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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h766105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h70598
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.7k496
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k365
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.4k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.7k351
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k377
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k153
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k248
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h929103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k213
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k144
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k203
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k216
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k300
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.3k674
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k283
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.5k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.7k506
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h82483
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.4k564
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.5k589
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k413
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k223
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.2k939
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k360
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h37646
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23518
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1981
9/11/81
Happy Birthday Mickey
2:00
New Minglewood Blues
7:00
They Love Each Other
7:26
Mama Tried >
2:31
Mexicali Blues
5:22
Candyman >
6:40
Little Red Rooster
8:27
Cumberland Blues >
4:41
Beat It On Down The Line
3:25
Althea
9:19
Lost Sailor >
7:28
Saint Of Circumstance >
7:11
Deal
8:20
Feel Like A Stranger >
7:40
Franklin's Tower
14:20
Man Smart (Woman Smarter)
6:06
He's Gone >
12:58
Truckin' >
12:23
Drums >
8:41
Space >
5:01
The Other One >
11:24
Morning Dew >
11:00
Johnny B. Goode
4:25
Encore Break
0:45
Don't Ease Me In
3:14
FIN
View on archive.org
Sources
Taper: Mark Severson
2:57:47
Rating:
10.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-11.148624.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:11 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Mark Severson
2:57:47
Rating:
6.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-11.148623.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:11 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Joani Walker and Paul Scotton
2:59:54
Rating:
9.43 / 8 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1981-09-11.fob.nak300.walker.scotton.miller.95743.sbeok.flac16
Source:
(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master -> CD (shnid=7090) supplies: Space (4:11 - 4:20) Notes: -- Set 2 is seamless -- Recorded by Joani Walker -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 8
2:55:18
Rating:
8.00 / 1 rating
SHNID:
gd1981-09-11.nak300.hoey.125676.flac16
Source:
Recorded, Transferred and Mastered by N. Hoey (tagged version)(flac16); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)
Taper Notes:
View NotesA straight transfer, no DSP at all. minimal editing consisting of cross fades at pause breaks, insertion of patches, a few small level adjustments. track 17 - 2.30 seconds from shnid 7090 added at the beginning (late unpausing) track 18 - 7.12 second from shnid 95290 patch at 05:52 (master flip) tracks 22-23 - 6.12 second from shnid 95290 patch bridging between them (master tape change)
Taper: n hoey
2:55:18
Rating:
8.00 / 1 rating
Taper:
n hoey
Transferrer:
n hoey
SHNID:
gd1981-09-11.123665.nak300.hoey.flac24
Source:
Recorded, Transferred and Mastered by N. Hoey (tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
Taper Notes:
View NotesNotes: A straight transfer, no DSP at all. minimal editing consisting of cross fades at pause breaks, insertion of patches, a few small level adjustments. track 17 - 2.30 seconds from shnid 7090 added at the beginning (late unpausing) track 18 - 7.12 second from shnid 95290 patch at 05:52 (master flip) tracks 22-23 - 6.12 second from shnid 95290 patch bridging between them (master tape change) Not cdr track listing for this 24 bit file set.
Taper: anonymous taper, Jamie Poris, Mark Severson
2:53:24
Rating:
10.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1981-09-11.nak700.anon-poris-severson.LMPP.95290.flac16
Source:
3 Nakamich 700's (left and right Cardiod at 100 Deg, center omni 45 deg up) 45 feet from stage, dead center > Hand made 3 mic mixer > Sony D5 > MAC (dolby B)
Lineage:
MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > WL 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
Taper Notes:
View NotesNotes: - After the Egypt sources, the anonymous taper contacted me to talk about transferring and editing some more masters from his collection. These Greek Theater shows were a tapers choice, a run he holds near and dear. These tapes were made by a group of friends. The taper explained how he had spent the majority of the weekend waiting in line just to get to the sweet spot inside the venue where he knew the sound would be at its best. He didn't want to see these tapes (and many others) that represent wonderful moments in music history, deteriorate without ever being circulated. For him, these tapes represent really great times, where friendships were made by individuals from different backgrounds and talents with a common goal of trying to capture the sense of being there. You'll notice a special mention of two names as below: Jamie Poris and Mark Severson. From what I've been told, these three worked as team, along with many others, to get these great pulls. Thanks to them and their friends for putting in the effort to make these tapes! The three Nak 700 mix gives a very full sound. This source and the circulating sources all have there pros and con's. I'll let you as a listener decide which suits your ear. Take what you want and leave the rest. Hopefully many more to follow. - Between song banter patched in between new Minglewood and They Love Each other from shnID31791 - Drums/space patched from shnID3179 - All tape flips and non invasive pauses between songs are cross faded - There is a slight blemish in the vocals in a few spots of candyman and althea, Very minimal. - Slight blemishes in Women Are Smarter and He's Gone. very minor, left as is. - This is a very nice recording. Very full. An absolute pleasure to work on. Happy b-day and minglewood are a little muffled compared to the rest of the source so stay tuned through these to get a real feel for the show. - Thanks to MOTB for the use of the HD-p2
Source 7 of 8
2:55:24
Rating:
8.00 / 3 ratings
Source:
2 nak 300 mics>Sony TC-5m(Dolby B)>MAC
Lineage:
MAC>Nak Dragon(dolby decoded)>Panasonic 3800 DAT (A-D)>Soundforge-CD Architect>cdr>roxio toast>Apple G4(Xact)
Taper: Jim Wise
2:56:05
Rating:
9.25 / 8 ratings
Taper:
Jim Wise
SHNID:
gd81-09-11.wise.munder.7090.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
Sennheiser 421 mics > Sony TC D-5
Taper Notes:
View NotesSennheiser 421 mics > Sony TC D-5, taped by Jim Wise (see his notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy