2006
2006
Sources
Taper: Christopher Jones ([email protected])
1:37:12
Rating:
8.00 / 1 rating
Taper:
Christopher Jones ([email protected])
Transferrer:
Christopher Jones ([email protected])
SHNID:
guster2006-04-21.4011.neve.stereo192.flac16
Source:
DPA 4011 > Luminous Audio Technology Synchestra 4/9's Ag XLR Interconnect > Rupert Neve Designs Portico 5012 Microphone Preamplifier > Luminous Audio Technology Synchestra Signature 6/9's Cu XLR Interconnect > Mytek Digital Stereo192 Analog-to-Digital Con
Taper Notes:
View NotesGuster 21 April 2006 Hiro Ballroom Maritime Hotel New York, New York Taper: Christopher Jones Source: DPA 4011 > Luminous Audio Technology Synchestra 4/9's Ag XLR Interconnect > Rupert Neve Designs Portico 5012 Microphone Preamplifier > Luminous Audio Technology Synchestra Signature 6/9's Cu XLR Interconnect > Mytek Digital Stereo192 Analog-to-Digital Converter (@ 24-bit / 96 kHz) > Luminous Audio Technology Allegro Signature 4/9's Ag AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (locked to Stereo192 clock @ 96 kHz; 24-bit / 96 kHz) Location: Directly in front of FOH console, ~25' from stageleft stack. Mics ORTF, stand at ~ 10'. HD > .flac: Sound Devices 722 Hard Disk Recorder > Apple Power Mac G4 MP800 mHz / 512MB > T.C. Works' Spark XL 2.8 > xACT 1.4b28 Resampled and dithered using T.C. Works' respective highest quality resampling and Ultra-Noiseshaping functions. A 24-bit / 96 kHz version of this recording exists in .flac24.
Taper: Jason Reiser (jreiser_at_ecoutez_dot_com)
1:35:00
Taper:
Jason Reiser (jreiser_at_ecoutez_dot_com)
Transferrer:
Jason Reiser (jreiser_at_ecoutez_dot_com)
SHNID:
guster2006-04-21.mk21.flac16
Source:
Schoeps MK21 > KC5 > CMC6 > Sound Devices 744T @ 24bit/96kHz
Lineage:
744T > Firewire (MD5 verified) > Adobe Audition > iZotope Ozone 3 > CD Wave 1.94.5 beta > FLAC 1.1.2
Taper Notes:
View Notes(mics in ~ NOS, 11' high, dead center on the floor between the pillars) Notes: Downsampled in Audition w/ highest quality, dithered via MBIT+ (Ultra Noise Shaping, Normal Amount) in Ozone. Disc fades in Audition. Sorry about the 'overs' at the start and end of 'Jesus on the Radio' - got a little overzealous with the levels. * This is a downsampled 16/44.1 copy. Original 24/96 recording available upon request. *