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June 5th
Years
1995
27k
PlaybackListensHours
48h3k411
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69697
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.7k503
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k135
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.8k238
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.8k357
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k496
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k141
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k289
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h933104
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h2k234
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k202
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k196
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.8k222
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k272
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.4k623
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k192
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h16k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h84074
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.3k540
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.3k563
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k371
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.3k253
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.8k665
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k532
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h51765
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h15522
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h52740
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1981
9/13/81
Jack Straw ->
5:45
Bertha
7:07
Me And My Uncle ->
3:09
Big River
5:51
To Lay Me Down ->
8:34
Little Red Rooster
8:47
Loser
7:20
Passenger
5:07
Ramble On Rose ->
6:56
Let It Grow ->
11:26
Might As Well
4:41
Cold Rain And Snow ->
5:41
Samson And Delilah
8:03
It Must Have Been The Roses
6:07
Lost Sailor ->
7:06
Saint Of Circumstance ->
6:31
Terrapin Station ->
13:12
Never Trust A Woman ->
6:51
Drums ->
11:36
Space ->
7:13
The Wheel ->
5:24
I Need A Miracle ->
4:03
Goin' Down The Road Feeling Bad -
5:57
Sugar Magnolia *
8:53
I Can't Get No) Satisfaction * ->
5:55
Brokedown Palace *
5:04
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
3:11:34
SBD
Rating:
10.00 / 1 rating
Taper:
Joani Walker and Paul Scotton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-13.148724.sbd.walker.scotton.miller.clugston.flac2496
Source:
Master Soundboard Cassette > Cassette
Lineage:
1st generation cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and all the folks responsible for the (FOB) Nakamichi 700 source which supplies a 1:13 patch in "Loser", the final 1:28 of "Terrapin Station", "Never Trust A Woman" and "Drums" in their entireties (20:53 total), some crowd and the first 0:25 of "Satisfaction (0:37 total), as well as "Brokedown Palace" in its entirety - Pitch corrected Mastered by Scott Clugston January 2020
Taper: Joani Walker and Paul Scotton
3:11:34
SBD
Rating:
6.00 / 1 rating
Taper:
Joani Walker and Paul Scotton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-13.148723.sbd.walker.scotton.miller.clugston.flac1648
Source:
Master Soundboard Cassette > Cassette
Lineage:
1st generation cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and all the folks responsible for the (FOB) Nakamichi 700 source which supplies a 1:13 patch in "Loser", the final 1:28 of "Terrapin Station", "Never Trust A Woman" and "Drums" in their entireties (20:53 total), some crowd and the first 0:25 of "Satisfaction (0:37 total), as well as "Brokedown Palace" in its entirety - Pitch corrected Mastered by Scott Clugston January 2020
Transferrer: Charlie Miller
3:08:11
SBD
Rating:
8.22 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-09-13.sbd.miller.32576.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD; Set 2: SBD -> Cassette Master -> Cassette
Lineage:
Set 1: CD -> EAC -> Samplitude Professional v7.02 -> FLAC ; Set 2: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: There are (FOB)Senn 421>Cass Master Patches in the following songs: Jack Straw, Loser, Terrapin Station, Never Trust A Women, Drums, Satisfaction and Brokedown Palace. Notes: -- Seamless transition between discs 2 and 3 -- Thanks to Paul Scotton and Joani Walker for Set 2 -- Thanks to Jeff Harrison and Jake Feinberg for Set 1 -- Thanks to Jim Wise for the AUD used for patching -- I cleaned up some flaws in the 1st Set and adjusted the levels
Source 4 of 13
1:19:09
SBD
Lineage:
Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH (SBE-OK, FLAC compression, checksums) > FLAC
Taper Notes:
View NotesNotes: The Jim Wise AUD from LMA supplies the first nine seconds of Jack Straw and one minute of Loser (starting at 02:12) to cover the tape flip. The tape has hiss and surface noise from past generations. Also, there's an intermittent buzzing that seems to be coming from Bob's guitar and is likely on the master. I used Soundforge to make fades, small edits, normalize the volume, and cross-fade the AUD patches. Thanks go to Jeff Harrison for providing the cassette, and to Jake Feinberg for feverishly tracking this down. ENJOY & SMILE!
