Bands
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Bands
Grateful Dead
Today In History
June 13th
Years
1995
30.2k
PlaybackListensHours
48h58879
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h750109
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k461
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.3k702
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h7k887
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3k390
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k366
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k562
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k118
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k214
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k424
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k191
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k163
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k251
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6k713
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k243
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k275
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.1k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h22.6k3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28731
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k487
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.8k786
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k316
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k209
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k179
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k179
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43755
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15220
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h42030
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1268
30d63237
2 shows
2 tapes
1981
Sources
Taper: Dan Healy
2:45:37
SBD
Rating:
9.00 / 2 ratings
Taper:
Dan Healy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143469.sbd.healy.miller.clugston.flac2496
Source:
Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)
Lineage:
Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid33568 soundboard source which supplies an 0:18 patch in "Drums" - Noodle into Wheel included in "The Wheel" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2018
Taper: Dan Healy
2:45:37
SBD
Taper:
Dan Healy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143468.sbd.healy.miller.clugston.flac1648
Source:
Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)
Lineage:
Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid33568 soundboard source which supplies an 0:18 patch in "Drums" - Noodle into Wheel included in "The Wheel" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2018
Transferrer: Charlie Miller
2:45:44
SBD
Transferrer:
Charlie Miller
SHNID:
gd1981-12-27.140329.sbd.pcm.gans.miller.clugston.flac1644
Source:
Vault Master Soundboard Cassette -> PCM
Taper Notes:
View NotesNotes: - Thanks to David Gans for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid33568 soundboard source which supplies the final 0:09 of "Sugar Magnolia", as well as "It's All Over Now, Baby Blue" in its entirety - Thanks to the folks responsible for the shnid120133 Nakamichi CM300 soource which supplies a 0:21 patch at the end of "Drums" into the beginning of "Space" - Wheel space included in "The Wheel" - Updated transfer info, my bad Mastered by Scott Clugston 12/22/2017
Transferrer: Charlie Miller
2:39:33
SBD
Rating:
9.29 / 15 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-27.sbd.gans.33568.sbeok.flac16
Source:
SBD -> Cassette Master (Dolby B)
Lineage:
Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC
Source 5 of 12
2:39:43
SBD
Rating:
9.20 / 10 ratings
SHNID:
gd81-12-27.sbd.clugston.9733.sbeok.shnf
Source:
Soundboard
Lineage:
Master Soundboard Cassette > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor
Transferrer: Willy Munder
2:34:26
SBD
Transferrer:
Willy Munder
SHNID:
gd1981-12-27.sbd.willy.8201.sbeok.shnf
Source:
SBD>MC>DAT>CD
Lineage:
CD > Cool Edit 2000 > CD Wave > SHORTEN > SHN
Taper Notes:
View NotesBrief skip at 0:07 d2t01 (Samson) MC flip at 7:29 of Drums (This is also the end of Disc 2) Missing Encore (Baby Blue) Final Passenger Performed
Taper: Mark Severson & Jaime Poris
2:45:18
Taper:
Mark Severson & Jaime Poris
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-27.167338.nak700.severson.poris.miller.clugston.flac2496
Source:
Mark Severson & Jaime Poris's Master Audience Cassettes; Nakamichi 700 mics x3 (Left/Right cardioids 6db EQ, Center omni) 35' feet from stage (at the free throw line) > Jaime Poris's custom built mixer > Sony D5M (Maxell MX-90's)
Lineage:
Master Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson and Jaime Poris for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this project - Thanks to Frank Streeter for the Beyer M-160 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Mark Severson & Jaime Poris
2:45:18
Taper:
Mark Severson & Jaime Poris
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-27.167337.nak700.severson.poris.miller.clugston.flac1648
Source:
Mark Severson & Jaime Poris's Master Audience Cassettes; Nakamichi 700 mics x3 (Left/Right cardioids 6db EQ, Center omni) 35' feet from stage (at the free throw line) > Jaime Poris's custom built mixer > Sony D5M (Maxell MX-90's)
Lineage:
Master Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson and Jaime Poris for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this project - Thanks to Frank Streeter for the Beyer M-160 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Frank Streeter
2:41:10
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143630.fob.beyer.m160.streeter.miller.clugston.flac2496
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to N. Hoey for the shnid120133 Nakamichi 300 source which supplies the set break announcement (0:10 total), a 1:28 patch in the "Drums > Space" transition, as well as the final notes and crowd after "It's All Over Now, Baby Blue" (0:11 total) - Wheel space included in "The Wheel" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston November 2018
Taper: Frank Streeter
2:41:10
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143629.fob.beyer.m160.streeter.miller.clugston.flac1648
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to N. Hoey for the shnid120133 Nakamichi 300 source which supplies the set break announcement (0:10 total), a 1:28 patch in the "Drums > Space" transition, as well as the final notes and crowd after "It's All Over Now, Baby Blue" (0:11 total) - Wheel space included in "The Wheel" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston November 2018
Taper: N. Hoey
2:41:32
Taper:
N. Hoey
Transferrer:
N. Hoey
SHNID:
gd1981-12-27.120133.nak300.hoey.flac16
Source:
Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > Xact
Taper Notes:
View NotesThe first set needed no patches (the deck was paused between songs and those breaks in continuity have been slightly edited to smooth the transitions), however the second set required three insert patches, at these locations: * A. 03.56 seconds from shnid 96562 patched in between "To Lay Me Down" and "Playing In The Band" as PITB begins (pause deck error) # B. 12.09 seconds from shnid 96562 patched 10 seconds into "Space" (tape flip) + C. 04.52 secomds from shnid 96562 patched at the finale of "Sugar Magnolia" (master tape 2 side b ran out - tape change) shnid 96562 suffers from a drop in sound quality during the second half of the second set, I suspect they needed to lower their mics to avoid getting discovered by a security sweep. This version retains consistent sound quality throughout.
Taper: anonymous taper, Jamie Poris, Mark Severson
2:39:25
Rating:
8.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and SIRMick
SHNID:
gd1981-12-27.nak700.anon-severson-poris.LMPP.96562.flac16
Source:
Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L
Taper Notes:
View NotesNotes: - there is a considerable sonic change from D3T02 to D3T05. I've tried to polish this up a little, but it's still very prominent. Seeing how this is the only aud circulating right now, I've opted not to patch with the soundboard. - This is a great, full sounding pull of a historic show. Many thanks to Mark for capturing it and lending his masters to LMPP to get them out. Tapers Notes - Jaime built the mic mixer and we all taped from the free throw line on the floor at the Oakland Auditorium. The mic's went from the mixer into my Sony TC-D5M. There was also a patch bay, but I don't remember how many decks were plugged in. I went to 10 New Years runs / shows from 1977 to 1990 and the 1981 run was my favorite.