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Today In History
June 8th
9 shows
70 tapes
Years
1995
29.8k
PlaybackListensHours
48h53971
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k133
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k301
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k266
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.9k822
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.4k681
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.1k132
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k189
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78686
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k159
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h989129
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k186
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k190
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.9k237
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8k860
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k195
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k226
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.5k3k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k396
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.7k862
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k488
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k317
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k171
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.8k473
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k376
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h62887
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10814
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h16913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h422
7d845
30d56133
2 shows
2 tapes
1981
12/27/81
Crowd/Tuning
1:57
New MInglewood Blues >
6:55
Sugaree
11:43
Cassidy
5:50
Deep Elem Blues >
5:55
CC Rider
8:11
Friend Of The Devil
9:33
Passenger
5:40
Althea >
6:07
Looks Like Rain >
9:06
Deal
6:24
Samson & Delilah
7:29
To Lay Me Down
8:35
Playin' In The Band >
16:06
Drums >
7:52
Space >
9:47
The Wheel >
8:56
Playin' In The Band Reprise >
2:57
Wharf Rat >
9:04
Sugar Magnolia
10:08
E: It's All Over Now, Baby Blue
7:03
FIN
View on archive.org
Sources
Taper: Dan Healy
2:45:37
SBD
Rating:
9.00 / 2 ratings
Taper:
Dan Healy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143469.sbd.healy.miller.clugston.flac2496
Source:
Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)
Lineage:
Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid33568 soundboard source which supplies an 0:18 patch in "Drums" - Noodle into Wheel included in "The Wheel" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2018
Taper: Dan Healy
2:45:37
SBD
Taper:
Dan Healy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143468.sbd.healy.miller.clugston.flac1648
Source:
Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)
Lineage:
Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid33568 soundboard source which supplies an 0:18 patch in "Drums" - Noodle into Wheel included in "The Wheel" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2018
Transferrer: Charlie Miller
2:45:44
SBD
Transferrer:
Charlie Miller
SHNID:
gd1981-12-27.140329.sbd.pcm.gans.miller.clugston.flac1644
Source:
Vault Master Soundboard Cassette -> PCM
Taper Notes:
View NotesNotes: - Thanks to David Gans for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid33568 soundboard source which supplies the final 0:09 of "Sugar Magnolia", as well as "It's All Over Now, Baby Blue" in its entirety - Thanks to the folks responsible for the shnid120133 Nakamichi CM300 soource which supplies a 0:21 patch at the end of "Drums" into the beginning of "Space" - Wheel space included in "The Wheel" - Updated transfer info, my bad Mastered by Scott Clugston 12/22/2017
Transferrer: Charlie Miller
2:39:33
SBD
Rating:
9.29 / 15 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-27.sbd.gans.33568.sbeok.flac16
Source:
SBD -> Cassette Master (Dolby B)
Lineage:
Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC
Source 5 of 12
2:39:43
SBD
Rating:
9.20 / 10 ratings
SHNID:
gd81-12-27.sbd.clugston.9733.sbeok.shnf
Source:
Soundboard
Lineage:
Master Soundboard Cassette > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor
Transferrer: Willy Munder
2:34:26
SBD
Transferrer:
Willy Munder
SHNID:
gd1981-12-27.sbd.willy.8201.sbeok.shnf
Source:
SBD>MC>DAT>CD
Lineage:
CD > Cool Edit 2000 > CD Wave > SHORTEN > SHN
Taper Notes:
View NotesBrief skip at 0:07 d2t01 (Samson) MC flip at 7:29 of Drums (This is also the end of Disc 2) Missing Encore (Baby Blue) Final Passenger Performed
Taper: Mark Severson & Jaime Poris
2:45:18
Taper:
Mark Severson & Jaime Poris
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-27.167338.nak700.severson.poris.miller.clugston.flac2496
Source:
Mark Severson & Jaime Poris's Master Audience Cassettes; Nakamichi 700 mics x3 (Left/Right cardioids 6db EQ, Center omni) 35' feet from stage (at the free throw line) > Jaime Poris's custom built mixer > Sony D5M (Maxell MX-90's)
Lineage:
Master Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson and Jaime Poris for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this project - Thanks to Frank Streeter for the Beyer M-160 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Mark Severson & Jaime Poris
2:45:18
Taper:
Mark Severson & Jaime Poris
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-27.167337.nak700.severson.poris.miller.clugston.flac1648
Source:
Mark Severson & Jaime Poris's Master Audience Cassettes; Nakamichi 700 mics x3 (Left/Right cardioids 6db EQ, Center omni) 35' feet from stage (at the free throw line) > Jaime Poris's custom built mixer > Sony D5M (Maxell MX-90's)
Lineage:
Master Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson and Jaime Poris for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this project - Thanks to Frank Streeter for the Beyer M-160 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Frank Streeter
2:41:10
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143630.fob.beyer.m160.streeter.miller.clugston.flac2496
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to N. Hoey for the shnid120133 Nakamichi 300 source which supplies the set break announcement (0:10 total), a 1:28 patch in the "Drums > Space" transition, as well as the final notes and crowd after "It's All Over Now, Baby Blue" (0:11 total) - Wheel space included in "The Wheel" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston November 2018
Taper: Frank Streeter
2:41:10
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143629.fob.beyer.m160.streeter.miller.clugston.flac1648
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to N. Hoey for the shnid120133 Nakamichi 300 source which supplies the set break announcement (0:10 total), a 1:28 patch in the "Drums > Space" transition, as well as the final notes and crowd after "It's All Over Now, Baby Blue" (0:11 total) - Wheel space included in "The Wheel" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston November 2018
Taper: N. Hoey
2:41:32
Taper:
N. Hoey
Transferrer:
N. Hoey
SHNID:
gd1981-12-27.120133.nak300.hoey.flac16
Source:
Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > Xact
Taper Notes:
View NotesThe first set needed no patches (the deck was paused between songs and those breaks in continuity have been slightly edited to smooth the transitions), however the second set required three insert patches, at these locations: * A. 03.56 seconds from shnid 96562 patched in between "To Lay Me Down" and "Playing In The Band" as PITB begins (pause deck error) # B. 12.09 seconds from shnid 96562 patched 10 seconds into "Space" (tape flip) + C. 04.52 secomds from shnid 96562 patched at the finale of "Sugar Magnolia" (master tape 2 side b ran out - tape change) shnid 96562 suffers from a drop in sound quality during the second half of the second set, I suspect they needed to lower their mics to avoid getting discovered by a security sweep. This version retains consistent sound quality throughout.
Taper: anonymous taper, Jamie Poris, Mark Severson
2:39:25
Rating:
8.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and SIRMick
SHNID:
gd1981-12-27.nak700.anon-severson-poris.LMPP.96562.flac16
Source:
Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L
Taper Notes:
View NotesNotes: - there is a considerable sonic change from D3T02 to D3T05. I've tried to polish this up a little, but it's still very prominent. Seeing how this is the only aud circulating right now, I've opted not to patch with the soundboard. - This is a great, full sounding pull of a historic show. Many thanks to Mark for capturing it and lending his masters to LMPP to get them out. Tapers Notes - Jaime built the mic mixer and we all taped from the free throw line on the floor at the Oakland Auditorium. The mic's went from the mixer into my Sony TC-D5M. There was also a patch bay, but I don't remember how many decks were plugged in. I went to 10 New Years runs / shows from 1977 to 1990 and the 1981 run was my favorite.