Taper: Mark Severson
3:08:00
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-13.148628.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:11 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Mark Severson
3:08:00
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-13.148627.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:11 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Frank Streeter
3:01:57
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-09-13.140012.fob.senn421.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid95425 nak700 source which supplies 0:23 in the transition between "Terrapin Station" and "Never Trust A Woman", and also thanks to the folks responsible for the shnid125670 nak300 source which supplies 10:53 of "Drums" and "Space" - Between song transitions smoothed
Taper: Frank Streeter
3:01:57
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-09-13.140011.fob.senn421.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid95425 nak700 source which supplies 0:23 in the transition between "Terrapin Station" and "Never Trust A Woman", and also thanks to the folks responsible for the shnid125670 nak300 source which supplies 10:53 of "Drums" and "Space" - Between song transitions smoothed
Taper: Bob Wagner
3:08:39
Rating:
10.00 / 3 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-09-13.nak700.wagner.miller.105585.flac16
Source:
Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Recorded By Robert Wagner -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Jim Wise
3:05:24
Rating:
7.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1981-09-13.senn421.wise.miller.102437.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: N. Hoey
3:02:19
Rating:
10.00 / 1 rating
Taper:
N. Hoey
Transferrer:
N. Hoey
SHNID:
gd1981-09-13.nak300.hoey.125670.flac24
Source:
Recorded, Transferred and Mastered by N. Hoey (tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B) (tracks 01-11 TDK SA-X C 90 ~ tracks 14-26 Maxell UDXL IIS C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
Taper Notes:
View NotesA straight transfer (of my master, not the patches), no DSP at all. minimal editing consisting of cross fades at pause breaks, insertion of patches, a few small level adjustments. * These tracks sourced from a 1st gen. copy I made for a friend. The master tape has been missing for many years, a major reason for this not being circulated before. I kept hoping it would turn up. However, the well preserved copy is practically indistinguishable. Patches were sourced from shnid 105585 and shnid 95425. Slight eq and pitch adjustments were made to improve sound character matching. This source is marred by occasional wind flutter, mostly during the first set.
Taper: anonymous taper, Jamie Poris, Mark Severson
3:04:24
Rating:
10.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1981-09-13.nak700.anon-poris-severson.LMPP.95425.flac16
Source:
3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 75 Deg angle, center-omni straight at stage, 40 deg up) 40 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B)
Lineage:
MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
Taper Notes:
View NotesNotes: - After the Egypt sources, the anonymous taper contacted me to talk about transferring and editing some more masters from his collection. These Greek Theater shows were a tapers choice, a run he holds near and dear. These tapes were made by a group of friends. The taper explained how he had spent the majority of the weekend waiting in line just to get to the sweet spot inside the venue where he knew the sound would be at its best. He didn't want to see these tapes (and many others) that represent wonderful moments in music history, deteriorate without ever being circulated. For him, these tapes represent really great times, where friendships were made by individuals from different backgrounds and talents with a common goal of trying to capture the sense of being there. - All tape flips and short pauses between songs are cross faded - This is a very nice recording. Very full sound. The vocals are a little low in the mix at times but the aura of the show is more than enough to make up for it. - Thanks to MOTB for the use of the HD-p2
Taper: Jim Wise
3:02:37
Rating:
7.71 / 7 ratings
Taper:
Jim Wise
SHNID:
gd81-09-13.wise.munder.7092.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
Sennheiser 421 mics > Sony TC D-5
Taper Notes:
View NotesSennheiser 421 mics > Sony TC D-5, taped by Jim Wise (see his notes in info file); via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy