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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1k125
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h1.8k285
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h1.7k223
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k303
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.7k347
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h4k547
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.1k270
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.1k129
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h5.1k638
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h81894
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h4.8k556
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h2.9k356
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h918117
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.3k167
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.7k212
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h4.7k541
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.1k153
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.5k197
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h8k1.1k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h13.1k1.8k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h35837
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h2.9k371
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h3.9k518
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.3k292
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k146
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.3k160
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.5k246
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h77794
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10114
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33021
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h442
7d1128
30d63237
2 shows
2 tapes
1981
8/30/81
Mississippi Half Step
8:28
Franklin’s Tower
9:17
Minglewood Blues
6:45
Tennessee Jed
8:05
Mama Tried >
2:37
Mexicali Blues
4:25
It Must’ve Been The Roses
6:42
Beat It On Down The Line
3:04
Cumberland Blues
5:20
Looks Like Rain
8:07
Might As Well
4:26
Samson And Delilah
7:22
Ship Of Fools
8:04
Estimated Prophet >
12:23
He’s Gone >
14:46
dru/ms > space >
8:45
The Other One >
9:06
Stella Blue >
10:15
Goin’ Down The Road Feelin’ Bad >
6:00
Good Lovin’
8:10
e: Don’t Ease Me In
3:13
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:52:59
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.sbd.miller.105216.flac16
Source:
SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a re-master of shnid=30118 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:56:18
SBD
Rating:
8.00 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd81-08-30.sbd.miller.30118.sbeok.flacf
Source:
Soundboard
Lineage:
SBD > Cassette Master > Cassette > Cassette > DAT > CD > EAC > Samplitude v7.02 Professional > FLAC16
Taper Notes:
View NotesThere are a few patches in the 1st Set (due to diginoise) with SBD>Cm>?>Cass>CD. There is a split-second of noise in GDTRFB that I couldn't patch. There are also patches in Roses, Might As Well, He's Gone, Drums, Good Lovin and all of Don't Ease Me In from (FOB)Neumann KM84>Cass Master>Dat>Cool Edit Pro>CD. (It's not as bad as it looks) -- Seamless transition between discs 2 and 3. -- Thanks to Andy Lemieux and Joe Browning for their help with this project.
Transferrer: JR Fishman
2:51:19
SBD
Rating:
10.00 / 3 ratings
Transferrer:
JR Fishman
SHNID:
gd1981-08-30.sbd.miller.fishman.repitch-30118.78602.sbefail.flac16
Source:
SBD > Cassette Master > Cassette > Cassette > Dat > CD D
Lineage:
CD > EAC > Samplitude v7.02 Professional > FLAC
Taper Notes:
View Notes-- Seamless transition between discs 2 and 3. -- Thanks to Andy Lemieux and Joe Browning for their help with this project. -- Pitch and Tempo adjusted by JR Fishman to 96.92% using audience recording
Taper: Jim Vita
2:46:20
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.152724.nak304.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the (FOB) Sennheiser 441 source which supplies the crowd and beginning of "Tennessee Jed (0:49 total), the crowd and first few notes of "Samson & Delilah" (0:09 total), a 0:40 patch in the Jam after "He's Gone", as well as a 2:17 patch in "Drums" - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:05 patch in the "Cumberland Blues > Looks Like Rain" transition, as well as a secondary 6:48 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston May 2021
Taper: Jim Vita
2:46:20
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.152723.nak304.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the (FOB) Sennheiser 441 source which supplies the crowd and beginning of "Tennessee Jed (0:49 total), the crowd and first few notes of "Samson & Delilah" (0:09 total), a 0:40 patch in the Jam after "He's Gone", as well as a 2:17 patch in "Drums" - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:05 patch in the "Cumberland Blues > Looks Like Rain" transition, as well as a secondary 6:48 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston May 2021
Taper: Mark Severson
2:52:39
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.144668.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the shnid104973 (FOB) Nakamichi 700 source which supplies the "Crowd" and first few notes of "Samson & Delilah" (0:31 total), a 0:03 patch in "He's Gone", as well as a 0:04 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:52:39
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.144667.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the shnid104973 (FOB) Nakamichi 700 source which supplies the "Crowd" and first few notes of "Samson & Delilah" (0:31 total), a 0:03 patch in "He's Gone", as well as a 0:04 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Frank Streeter
2:47:23
Rating:
10.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-08-30.139997.fob.senn421.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid1049796 nak700 source which supplies "Samson & Delilah" in its entirety, as well as a 0:49 patch in "Drums" - Between song transitions smoothed - "Other One" space included in "The Other One"
Taper: Frank Streeter
2:47:23
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-08-30.139996.fob.senn421.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid1049796 nak700 source which supplies "Samson & Delilah" in its entirety, as well as a 0:49 patch in "Drums" - Between song transitions smoothed - "Other One" space included in "The Other One"
Taper: Bob Wagner
2:51:48
Rating:
10.00 / 3 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.fob.nak700.wagner.miller.104976.flac24
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Wagner
2:51:48
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.fob.nak700.wagner.miller.104973.flac16
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Doug Lamarre
2:35:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-08-30.136728.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View Notesthis is a new transfer of the source tape from shnid 9707. The previous seed was mislabeled, as Doug did not get his senn 441’s until a few months after this show.
Taper: Doug Lamarre
2:35:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-08-30.136727.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View Notesthis is a new transfer of the source tape from shnid 9707. The previous seed was mislabeled, as Doug did not get his senn 441’s until a few months after this show.
Source 14 of 14
2:35:49
Rating:
8.75 / 8 ratings
SHNID:
gd81-08-30.senn441.munder.9707.sbeok.shnf
Source:
Audience Recording: Sennheiser 441's
Lineage:
FOB Senn 441's> SonyTC-150> CM> DAT> CD
Taper Notes:
View NotesFOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy