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Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h57877
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k230
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.7k331
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h1.8k238
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3k426
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.3k289
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k128
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k209
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h67977
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k173
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h4.2k497
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.1k147
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k134
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.6k201
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.2k368
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k211
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k244
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h18.4k2.5k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h8.9k1.2k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h34437
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h4.9k658
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h8.2k1.1k
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k263
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k193
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k185
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.3k198
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h825106
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12718
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h35921
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h604
7d1076
30d59434
2 shows
2 tapes
1981
8/30/81
Mississippi Half Step
8:28
Franklin’s Tower
9:17
Minglewood Blues
6:45
Tennessee Jed
8:05
Mama Tried >
2:37
Mexicali Blues
4:25
It Must’ve Been The Roses
6:42
Beat It On Down The Line
3:04
Cumberland Blues
5:20
Looks Like Rain
8:07
Might As Well
4:26
Samson And Delilah
7:22
Ship Of Fools
8:04
Estimated Prophet >
12:23
He’s Gone >
14:46
dru/ms > space >
8:45
The Other One >
9:06
Stella Blue >
10:15
Goin’ Down The Road Feelin’ Bad >
6:00
Good Lovin’
8:10
e: Don’t Ease Me In
3:13
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:52:59
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.sbd.miller.105216.flac16
Source:
SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a re-master of shnid=30118 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:56:18
SBD
Rating:
8.00 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd81-08-30.sbd.miller.30118.sbeok.flacf
Source:
Soundboard
Lineage:
SBD > Cassette Master > Cassette > Cassette > DAT > CD > EAC > Samplitude v7.02 Professional > FLAC16
Taper Notes:
View NotesThere are a few patches in the 1st Set (due to diginoise) with SBD>Cm>?>Cass>CD. There is a split-second of noise in GDTRFB that I couldn't patch. There are also patches in Roses, Might As Well, He's Gone, Drums, Good Lovin and all of Don't Ease Me In from (FOB)Neumann KM84>Cass Master>Dat>Cool Edit Pro>CD. (It's not as bad as it looks) -- Seamless transition between discs 2 and 3. -- Thanks to Andy Lemieux and Joe Browning for their help with this project.
Transferrer: JR Fishman
2:51:19
SBD
Rating:
10.00 / 3 ratings
Transferrer:
JR Fishman
SHNID:
gd1981-08-30.sbd.miller.fishman.repitch-30118.78602.sbefail.flac16
Source:
SBD > Cassette Master > Cassette > Cassette > Dat > CD D
Lineage:
CD > EAC > Samplitude v7.02 Professional > FLAC
Taper Notes:
View Notes-- Seamless transition between discs 2 and 3. -- Thanks to Andy Lemieux and Joe Browning for their help with this project. -- Pitch and Tempo adjusted by JR Fishman to 96.92% using audience recording
Taper: Jim Vita
2:46:20
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.152724.nak304.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the (FOB) Sennheiser 441 source which supplies the crowd and beginning of "Tennessee Jed (0:49 total), the crowd and first few notes of "Samson & Delilah" (0:09 total), a 0:40 patch in the Jam after "He's Gone", as well as a 2:17 patch in "Drums" - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:05 patch in the "Cumberland Blues > Looks Like Rain" transition, as well as a secondary 6:48 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston May 2021
Taper: Jim Vita
2:46:20
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.152723.nak304.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the (FOB) Sennheiser 441 source which supplies the crowd and beginning of "Tennessee Jed (0:49 total), the crowd and first few notes of "Samson & Delilah" (0:09 total), a 0:40 patch in the Jam after "He's Gone", as well as a 2:17 patch in "Drums" - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:05 patch in the "Cumberland Blues > Looks Like Rain" transition, as well as a secondary 6:48 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston May 2021
Taper: Mark Severson
2:52:39
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.144668.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the shnid104973 (FOB) Nakamichi 700 source which supplies the "Crowd" and first few notes of "Samson & Delilah" (0:31 total), a 0:03 patch in "He's Gone", as well as a 0:04 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:52:39
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.144667.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the shnid104973 (FOB) Nakamichi 700 source which supplies the "Crowd" and first few notes of "Samson & Delilah" (0:31 total), a 0:03 patch in "He's Gone", as well as a 0:04 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Frank Streeter
2:47:23
Rating:
10.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-08-30.139997.fob.senn421.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid1049796 nak700 source which supplies "Samson & Delilah" in its entirety, as well as a 0:49 patch in "Drums" - Between song transitions smoothed - "Other One" space included in "The Other One"
Taper: Frank Streeter
2:47:23
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-08-30.139996.fob.senn421.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid1049796 nak700 source which supplies "Samson & Delilah" in its entirety, as well as a 0:49 patch in "Drums" - Between song transitions smoothed - "Other One" space included in "The Other One"
Taper: Bob Wagner
2:51:48
Rating:
10.00 / 3 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.fob.nak700.wagner.miller.104976.flac24
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Wagner
2:51:48
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.fob.nak700.wagner.miller.104973.flac16
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Doug Lamarre
2:35:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-08-30.136728.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View Notesthis is a new transfer of the source tape from shnid 9707. The previous seed was mislabeled, as Doug did not get his senn 441’s until a few months after this show.
Taper: Doug Lamarre
2:35:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-08-30.136727.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View Notesthis is a new transfer of the source tape from shnid 9707. The previous seed was mislabeled, as Doug did not get his senn 441’s until a few months after this show.
Source 14 of 14
2:35:49
Rating:
8.75 / 8 ratings
SHNID:
gd81-08-30.senn441.munder.9707.sbeok.shnf
Source:
Audience Recording: Sennheiser 441's
Lineage:
FOB Senn 441's> SonyTC-150> CM> DAT> CD
Taper Notes:
View NotesFOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy