2:06
Split Open and Melt
10:17
The Squirming Coil
11:16
Run Like an Antelope
10:29
The Horse >
12:00
Silent in the Morning >
1:12
Nellie Kane
5:33
Dog Faced Boy
9:05
Slave to the Traffic Light
19:47
Encore: Rocky Top
4:18
DOG FACED BOY
6:04
SLAVE TO THE TRAFFIC LIGHT
7:51
ENCORE : ROCKY TOP
3:05
FIN
View on archive.org
Sources
Taper: Brooks Robinson
2:29:50
SBD
Taper:
Brooks Robinson
Transferrer:
Brooks Robinson
SHNID:
hpo2012-05-17
Source:
SBD>AUD>MTRX
Lineage:
SBD>AUD>MTRX
Taper Notes:
View Notes
HELPING PHRIENDLY ORCHESTRA RECREATES **PHISH AT THE BEACON THEATER NEW YORK,NY 4-14-1994 AT MARTYR'S , CHICAGO,IL 5-17-2012 Set 1: 1. Runaway Jim 2. Foam 3. Sparkle 4. Down with Disease 5. Glide > 6. Rift > 7. Demand, 8. Split Open and Melt 9. The Squirming Coil SET 2 10. Also Sprach Zarathustra 11. Run Like an Antelope 12. The Horse > 13. Silent in the Morning > 14. Scent of a Mule 15. You Enjoy Myself 16. Nellie Kane 17. Dog Faced Boy 18. Slave to the Traffic Light 19. Encore: Rocky Top RUN TIME 2:15:00 SOURCE: SBD>AUD>MATRIX DELL INSPIRON LAPTOP>ACL16.44/16>SONY PCM-D50 STAGE CENTER AT 4 FT HIGH, MICS 90 DEGREES>44/16 PRODUCED AND UPLOADED BY BROOKS ROBINSON BLTO TPR OUT. Dougy B. thanks for the help,K.G. in the house,Dave G. dancin around,Dancy Nancy and Husband were jamn' MATT AND JOE FROM ELK GROVE WELCOME TO THE TAPER'S WORLD **NOTES FROM THE ORIGINAL SHOW: Notes: Antelope contained a Random Note signal. YEM featured a guest trampoline jumper pulled from the audience taking Trey’s place in the tramps routine. Nellie Kane and Dog Faced Boy, which made its debut, were performed acoustic and without microphones.