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June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1995
2/24/95
tuning
2:54
Help on the Way ->
4:12
Slipknot ->
7:51
Franklin's Tower
14:19
The Same Thing
6:55
Althea
9:50
When I Paint My Masterpiece
5:10
Loose Lucy
7:24
Let It Grow
13:05
Scarlet Begonias ->
9:04
Fire on the Mountain
13:36
Way to Go Home
6:50
Saint of Circumstance ->
8:32
Corrina ->
11:45
Drums ->
6:59
Space ->
18:09
Visions of Johanna ->
9:50
Turn on Your Lovelight
5:26
crowd
1:37
U.S. Blues
5:44
FIN
View on archive.org
Sources
Transferrer: Pete Ebel
2:47:05
Transferrer:
Pete Ebel
SHNID:
gd1995-02-24.141024.cmc4-mk41.ebel.flac1644
Source:
<b/>flac16/44.1 </b> Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DATTransfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: Tuning into Scarlet Begonias (0:00->0:22) supplied by #139126 Set #2 is Seamless
Taper: Dave Flaschner
2:49:12
Rating:
8.00 / 2 ratings
Taper:
Dave Flaschner
Transferrer:
Chris Davis
SHNID:
gd1995-02-24.akg.flaschner.91203.flac16
Source:
AKG 460b/ck61 -> custom pre-amp -> D-7
Lineage:
dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6)
Transferrer: Jon Seff
2:46:47
Rating:
5.54 / 13 ratings
Transferrer:
Jon Seff
SHNID:
gd95-02-24.AT.5493.sbeok.shnf
Source:
Audience - AT 4071's
Lineage:
AT 4071 > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction)
Taper Notes:
View Notesshntool-fixed version (by Jeff Kempka?) of <a href="http://db.etree.org/shninfo_detail.php?shnid=4776" rel="ugc nofollow">previous</a> shn set: AT 4071 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff
Transferrer: Jon Seff
5:33:33
Transferrer:
Jon Seff
SHNID:
gd1995-02-24.at4071.seff.4776.shnf
Source:
AT 4071 > DAT @48k
Lineage:
DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/normalizing) > WAV > SHN (no extraction)
Taper: John Ammons & Jeff Zimmer
2:48:30
Taper:
John Ammons & Jeff Zimmer
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1995-02-24.139126.FOB.Schoeps.Ammons.Zimmer.Noel.t-flac.16
Source:
<b>flac16/48kHz</b>; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC[ Mics in hair; John Ammons
Lineage:
DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48
Taper Notes:
View Notesnotes: - * Weir on acoustic - The second set had some sporadic channel issues that has been rectified. - Outstanding percussion session - The Aqua Net Saga (these recording won't flake) By the final two Oakland runs (Dec. '94 and Feb. 95) someone had gotten a massive bug up their ass about FOB taping. The bust circulated early and often. It was if as they gave security staff an edict to do nothing else but sweep for tapers. Why? The band was on life support, and the PA system, at least in the sweet spot, was a shell of its former self. But no matter. If one was so much as standing still and wearing a hat they were bust fodder. Or if, heaven forbid, one was standing next to a pile of back packs then the pack might become subject to a quick search. In order to come out with recordings of these shows, we resorted to extraordinary measures. Jeff Zimmer, a buddy of mine who worked in Cuppertino at Apple Computer, had long hair. Typically very politely pulled back in a pony tail. But he was able to fluff it out, rock star style, such the the Schoeps capsules were invisible inside his mane. So that's great, but what about the power supply and the deck? Wearing them would be risky, and a bag adjacent to his leg would be even riskier. So he came up with the concept of cutting holes in the soles of a pair of old high tops. The cables ran down through his shoes, and he made sure to stand where two blankets came together but with no bag or belongings anywhere near his feet. The cables ran to the back of the blanket where I ran the deck. - John