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Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1981
12/27/81
New Minglewood Blues >
6:56
Sugaree
10:43
"Mick would like to..."
0:30
Cassidy
5:35
Deep Elem Blues >
5:46
C C Rider
7:58
Friend Of The Devil
9:21
Passenger
5:30
Althea >
5:58
Looks Like Rain >
8:55
Deal
6:16
Samson And Delilah
7:20
To Lay Me Down
8:10
Playing In The Band >
15:55
Drums >
7:32
Space >
9:30
The Wheel >
7:30
Playing In The Band >
4:03
Wharf Rat >
8:58
Sugar Magnolia
9:52
It's All Over Now, Baby Blue
7:07
FIN
View on archive.org
Sources
Taper: Dan Healy
2:45:37
SBD
Rating:
9.00 / 2 ratings
Taper:
Dan Healy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143469.sbd.healy.miller.clugston.flac2496
Source:
Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)
Lineage:
Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid33568 soundboard source which supplies an 0:18 patch in "Drums" - Noodle into Wheel included in "The Wheel" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2018
Taper: Dan Healy
2:45:37
SBD
Taper:
Dan Healy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143468.sbd.healy.miller.clugston.flac1648
Source:
Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)
Lineage:
Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid33568 soundboard source which supplies an 0:18 patch in "Drums" - Noodle into Wheel included in "The Wheel" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2018
Transferrer: Charlie Miller
2:45:44
SBD
Transferrer:
Charlie Miller
SHNID:
gd1981-12-27.140329.sbd.pcm.gans.miller.clugston.flac1644
Source:
Vault Master Soundboard Cassette -> PCM
Taper Notes:
View NotesNotes: - Thanks to David Gans for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid33568 soundboard source which supplies the final 0:09 of "Sugar Magnolia", as well as "It's All Over Now, Baby Blue" in its entirety - Thanks to the folks responsible for the shnid120133 Nakamichi CM300 soource which supplies a 0:21 patch at the end of "Drums" into the beginning of "Space" - Wheel space included in "The Wheel" - Updated transfer info, my bad Mastered by Scott Clugston 12/22/2017
Transferrer: Charlie Miller
2:39:33
SBD
Rating:
9.29 / 15 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-27.sbd.gans.33568.sbeok.flac16
Source:
SBD -> Cassette Master (Dolby B)
Lineage:
Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC
Source 5 of 12
2:39:43
SBD
Rating:
9.20 / 10 ratings
SHNID:
gd81-12-27.sbd.clugston.9733.sbeok.shnf
Source:
Soundboard
Lineage:
Master Soundboard Cassette > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor
Transferrer: Willy Munder
2:34:26
SBD
Transferrer:
Willy Munder
SHNID:
gd1981-12-27.sbd.willy.8201.sbeok.shnf
Source:
SBD>MC>DAT>CD
Lineage:
CD > Cool Edit 2000 > CD Wave > SHORTEN > SHN
Taper Notes:
View NotesBrief skip at 0:07 d2t01 (Samson) MC flip at 7:29 of Drums (This is also the end of Disc 2) Missing Encore (Baby Blue) Final Passenger Performed
Taper: Mark Severson & Jaime Poris
2:45:18
Taper:
Mark Severson & Jaime Poris
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-27.167338.nak700.severson.poris.miller.clugston.flac2496
Source:
Mark Severson & Jaime Poris's Master Audience Cassettes; Nakamichi 700 mics x3 (Left/Right cardioids 6db EQ, Center omni) 35' feet from stage (at the free throw line) > Jaime Poris's custom built mixer > Sony D5M (Maxell MX-90's)
Lineage:
Master Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson and Jaime Poris for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this project - Thanks to Frank Streeter for the Beyer M-160 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Mark Severson & Jaime Poris
2:45:18
Taper:
Mark Severson & Jaime Poris
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-27.167337.nak700.severson.poris.miller.clugston.flac1648
Source:
Mark Severson & Jaime Poris's Master Audience Cassettes; Nakamichi 700 mics x3 (Left/Right cardioids 6db EQ, Center omni) 35' feet from stage (at the free throw line) > Jaime Poris's custom built mixer > Sony D5M (Maxell MX-90's)
Lineage:
Master Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson and Jaime Poris for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this project - Thanks to Frank Streeter for the Beyer M-160 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Frank Streeter
2:41:10
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143630.fob.beyer.m160.streeter.miller.clugston.flac2496
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to N. Hoey for the shnid120133 Nakamichi 300 source which supplies the set break announcement (0:10 total), a 1:28 patch in the "Drums > Space" transition, as well as the final notes and crowd after "It's All Over Now, Baby Blue" (0:11 total) - Wheel space included in "The Wheel" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston November 2018
Taper: Frank Streeter
2:41:10
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143629.fob.beyer.m160.streeter.miller.clugston.flac1648
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to N. Hoey for the shnid120133 Nakamichi 300 source which supplies the set break announcement (0:10 total), a 1:28 patch in the "Drums > Space" transition, as well as the final notes and crowd after "It's All Over Now, Baby Blue" (0:11 total) - Wheel space included in "The Wheel" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston November 2018
Taper: N. Hoey
2:41:32
Taper:
N. Hoey
Transferrer:
N. Hoey
SHNID:
gd1981-12-27.120133.nak300.hoey.flac16
Source:
Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > Xact
Taper Notes:
View NotesThe first set needed no patches (the deck was paused between songs and those breaks in continuity have been slightly edited to smooth the transitions), however the second set required three insert patches, at these locations: * A. 03.56 seconds from shnid 96562 patched in between "To Lay Me Down" and "Playing In The Band" as PITB begins (pause deck error) # B. 12.09 seconds from shnid 96562 patched 10 seconds into "Space" (tape flip) + C. 04.52 secomds from shnid 96562 patched at the finale of "Sugar Magnolia" (master tape 2 side b ran out - tape change) shnid 96562 suffers from a drop in sound quality during the second half of the second set, I suspect they needed to lower their mics to avoid getting discovered by a security sweep. This version retains consistent sound quality throughout.
Taper: anonymous taper, Jamie Poris, Mark Severson
2:39:25
Rating:
8.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and SIRMick
SHNID:
gd1981-12-27.nak700.anon-severson-poris.LMPP.96562.flac16
Source:
Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L
Taper Notes:
View NotesNotes: - there is a considerable sonic change from D3T02 to D3T05. I've tried to polish this up a little, but it's still very prominent. Seeing how this is the only aud circulating right now, I've opted not to patch with the soundboard. - This is a great, full sounding pull of a historic show. Many thanks to Mark for capturing it and lending his masters to LMPP to get them out. Tapers Notes - Jaime built the mic mixer and we all taped from the free throw line on the floor at the Oakland Auditorium. The mic's went from the mixer into my Sony TC-D5M. There was also a patch bay, but I don't remember how many decks were plugged in. I went to 10 New Years runs / shows from 1977 to 1990 and the 1981 run was my favorite.