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Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1981
9/12/81
Tuning
0:35
Shakedown Street ->
13:44
Greatest Story Ever Told
4:16
Friend Of The Devil ->
8:31
El Paso
5:13
Bird Song ->
10:36
Cassidy
7:56
Tennessee Jed ->
7:50
Looks Like Rain
8:52
China Cat Sunflower ->
7:22
I Know You Rider
5:33
Scarlet Begonias ->
12:06
Fire On The Mountain ->
12:50
C C Rider
9:40
Estimated Prophet ->
10:49
Eyes Of The World ->
11:43
Jam ->
3:58
Space ->
3:28
Drums ->
9:16
Not Fade Away ->
10:06
Wharf Rat ->
9:21
Around And Around ->
3:55
One More Saturday Night
4:32
It's All Over Now, Baby Blue
6:57
Good Lovin'
8:05
FIN
View on archive.org
Sources
Taper: Barry Glassberg
3:30:46
Taper:
Barry Glassberg
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1981-09-12.169768.nak700.glassberg.menke.miller.clugston.flac1648
Source:
Barry Glassberg's Master Audience Cassettes; Nakamichi 700 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > KORG MR-2000 (DSF 1-bit/5.6 MHz)> AudioGate (24-bit/96k .wav) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Barry Glassberg for the master cassettes - Thanks to Bob Menke for the transfer and coordinating this effort - Thanks to Bob Menke for the Nakamichi 700 source which supplies a 0:14 patch in "Cassidy", as well as a 0:35 patch in "Good Lovin' - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:13 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2024
Taper: Mark Severson
3:23:33
Rating:
9.00 / 2 ratings
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-12.148626.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 75 degree angle; 6db bass EQ, omni center pointed straight at stage, 40' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:06 patch in the "Bird Song > Cassidy" transition, as well as a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Mark Severson
3:23:33
Rating:
10.00 / 2 ratings
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-12.148625.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 75 degree angle; 6db bass EQ, omni center pointed straight at stage, 40' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:06 patch in the "Bird Song > Cassidy" transition, as well as a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Jim Wise
3:20:12
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-12.142836.fob.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid95671 FOB Nakamichi 300 source which supplies a patch in the transition between the end of "Bird Song" thru the middle of the first verse of "Cassidy" (0:18 total), an 0:11 patch in "Drums", as well as the "Good Lovin'" encore in its entirety - Patch source massaged slightly to better match primary source - "Space" before "Drums" - Noodle into NFA included in "Not Fade Away" - Another very fine capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
3:20:12
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-12.142835.fob.senn421.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid95671 FOB Nakamichi 300 source which supplies a patch in the transition between the end of "Bird Song" thru the middle of the first verse of "Cassidy" (0:18 total), an 0:11 patch in "Drums", as well as the "Good Lovin'" encore in its entirety - Patch source massaged slightly to better match primary source - "Space" before "Drums" - Noodle into NFA included in "Not Fade Away" - Another very fine capture Mastered by Scott Clugston July 2018
Taper: Bob Wagner
3:22:53
Rating:
9.09 / 13 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-09-12.nak700.wagner.miller.105584.flac16
Source:
Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Recorded by Robert Wagner -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Joani Walkerand Paul Scotton
3:24:35
Rating:
8.44 / 10 ratings
Taper:
Joani Walkerand Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1981-09-12.fob.nak300.walker-scotton.miller.95671.sbeok.flac16
Source:
(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> CD (shnid=23729) supplies: C C Rider (0:00 - 0:41) Eyes Of The World (15:51 - 16:22) It's All Over Now, Baby Blue (0:00 - 0:04) Notes: -- All disc changes are seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Taper: Scott Wiseman
3:18:20
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1981-09-12.158148.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies some crowd and beginning of "Shakedown Street" (1:04 total),a 0:20 patch in "Friend Of The Devil", a 0:15 patch in "Bird Song", a 0:27 patch in "Cassidy", a 0:14 patch in "Looks Like Rain", some crowd and beginning of "Scarlet Begonias" (0:59 total), a 1:17 patch in the beginning of "Eyes Of The World", a 2:49 patch at the end of "Wharf Rat" and beginning of "Around & Around", as well as some crowd and beginning of "It's All Over Now, Baby Blue" (1:29 total) - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Scott Wiseman
3:18:20
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1981-09-12.158147.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies some crowd and beginning of "Shakedown Street" (1:04 total),a 0:20 patch in "Friend Of The Devil", a 0:15 patch in "Bird Song", a 0:27 patch in "Cassidy", a 0:14 patch in "Looks Like Rain", some crowd and beginning of "Scarlet Begonias" (0:59 total), a 1:17 patch in the beginning of "Eyes Of The World", a 2:49 patch at the end of "Wharf Rat" and beginning of "Around & Around", as well as some crowd and beginning of "It's All Over Now, Baby Blue" (1:29 total) - Pitch corrected Mastered by Scott Clugston May 2022
