RELISTENTOTHE Grateful Dead
Re
1981
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Grateful Dead
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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1981
9/12/81
Shakedown Street
13:56
Greatest Story Ever Told
3:50
Friend Of The Devil ->
8:38
El Paso
5:13
Bird Song ->
10:34
Cassidy
5:59
Tennessee Jed ->
7:54
Looks Like Rain
8:38
China Cat Sunflower ->
6:57
I Know You Rider
6:03
Scarlet Begonias ->
11:53
Fire On The Mountain
13:03
C C Rider
9:41
Estimated Prophet ->
11:02
Eyes Of The World ->
14:47
Space ->
4:32
Drums ->
9:35
Not Fade Away ->
9:49
Wharf Rat ->
9:39
Around And Around ->
4:01
One More Saturday Night
4:29
It's All Over Now, Baby Blue
7:08
What's Happenin' Phil?
2:04
Good Lovin'
8:08
FIN
View on archive.org
Sources
Taper: Barry Glassberg
3:30:46
Taper:
Barry Glassberg
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1981-09-12.169768.nak700.glassberg.menke.miller.clugston.flac1648
Source:
Barry Glassberg's Master Audience Cassettes; Nakamichi 700 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > KORG MR-2000 (DSF 1-bit/5.6 MHz)> AudioGate (24-bit/96k .wav) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Barry Glassberg for the master cassettes - Thanks to Bob Menke for the transfer and coordinating this effort - Thanks to Bob Menke for the Nakamichi 700 source which supplies a 0:14 patch in "Cassidy", as well as a 0:35 patch in "Good Lovin' - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:13 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2024
Taper: Mark Severson
3:23:33
Rating:
9.00 / 2 ratings
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-12.148626.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 75 degree angle; 6db bass EQ, omni center pointed straight at stage, 40' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:06 patch in the "Bird Song > Cassidy" transition, as well as a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Mark Severson
3:23:33
Rating:
10.00 / 2 ratings
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-12.148625.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 75 degree angle; 6db bass EQ, omni center pointed straight at stage, 40' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:06 patch in the "Bird Song > Cassidy" transition, as well as a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Jim Wise
3:20:12
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-12.142836.fob.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid95671 FOB Nakamichi 300 source which supplies a patch in the transition between the end of "Bird Song" thru the middle of the first verse of "Cassidy" (0:18 total), an 0:11 patch in "Drums", as well as the "Good Lovin'" encore in its entirety - Patch source massaged slightly to better match primary source - "Space" before "Drums" - Noodle into NFA included in "Not Fade Away" - Another very fine capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
3:20:12
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-12.142835.fob.senn421.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid95671 FOB Nakamichi 300 source which supplies a patch in the transition between the end of "Bird Song" thru the middle of the first verse of "Cassidy" (0:18 total), an 0:11 patch in "Drums", as well as the "Good Lovin'" encore in its entirety - Patch source massaged slightly to better match primary source - "Space" before "Drums" - Noodle into NFA included in "Not Fade Away" - Another very fine capture Mastered by Scott Clugston July 2018
Taper: Scott Wiseman
3:18:20
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1981-09-12.158148.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies some crowd and beginning of "Shakedown Street" (1:04 total),a 0:20 patch in "Friend Of The Devil", a 0:15 patch in "Bird Song", a 0:27 patch in "Cassidy", a 0:14 patch in "Looks Like Rain", some crowd and beginning of "Scarlet Begonias" (0:59 total), a 1:17 patch in the beginning of "Eyes Of The World", a 2:49 patch at the end of "Wharf Rat" and beginning of "Around & Around", as well as some crowd and beginning of "It's All Over Now, Baby Blue" (1:29 total) - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Scott Wiseman
3:18:20
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1981-09-12.158147.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies some crowd and beginning of "Shakedown Street" (1:04 total),a 0:20 patch in "Friend Of The Devil", a 0:15 patch in "Bird Song", a 0:27 patch in "Cassidy", a 0:14 patch in "Looks Like Rain", some crowd and beginning of "Scarlet Begonias" (0:59 total), a 1:17 patch in the beginning of "Eyes Of The World", a 2:49 patch at the end of "Wharf Rat" and beginning of "Around & Around", as well as some crowd and beginning of "It's All Over Now, Baby Blue" (1:29 total) - Pitch corrected Mastered by Scott Clugston May 2022
Taper: N. Hoey
3:18:20
Rating:
8.00 / 1 rating
Taper:
N. Hoey
Transferrer:
N. Hoey
SHNID:
gd1981-09-12.nak300.hoey.125697.flac16
Source:
<b>flac16</b>;Recorded, Transferred and Mastered by N. Hoey (shnid 123788)(tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)
Taper Notes:
View NotesA straight transfer, no DSP at all. minimal editing consisting of cross fades at pause breaks, insertion of patches, a few small level adjustments. There is some sparse minor wind noise, most noticeable in Candyman. track 5 - 5.05 seconds from shnid 95391 added at the beginning (late start after flip and rewind) track 13 - 40.10 seconds from shnid 95391 added as it begins (tape change canceled, reinserted previous cassette) tracks 17-18 6.40 seconds from shnid 95391 added bridging between tracks (master flip) cdr track listing 01-10 78.01 mins 11-17 74.59 mins 18-24 45.29 mins
Taper: n hoey
3:18:20
Rating:
10.00 / 1 rating
Taper:
n hoey
Transferrer:
n hoey
SHNID:
gd1981-09-12.nak300.hoey.123788.flac24
Source:
Recorded, Transferred and Mastered by N. Hoey (shnid 123665)(tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
Taper Notes:
View NotesA straight transfer, no DSP at all. minimal editing consisting of cross fades at pause breaks, insertion of patches, a few small level adjustments. There is some sparse minor wind noise, most noticeable in Candyman. track 5 - 5.05 seconds from shnid 95391 added at the beginning (late start after flip and rewind) track 13 - 40.10 seconds from shnid 95391 added as it begins (tape change canceled, reinserted previous cassette) tracks 17-18 6.40 seconds from shnid 95391 added bridging between tracks (master flip) No cdr track listing for this 24 bit file set.
Taper: anonymous taper, Jamie Poris, Mark Severson
3:17:14
Rating:
9.43 / 7 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1981-09-12.nak700.anon-poris-severson.LMPP.95391.flac16
Source:
3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 75 Deg angle, center-omni straight at stage, 40 deg up) 40 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B)
Lineage:
MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
Taper Notes:
View NotesNotes: - After the Egypt sources, the anonymous taper contacted me to talk about transferring and editing some more masters from his collection. These Greek Theater shows were a tapers choice, a run he holds near and dear. These tapes were made by a group of friends. The taper explained how he had spent the majority of the weekend waiting in line just to get to the sweet spot inside the venue where he knew the sound would be at its best. He didn't want to see these tapes (and many others) that represent wonderful moments in music history, deteriorate without ever being circulated. For him, these tapes represent really great times, where friendships were made by individuals from different backgrounds and talents with a common goal of trying to capture the sense of being there. - Patch at the beginning of cassidy and it's all over now baby blue from shnID 23658 - Good Lovin patched in from shnID 23658 - All tape flips and short pauses between songs are cross faded - Another nice speciman. Very full sounding. - Thanks to MOTB for the use of the HD-p2