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June 7th
Years
1995
29.8k
PlaybackListensHours
48h835119
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h52574
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5k668
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k339
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h7k927
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k358
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k354
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k145
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k257
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h84994
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k215
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k153
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k176
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k220
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k286
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5k565
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k170
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.5k325
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h13k1.8k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4k547
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h70964
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.2k539
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.7k614
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k429
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k229
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k966
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.5k421
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h39847
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9415
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1995
6/21/95
tuning
6:10
Hell in a Bucket
8:52
Loser
8:45
Take Me To The River
6:19
Row Jimmy
15:36
Broken Arrow
5:15
Promised Land
5:14
tuning
4:54
Scarlet Begonias>
8:39
Fire on the Mountain
20:12
Women Smarter
7:35
It's All Too Much
6:01
Playin in the Band>
14:06
Drumz>
7:06
Space>
12:54
Easy Answers>
6:43
Morning Dew
12:03
encore break
2:00
US Blues
5:37
FIN
View on archive.org
Sources
Taper: Ray Ackerman
2:35:38
Rating:
10.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1995-06-21.141512.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesNotes: - Thanks to Ray for sharing his stellar recording. - Thanks to Charlie for orchestrating. - final "Row Jimmy" - Down in the Boondocks tuning while striding for just exactly perfect [s1t01] - final Man Smart (Woman are Smarter) - final/last Supplication Jam: 08-14-91 [286] - final Morning Dew
Taper: Andy Trate
2:39:56
Taper:
Andy Trate
Transferrer:
Dave Boedicker
SHNID:
gd1995-06-21.148797.nak300-cp4.boedicker.flac1644
Source:
Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes(Maxell XL-2-S 90 Minute Cassette Tape For 1st Set,Scotch Black Watch 2020 100 Minute Tape For 2nd Set.)
Taper Notes:
View NotesNotes: 1)I Took The Rare Occasion At The Time And Didn't Tape This Show As I Was Taking My Girlfriend At The Time To Her First GD Shows,So We Sat About 10 Rows Or So Up To The Side Of Vince Welnick And Watched The Show From There.I Lent My Friend Andy My Mics And Deck,And He Recorded The Show For Me That Night. 2)Tape Flip After"Row Jimmy"(No Music Missed oN Next Song "Broken Arrow"). 3) Tape Flip During "Playing In The Band" 4)Some Wow And Flutter During Start Of "Tuning For 2nd Set And Part Of "Scarlet Begonias" Warts And All Enjoy!!!
Taper: Pat Walsh
2:34:41
Taper:
Pat Walsh
Transferrer:
Tony Suraci
SHNID:
gd1995-06-21.141999.walsh.suraci.at835.flac1648
Source:
<b>flac16/48kHz</b>; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci
Taper Notes:
View Notes* Master Cassette transferred to DAT in 2003. DAT tape used for this source.
Taper: Seth Breidbart
2:44:01
Rating:
6.00 / 1 rating
Taper:
Seth Breidbart
Transferrer:
Eric Vandercar and Lenny Stubbe
SHNID:
gd1995-06-21.bk4021.120371.flac1648
Source:
Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
Taper Notes:
View Notes- Summer Solstice show - Long 6:10 tuning to begin the show. I trimmed only very little of what was on the DAT. Weir comments around the 4:20 mark about the need to get it "just exactly perfect", much to the crowds excitement. Thanks to the delay, I didn't miss the opening notes to the show! - Couple spots of slight digi noise that was between songs minimized/removed. No music was affected - Say what you will about 1995, I attended this one and found it to be an amazing experience inside and outside the Knickerbocker Arena. A Summer Solstice Scarlet>Fire and a Morning Dew that made the whole show and had strangers hugging strangers in every row/aisle! - 44.1 khz version exists Seeded to etree on: 05/26/2012
Taper: Seth Breidbart
2:44:01
Rating:
6.00 / 1 rating
Taper:
Seth Breidbart
Transferrer:
Eric Vandercar and Lenny Stubbe
SHNID:
gd1995-06-21.bk4021.120370.flac1644
Source:
Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
Taper Notes:
View Notes- Summer Solstice show - Long 6:10 tuning to begin the show. I trimmed only very little of what was on the DAT. Weir comments around the 4:20 mark about the need to get it "just exactly perfect", much to the crowds excitement. Thanks to the delay, I didn't miss the opening notes to the show! - Couple spots of slight digi noise that was between songs minimized/removed. No music was affected - Say what you will about 1995, I attended this one and found it to be an amazing experience inside and outside the Knickerbocker Arena. A Summer Solstice Scarlet>Fire and a Morning Dew that made the whole show and had strangers hugging strangers in every row/aisle! - 48 khz version exists Seeded to etree on: 05/26/2012
Taper: Heaton
2:45:04
Rating:
7.00 / 2 ratings
Taper:
Heaton
Transferrer:
Keo
SHNID:
gd1995-06-21.Nak300CP4.Heaton.Keo.115993.Flac1644
Source:
First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
Taper Notes:
View NotesComments:Big thanks to Mr. Heaton for sharing his masters with me and spinning me the tapes right after the shows!This was an excellent show for the summer 95 run and this recording is superb as well,unfortunately the dats no longer play so this will be the best we can do for this recording! As always ENJOY!
Taper: Heaton
2:45:04
Rating:
6.00 / 2 ratings
Taper:
Heaton
Transferrer:
Keo
SHNID:
gd1995-06-21.Nak300CP4.Heaton.Keo.115992.Flac2496
Source:
First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
Taper Notes:
View NotesComments:Big thanks to Mr. Heaton for sharing his masters with me and spinning me the tapes right after the shows!This was an excellent show for the summer 95 run and this recording is superb as well,unfortunately the dats no longer play so this will be the best we can do for this recording! As always ENJOY!
Transferrer: Bill Koucky
27:48
Rating:
10.00 / 2 ratings
Transferrer:
Bill Koucky
SHNID:
gd1995-06-21.sndchk.fm.gmb.91352.flac16
Source:
FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT
Lineage:
Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 (iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise) > CD Wave > TLH > FLAC
Taper: Dan Sisler
2:43:17
Rating:
7.33 / 3 ratings
Taper:
Dan Sisler
Transferrer:
Dan Stephens
SHNID:
gd1995-06-21.fob.schoeps.sisler.stephens.76664.sbeok.flac1648
Source:
Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7
Lineage:
ascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz)
Taper Notes:
View Notesspot of diginoise in "It's All Too Much" at 05:44
Taper: Dan Sisler
2:43:16
Rating:
7.00 / 2 ratings
Taper:
Dan Sisler
Transferrer:
Dan Stephens
SHNID:
gd1995-06-21.fob.schoeps.sisler.stephens.76663.sbeok.flac16
Source:
Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7
Lineage:
Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > Flac Frontend 1.7.1
Taper Notes:
View Notesspot of diginoise in "It's All Too Much" at 05:44
Transferrer: Chris Larson
2:37:45
Rating:
4.00 / 2 ratings
Transferrer:
Chris Larson
Source:
A:D (no mic info)
Lineage:
DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r or shn
Taper Notes:
View NotesTapes provided by Tom and Roger.
Transferrer: Dan Stephens
2:42:57
Rating:
6.63 / 37 ratings
Transferrer:
Dan Stephens
SHNID:
gd95-06-21.naks.5971.sbeok.shnf
Source:
Audience: Nakamichi 300's w/CP-4 caps
Lineage:
Nakamichi 300's w/CP-4 caps > Sony TCD-D7 (Oade Mod) > Tascam DA-20mkII > SBLive! (48-44.1) > CD Wave > mkwACT > SHN
Taper Notes:
View NotesNakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson