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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1995
Sources
Transferrer: Pete Ebel
2:47:05
Transferrer:
Pete Ebel
SHNID:
gd1995-02-24.141024.cmc4-mk41.ebel.flac1644
Source:
<b/>flac16/44.1 </b> Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DATTransfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: Tuning into Scarlet Begonias (0:00->0:22) supplied by #139126 Set #2 is Seamless
Taper: Dave Flaschner
2:49:12
Rating:
8.00 / 2 ratings
Taper:
Dave Flaschner
Transferrer:
Chris Davis
SHNID:
gd1995-02-24.akg.flaschner.91203.flac16
Source:
AKG 460b/ck61 -> custom pre-amp -> D-7
Lineage:
dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6)
Transferrer: Jon Seff
2:46:47
Rating:
5.54 / 13 ratings
Transferrer:
Jon Seff
SHNID:
gd95-02-24.AT.5493.sbeok.shnf
Source:
Audience - AT 4071's
Lineage:
AT 4071 > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction)
Taper Notes:
View Notesshntool-fixed version (by Jeff Kempka?) of <a href="http://db.etree.org/shninfo_detail.php?shnid=4776" rel="ugc nofollow">previous</a> shn set: AT 4071 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff
Transferrer: Jon Seff
5:33:33
Transferrer:
Jon Seff
SHNID:
gd1995-02-24.at4071.seff.4776.shnf
Source:
AT 4071 > DAT @48k
Lineage:
DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/normalizing) > WAV > SHN (no extraction)
Taper: John Ammons & Jeff Zimmer
2:48:30
Taper:
John Ammons & Jeff Zimmer
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1995-02-24.139126.FOB.Schoeps.Ammons.Zimmer.Noel.t-flac.16
Source:
<b>flac16/48kHz</b>; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC[ Mics in hair; John Ammons
Lineage:
DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48
Taper Notes:
View Notesnotes: - * Weir on acoustic - The second set had some sporadic channel issues that has been rectified. - Outstanding percussion session - The Aqua Net Saga (these recording won't flake) By the final two Oakland runs (Dec. '94 and Feb. 95) someone had gotten a massive bug up their ass about FOB taping. The bust circulated early and often. It was if as they gave security staff an edict to do nothing else but sweep for tapers. Why? The band was on life support, and the PA system, at least in the sweet spot, was a shell of its former self. But no matter. If one was so much as standing still and wearing a hat they were bust fodder. Or if, heaven forbid, one was standing next to a pile of back packs then the pack might become subject to a quick search. In order to come out with recordings of these shows, we resorted to extraordinary measures. Jeff Zimmer, a buddy of mine who worked in Cuppertino at Apple Computer, had long hair. Typically very politely pulled back in a pony tail. But he was able to fluff it out, rock star style, such the the Schoeps capsules were invisible inside his mane. So that's great, but what about the power supply and the deck? Wearing them would be risky, and a bag adjacent to his leg would be even riskier. So he came up with the concept of cutting holes in the soles of a pair of old high tops. The cables ran down through his shoes, and he made sure to stand where two blankets came together but with no bag or belongings anywhere near his feet. The cables ran to the back of the blanket where I ran the deck. - John