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June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h58879
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h750109
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k461
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.3k702
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h7k887
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3k390
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k366
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k562
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k118
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k214
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k424
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k191
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k163
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k251
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6k713
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k243
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k275
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.1k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h22.6k3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28731
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k487
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.8k786
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k316
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k209
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k179
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k179
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43755
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15220
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h42030
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1268
30d63237
2 shows
2 tapes
1995
2/19/95
s1t01 - crowd & tuning
3:38
s1t02 - Jack Straw
6:28
s1t03 - Sugaree
8:28
s1t04 - Walkin' Blues
6:52
s1t05 - Alabama Getaway
6:50
s1t06 - Me & My Uncle >
2:44
s1t07 - Big River
5:43
s1t08 - Don't Ease Me In
4:08
s2t01 - crowd & tuning
1:56
s2t02 - China Cat Sunflower >
7:34
s2t03 - I Know You Rider
4:47
s2t04 - Samson & Delilah
9:42
s2t05 - If The Shoe Fits >
6:22
s2t06 - New Speedway Boogie >
7:01
s2t07 - Estimated Prophet >
16:03
s2t08 - Drums >
6:39
s2t09 - Space>
21:34
s2t10 - I Need A Miracle >
5:58
s2t11 - Attics Of My Like >
4:39
s2t12 - Johnny B. Goode
4:39
s2t13 - encore break
2:40
s2t14 - It's All Over Now Baby Blue
6:57
FIN
View on archive.org
Sources
Taper: Jean Lerond
2:31:22
Taper:
Jean Lerond
Transferrer:
Jean Lerond
SHNID:
gd1995-02-19.145490.akg460b.lerond.t-flac1648
Source:
AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz
Lineage:
Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64 Audacity used for tracking, tagging, flac8 conversion
Taper Notes:
View Notes# Bob swaps to acoustic guitar for the rest of the set * jam without Jerry Performers Jerry Garcia (https://jerrygarcia.com/): guitar, lead and harmony vox; Mickey Hart (http://mickeyhart.net/): drums; Bill Kreutzmann (http://www.ocean-spirit.net/): drums; Phil Lesh (http://www.phillesh.net/): bass, lead and harmony vox; Bob Weir (http://bobweir.net/): guitar, acoustic guitar, lead and harmony vox; Vince Welnick (https://www.vincewelnick.com/): keyboards, harmony vox.
Transferrer: Pete Ebel
2:29:15
Transferrer:
Pete Ebel
SHNID:
gd1995-02-19.141066.fob.mk4v.ebel.flac1644
Source:
<b/>flac16/44.1 </b> Source Info:FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II-> DATTransfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: * This sounds to be same source as #10544 (Schoeps MK4?). #10544 has a repaired dropout in Rider and a cut during drums and 8:00 of space from another show leding into miracle. * This is different transfer (1st gen off Clete's Master). Little more low end and seems to be clean without any cuts. * Set #2 is Seamless
Taper: Keith Litzenberger
2:18:49
Rating:
9.33 / 8 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1995-02-19.schoeps.wklitz.95443.flac16
Source:
Schoeps CMC441's>koch power supply >Panasonic sv-255>Sony TCD-D10PROII Recorded by Keith Litzenberger via digital patch from Ed Boardman front Row of Taper's Section
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC
Transferrer: P.B. and Chris L.
2:33:19
Rating:
6.00 / 18 ratings
Transferrer:
P.B. and Chris L.
SHNID:
gd95-02-19.schoeps.10544.sbeok.shnf
Source:
Audience: Schoeps MK4's
Lineage:
Schoeps MK4's > DAT > CDR > WAV > SHNv3
Taper Notes:
View Notes- average audience recording without much low end. moderately intrusive crowd noise. - d2>d3 transition now seamless. - d/o at end of IKYR removed using soundforge 5. - originally tracked on 3 discs, this one easily fits on 2 80 minute discs. Some may find the break in If Shoe Fits > NSB aesthetically unpleasing. - compendium doesn't list this transition as being present, but there is no clear pause in the music between the two songs, just a sharp break, which i've tracked accordingly.