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Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h56976
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.9k238
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.6k326
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h1.7k228
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h2.9k422
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k293
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k128
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k208
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h67877
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k176
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h4.4k512
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.1k150
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k134
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.6k206
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3k344
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.4k205
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k244
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h18.1k2.5k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h9.2k1.3k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h33936
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h4.6k621
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h8.6k1.1k
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k262
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k191
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.6k181
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.2k193
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h76197
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12818
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h39824
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h594
7d1076
30d59434
2 shows
2 tapes
1981
12/27/81
New Minglewood Blues >
6:57
Sugaree
10:41
Cassidy
5:37
Deep Elem Blues >
5:55
C.C. Rider
7:51
Friend Of The Devil
8:44
Passenger
5:12
Althea >
6:07
Looks Like Rain >
9:12
Deal
6:19
Samson And Delilah
7:12
To Lay Me Down
6:57
Playing In The Band >
8:22
Drums >
16:52
Space >
7:21
The Wheel >
10:31
Playing In The Band >
7:40
Wharf Rat >
3:15
Sugar Magnolia
9:12
It's All Over Now, Baby Blue
9:36
FIN
View on archive.org
Sources
Taper: Dan Healy
2:45:37
SBD
Rating:
9.00 / 2 ratings
Taper:
Dan Healy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143469.sbd.healy.miller.clugston.flac2496
Source:
Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)
Lineage:
Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid33568 soundboard source which supplies an 0:18 patch in "Drums" - Noodle into Wheel included in "The Wheel" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2018
Taper: Dan Healy
2:45:37
SBD
Taper:
Dan Healy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143468.sbd.healy.miller.clugston.flac1648
Source:
Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)
Lineage:
Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid33568 soundboard source which supplies an 0:18 patch in "Drums" - Noodle into Wheel included in "The Wheel" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2018
Transferrer: Charlie Miller
2:45:44
SBD
Transferrer:
Charlie Miller
SHNID:
gd1981-12-27.140329.sbd.pcm.gans.miller.clugston.flac1644
Source:
Vault Master Soundboard Cassette -> PCM
Taper Notes:
View NotesNotes: - Thanks to David Gans for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid33568 soundboard source which supplies the final 0:09 of "Sugar Magnolia", as well as "It's All Over Now, Baby Blue" in its entirety - Thanks to the folks responsible for the shnid120133 Nakamichi CM300 soource which supplies a 0:21 patch at the end of "Drums" into the beginning of "Space" - Wheel space included in "The Wheel" - Updated transfer info, my bad Mastered by Scott Clugston 12/22/2017
Transferrer: Charlie Miller
2:39:33
SBD
Rating:
9.29 / 15 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-27.sbd.gans.33568.sbeok.flac16
Source:
SBD -> Cassette Master (Dolby B)
Lineage:
Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC
Source 5 of 12
2:39:43
SBD
Rating:
9.20 / 10 ratings
SHNID:
gd81-12-27.sbd.clugston.9733.sbeok.shnf
Source:
Soundboard
Lineage:
Master Soundboard Cassette > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor
Transferrer: Willy Munder
2:34:26
SBD
Transferrer:
Willy Munder
SHNID:
gd1981-12-27.sbd.willy.8201.sbeok.shnf
Source:
SBD>MC>DAT>CD
Lineage:
CD > Cool Edit 2000 > CD Wave > SHORTEN > SHN
Taper Notes:
View NotesBrief skip at 0:07 d2t01 (Samson) MC flip at 7:29 of Drums (This is also the end of Disc 2) Missing Encore (Baby Blue) Final Passenger Performed
Taper: Mark Severson & Jaime Poris
2:45:18
Taper:
Mark Severson & Jaime Poris
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-27.167338.nak700.severson.poris.miller.clugston.flac2496
Source:
Mark Severson & Jaime Poris's Master Audience Cassettes; Nakamichi 700 mics x3 (Left/Right cardioids 6db EQ, Center omni) 35' feet from stage (at the free throw line) > Jaime Poris's custom built mixer > Sony D5M (Maxell MX-90's)
Lineage:
Master Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson and Jaime Poris for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this project - Thanks to Frank Streeter for the Beyer M-160 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Mark Severson & Jaime Poris
2:45:18
Taper:
Mark Severson & Jaime Poris
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-27.167337.nak700.severson.poris.miller.clugston.flac1648
Source:
Mark Severson & Jaime Poris's Master Audience Cassettes; Nakamichi 700 mics x3 (Left/Right cardioids 6db EQ, Center omni) 35' feet from stage (at the free throw line) > Jaime Poris's custom built mixer > Sony D5M (Maxell MX-90's)
Lineage:
Master Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson and Jaime Poris for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this project - Thanks to Frank Streeter for the Beyer M-160 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Frank Streeter
2:41:10
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143630.fob.beyer.m160.streeter.miller.clugston.flac2496
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to N. Hoey for the shnid120133 Nakamichi 300 source which supplies the set break announcement (0:10 total), a 1:28 patch in the "Drums > Space" transition, as well as the final notes and crowd after "It's All Over Now, Baby Blue" (0:11 total) - Wheel space included in "The Wheel" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston November 2018
Taper: Frank Streeter
2:41:10
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-27.143629.fob.beyer.m160.streeter.miller.clugston.flac1648
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to N. Hoey for the shnid120133 Nakamichi 300 source which supplies the set break announcement (0:10 total), a 1:28 patch in the "Drums > Space" transition, as well as the final notes and crowd after "It's All Over Now, Baby Blue" (0:11 total) - Wheel space included in "The Wheel" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston November 2018
Taper: N. Hoey
2:41:32
Taper:
N. Hoey
Transferrer:
N. Hoey
SHNID:
gd1981-12-27.120133.nak300.hoey.flac16
Source:
Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > Xact
Taper Notes:
View NotesThe first set needed no patches (the deck was paused between songs and those breaks in continuity have been slightly edited to smooth the transitions), however the second set required three insert patches, at these locations: * A. 03.56 seconds from shnid 96562 patched in between "To Lay Me Down" and "Playing In The Band" as PITB begins (pause deck error) # B. 12.09 seconds from shnid 96562 patched 10 seconds into "Space" (tape flip) + C. 04.52 secomds from shnid 96562 patched at the finale of "Sugar Magnolia" (master tape 2 side b ran out - tape change) shnid 96562 suffers from a drop in sound quality during the second half of the second set, I suspect they needed to lower their mics to avoid getting discovered by a security sweep. This version retains consistent sound quality throughout.
Taper: anonymous taper, Jamie Poris, Mark Severson
2:39:25
Rating:
8.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and SIRMick
SHNID:
gd1981-12-27.nak700.anon-severson-poris.LMPP.96562.flac16
Source:
Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L
Taper Notes:
View NotesNotes: - there is a considerable sonic change from D3T02 to D3T05. I've tried to polish this up a little, but it's still very prominent. Seeing how this is the only aud circulating right now, I've opted not to patch with the soundboard. - This is a great, full sounding pull of a historic show. Many thanks to Mark for capturing it and lending his masters to LMPP to get them out. Tapers Notes - Jaime built the mic mixer and we all taped from the free throw line on the floor at the Oakland Auditorium. The mic's went from the mixer into my Sony TC-D5M. There was also a patch bay, but I don't remember how many decks were plugged in. I went to 10 New Years runs / shows from 1977 to 1990 and the 1981 run was my favorite.