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Bands
Grateful Dead
Today In History
June 8th
Years
1995
30k
PlaybackListensHours
48h53371
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h841110
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.8k371
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.3k289
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h7.4k1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3.4k432
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.1k128
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h1.9k217
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h80088
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.5k177
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h979129
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k188
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.6k197
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k268
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.9k730
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k177
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.6k226
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.1k427
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h81879
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.9k630
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.1k527
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.9k352
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k188
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h7k715
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k344
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h39050
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9213
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21616
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h422
7d1026
30d57334
2 shows
2 tapes
1981
Sources
Transferrer: Charlie Miller
2:43:51
SBD
Transferrer:
Charlie Miller
SHNID:
gd1981-12-07.141898.sbd.cm.miller.flac1644
Source:
SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This file set is 16 bit @ 44.1 htz
Transferrer: Charlie Miller
2:43:50
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-07.141707.sbd.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Source 3 of 8
1:29:37
SBD
Rating:
8.00 / 6 ratings
SHNID:
gd81-12-07.set2-sbd.miller.12970.sbeok.shnf
Source:
Soundboard
Lineage:
Set 2 : SBD> MC> C> DAT> CD
Taper Notes:
View Notes2nd set only; SBD> MC> C> DAT> CD; seeded by Charlie Miller
Taper: Frank Streeter
1:28:42
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-07.143939.set2.fob.senn421.streeter.miller.clugston.flac2496
Source:
Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90)
Lineage:
Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to SIRMick for the shnid798578 audience source which supplies the crowd and first 0:25 of "Mississippi Half-Step Uptown Toodeloo", as well as a 2:12 patch in "Drums" - Pitch corrected - 1st Set tape lost Mastered by Scott Clugston November 2018
Taper: Frank Streeter
1:28:42
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-07.143938.set2.fob.senn421.streeter.miller.clugston.flac1648
Source:
Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90)
Lineage:
Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to SIRMick for the shnid798578 audience source which supplies the crowd and first 0:25 of "Mississippi Half-Step Uptown Toodeloo", as well as a 2:12 patch in "Drums" - Pitch corrected - 1st Set tape lost Mastered by Scott Clugston November 2018
Source 6 of 8
2:38:34
SHNID:
gd1981-12-07.158878.mtx.seamons.ht151.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 7, 2022
Transferrer: SIRMick
2:36:23
Rating:
8.40 / 6 ratings
Transferrer:
SIRMick
Taper Notes:
View Notes- this is a pitch corrected version of shnid 8448 - I compared set II to the circulating soundboard. I found that d2 was fast by a variable amount of between 3.4% - 3.6%. d3 was mostly in the region of 3.2% - Not being a musician I had to make a judgement call on d1 as I had nothing to compare it to, I settled on the average for d2 of of 3.5%. - I also made two small level adjustments, removed a few small artifacts, put in some crossfades where there were cuts in crowd sections and Drums - polished with iZotope Ozone - encore missing
Source 8 of 8
2:32:19
Rating:
8.25 / 8 ratings
SHNID:
gd81-12-07.aud.munder.8448.sbeok.shnf
Source:
Audience Recording