Bands
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Bands
Grateful Dead
Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h62584
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k221
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.1k381
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.2k284
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.1k451
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.1k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.5k306
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k136
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k199
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h71280
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k171
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.2k381
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k156
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k141
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k175
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.1k472
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k228
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k249
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h19.7k2.7k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.7k964
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h44246
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h6.3k843
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.5k833
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.2k282
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k190
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.8k196
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.6k251
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h875117
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13117
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h28816
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h463
7d1076
30d59434
2 shows
2 tapes
1981
Sources
Transferrer: Charlie Miller
2:43:51
SBD
Transferrer:
Charlie Miller
SHNID:
gd1981-12-07.141898.sbd.cm.miller.flac1644
Source:
SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This file set is 16 bit @ 44.1 htz
Transferrer: Charlie Miller
2:43:50
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-07.141707.sbd.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Source 3 of 8
1:29:37
SBD
Rating:
8.00 / 6 ratings
SHNID:
gd81-12-07.set2-sbd.miller.12970.sbeok.shnf
Source:
Soundboard
Lineage:
Set 2 : SBD> MC> C> DAT> CD
Taper Notes:
View Notes2nd set only; SBD> MC> C> DAT> CD; seeded by Charlie Miller
Taper: Frank Streeter
1:28:42
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-07.143939.set2.fob.senn421.streeter.miller.clugston.flac2496
Source:
Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90)
Lineage:
Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to SIRMick for the shnid798578 audience source which supplies the crowd and first 0:25 of "Mississippi Half-Step Uptown Toodeloo", as well as a 2:12 patch in "Drums" - Pitch corrected - 1st Set tape lost Mastered by Scott Clugston November 2018
Taper: Frank Streeter
1:28:42
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-07.143938.set2.fob.senn421.streeter.miller.clugston.flac1648
Source:
Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90)
Lineage:
Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to SIRMick for the shnid798578 audience source which supplies the crowd and first 0:25 of "Mississippi Half-Step Uptown Toodeloo", as well as a 2:12 patch in "Drums" - Pitch corrected - 1st Set tape lost Mastered by Scott Clugston November 2018
Source 6 of 8
2:38:34
SHNID:
gd1981-12-07.158878.mtx.seamons.ht151.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 7, 2022
Transferrer: SIRMick
2:36:23
Rating:
8.40 / 6 ratings
Transferrer:
SIRMick
Taper Notes:
View Notes- this is a pitch corrected version of shnid 8448 - I compared set II to the circulating soundboard. I found that d2 was fast by a variable amount of between 3.4% - 3.6%. d3 was mostly in the region of 3.2% - Not being a musician I had to make a judgement call on d1 as I had nothing to compare it to, I settled on the average for d2 of of 3.5%. - I also made two small level adjustments, removed a few small artifacts, put in some crossfades where there were cuts in crowd sections and Drums - polished with iZotope Ozone - encore missing
Source 8 of 8
2:32:19
Rating:
8.25 / 8 ratings
SHNID:
gd81-12-07.aud.munder.8448.sbeok.shnf
Source:
Audience Recording