Taper: N. Hoey
3:18:20
Rating:
8.00 / 1 rating
Taper:
N. Hoey
Transferrer:
N. Hoey
SHNID:
gd1981-09-12.nak300.hoey.125697.flac16
Source:
<b>flac16</b>;Recorded, Transferred and Mastered by N. Hoey (shnid 123788)(tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)
Taper Notes:
View NotesA straight transfer, no DSP at all. minimal editing consisting of cross fades at pause breaks, insertion of patches, a few small level adjustments. There is some sparse minor wind noise, most noticeable in Candyman. track 5 - 5.05 seconds from shnid 95391 added at the beginning (late start after flip and rewind) track 13 - 40.10 seconds from shnid 95391 added as it begins (tape change canceled, reinserted previous cassette) tracks 17-18 6.40 seconds from shnid 95391 added bridging between tracks (master flip) cdr track listing 01-10 78.01 mins 11-17 74.59 mins 18-24 45.29 mins
Taper: n hoey
3:18:20
Rating:
10.00 / 1 rating
Taper:
n hoey
Transferrer:
n hoey
SHNID:
gd1981-09-12.nak300.hoey.123788.flac24
Source:
Recorded, Transferred and Mastered by N. Hoey (shnid 123665)(tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
Taper Notes:
View NotesA straight transfer, no DSP at all. minimal editing consisting of cross fades at pause breaks, insertion of patches, a few small level adjustments. There is some sparse minor wind noise, most noticeable in Candyman. track 5 - 5.05 seconds from shnid 95391 added at the beginning (late start after flip and rewind) track 13 - 40.10 seconds from shnid 95391 added as it begins (tape change canceled, reinserted previous cassette) tracks 17-18 6.40 seconds from shnid 95391 added bridging between tracks (master flip) No cdr track listing for this 24 bit file set.
Source 12 of 17
3:17:33
Rating:
10.00 / 4 ratings
SHNID:
gd1981-09-12.nak300.101497.flac16
Source:
2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(TDK SA-X 90, Maxell UDXL-II 90 'Estimated thru Baby Bloe')
Lineage:
Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact
Taper: anonymous taper, Jamie Poris, Mark Severson
3:17:14
Rating:
9.43 / 7 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1981-09-12.nak700.anon-poris-severson.LMPP.95391.flac16
Source:
3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 75 Deg angle, center-omni straight at stage, 40 deg up) 40 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B)
Lineage:
MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
Taper Notes:
View NotesNotes: - After the Egypt sources, the anonymous taper contacted me to talk about transferring and editing some more masters from his collection. These Greek Theater shows were a tapers choice, a run he holds near and dear. These tapes were made by a group of friends. The taper explained how he had spent the majority of the weekend waiting in line just to get to the sweet spot inside the venue where he knew the sound would be at its best. He didn't want to see these tapes (and many others) that represent wonderful moments in music history, deteriorate without ever being circulated. For him, these tapes represent really great times, where friendships were made by individuals from different backgrounds and talents with a common goal of trying to capture the sense of being there. - Patch at the beginning of cassidy and it's all over now baby blue from shnID 23658 - Good Lovin patched in from shnID 23658 - All tape flips and short pauses between songs are cross faded - Another nice speciman. Very full sounding. - Thanks to MOTB for the use of the HD-p2
Taper: Jim Wise
3:09:29
Rating:
8.92 / 13 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd81-09-12.aud.wise.25317.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
FOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing) > CD > EAC > WAV > SHN
Taper Notes:
View NotesFOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing!) > CD > EAC > WAV > SHN. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs
Taper: Steven Martin
3:18:22
Rating:
7.00 / 2 ratings
Taper:
Steven Martin
Transferrer:
(EAC > SHN by Jack Warner)
SHNID:
gd1981-09-12.nak700.martin.warner.23729.sbeok.flac16
Source:
modified Nakamichi CM-700 mics > Sony TC-D5M > MAC (Maxell metal tape)
Lineage:
MAC > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding
Taper: Jim Wise
3:16:23
Rating:
6.00 / 1 rating
Taper:
Jim Wise
Transferrer:
SIRMick
Lineage:
Adobe Audition, iZoptope Ozone, CD Wave, shorten used
Taper Notes:
View NotesThis is the same as shnid 7091 with Good Lovin' added so that the show is now complete. Good Lovin' was joined by fading the volume at the end of the applause on Baby Blue to match the levels at the start of Good Lovin'. There was a small gap in Good Lovin' at 0:00:50 which was repaired using Adobe Audition. The vocals were a little low so I have raised their prominence using iZoptope Ozone. Then they were tracked with CD Wave and shns made with shorten. There is a small dropout in the right channel at &:05 in Good Lovin'
Taper: Jim Wise
3:08:14
Rating:
8.75 / 16 ratings
Taper:
Jim Wise
SHNID:
gd81-09-12.wise.munder.7091.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
Sennheiser 421 mics > Sony TC D-5
Taper Notes:
View NotesSennheiser 421 mics > Sony TC D-5, taped by Jim Wise (see his notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy