Brokedown Palace | 1995-06-25 | Grateful Dead

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Grateful Dead

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Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Years Recent Top Venues Songs Tours

Years

1995

Riverport Amphitheatre

Maryland Heights, MO, USA

Riverport Amphitheatre

Maryland Heights, MO, USA

Deer Creek Music Center

Auburn Hills, MI, USA

Auburn Hills, MI, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Franklin County Airport

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Jefferson Civic Center Coliseum

Jefferson Civic Center Coliseum

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Salt Lake City, UT, USA

Salt Lake City, UT, USA

Salt Lake City, UT, USA

Sources

Taper: Dolphinsmile

gd1995-06-25.150028.sbd.dolphinsmile.flac1644

Source:

SDB>Dat>one gen of cassette> back to Dat>clone>file cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8

Transferrer: Roger Eichorn

gd1995-06-25.147721.sbd.spd-cor.sbeok.t-flac16

Source:

peed-correction done with Celemony Capstan by Roger Eichorn

Transferrer: Bill Bina

gd95-06-25.sbd.2236.sbefail.shnf

Source:

DSBD> DAT> CDR> EAC> shn

Taper Notes:

View NotesDSBD> DAT> CDR> EAC> shn; EAC>SHN by Bill Bina; etreed by Tony Gardner
With Bruce Hornsby on piano for the entire show

Taper: Robert Dunbar

gd1995-06-25.121122.nak300.dunbar-graves.flac1648

Source:

<b>flac16/48kHz</b>; Source: Nak 300's > A/D > D7;

Lineage:

D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves

Taper Notes:

View Notes*-w/Jerry Garcia on Guitar for the two Dylan tunes
The whole show features Bruce Hornsby on Piano

This show is a Boiler in the Basement Installment -
http://boilerinthebasementmusic.wordpress.com/

Taper: Baker

gd1995-06-25.Nak300CP4.Baker.Keo.113093.Flac2496

Source:

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper:Baker,Transfer By Keo Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz

Taper Notes:

View NotesComments:Another HUGE thanks to Mr. Baker for the source tapes of his 
last recorded GD show!The sound is a bit tinny or far away sounding for 
the first set but improves through the second set.As always ENJOY!

Taper: Baker

gd1995-06-25.Nak300CP4.Baker.Keo.113092.Flac1644

Source:

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper:Baker,Transfer By Keo Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper

Taper Notes:

View NotesComments:Another HUGE thanks to Mr. Baker for the source tapes of his 
last recorded GD show!The sound is a bit tinny or far away sounding for 
the first set but improves through the second set.As always ENJOY!

Transferrer: Scott Swayne

FOB AKG 300B/CK91 -> DAT ->DAT

Lineage:

Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8)

Taper Notes:

View NotesHornsby on Piano for this show.

The quality of this recording is amzazing, IMO. If all audience recordings sounded like this...

Every rose has its thorns:

Several split-second digi-zaps during Brokedown Palace were removed with favorable results. One or two barely audible digital anomalies remain, however.

Transferrer: Scott Swayne

FOB AKG 300B/CK91 -> DAT ->DAT

Lineage:

Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8)

Taper Notes:

View NotesHornsby on Piano for this show.

The quality of this recording is amzazing, IMO. If all audience recordings sounded like this...

Every rose has its thorns:

Several split-second digi-zaps during Brokedown Palace were removed with favorable results. One or two barely audible digital anomalies remain, however.

Taper: Tom Cooper and Dave Howard

Tom Cooper and Dave Howard

Transferrer:

[email protected]

SHNID:

gd1995-06-25.fob.schoeps.cooper-howard.braveman.27450.flac16

Source:

FOB Schoeps mk-4 >kcy >vms021b >d-10pro2 > DATs

Lineage:

DAT 60ES > M-Audio Audiophile USB > CDWAVE > Goldwave (patching, and resampling) > CDWAVE (tracking) > Flac Frontend

Taper Notes:

View NotesHorsby on piano for entire show, Dylan opened

Exellent FOB recording.  Minimal close crowd noise and very clear.  Has more low end than Nak 300 source.  Problems noted below.   This could be tracked to fit on 2 80 minutes discs, but this would involve cutting some of the interactive crowd stuff (we want phil and not fade away chant).  There are no fades except at beginning and end of each set.

Notes:
d2t09  toward the end of drums there were technical difficulties and a 2 min segment with dropouts
       and about 30seconds of missing music.  This was patched with other Nak 300 FOB source.
d3t03  2 second spot of diginoise also patched

Patch source: http://db.etree.org/shninfo_detail.php?shnid=10935

Taper: Wally Stine

gd95-06-25.nak300.stine.10935.sbeok.shnf

Source:

Audience: Nakamichi 300's

Lineage:

Nakamichi 300's > Sony D7 > Soundblaster Live > CD Wave > mkwACT > SHN

Taper Notes:

View NotesFOB Nak 300's at 6 feet, then up to 8 feet. 40 feet from stage, Dead fuckin center. Into a dony D-7. Dat  > Sblive > cd; Seeded to etree by Wally Stine