Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1981
Sources
Transferrer: Charlie Miller
2:52:59
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.sbd.miller.105216.flac16
Source:
SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a re-master of shnid=30118 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:56:18
SBD
Rating:
8.00 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd81-08-30.sbd.miller.30118.sbeok.flacf
Source:
Soundboard
Lineage:
SBD > Cassette Master > Cassette > Cassette > DAT > CD > EAC > Samplitude v7.02 Professional > FLAC16
Taper Notes:
View NotesThere are a few patches in the 1st Set (due to diginoise) with SBD>Cm>?>Cass>CD. There is a split-second of noise in GDTRFB that I couldn't patch. There are also patches in Roses, Might As Well, He's Gone, Drums, Good Lovin and all of Don't Ease Me In from (FOB)Neumann KM84>Cass Master>Dat>Cool Edit Pro>CD. (It's not as bad as it looks) -- Seamless transition between discs 2 and 3. -- Thanks to Andy Lemieux and Joe Browning for their help with this project.
Transferrer: JR Fishman
2:51:19
SBD
Rating:
10.00 / 3 ratings
Transferrer:
JR Fishman
SHNID:
gd1981-08-30.sbd.miller.fishman.repitch-30118.78602.sbefail.flac16
Source:
SBD > Cassette Master > Cassette > Cassette > Dat > CD D
Lineage:
CD > EAC > Samplitude v7.02 Professional > FLAC
Taper Notes:
View Notes-- Seamless transition between discs 2 and 3. -- Thanks to Andy Lemieux and Joe Browning for their help with this project. -- Pitch and Tempo adjusted by JR Fishman to 96.92% using audience recording
Taper: Jim Vita
2:46:20
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.152724.nak304.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the (FOB) Sennheiser 441 source which supplies the crowd and beginning of "Tennessee Jed (0:49 total), the crowd and first few notes of "Samson & Delilah" (0:09 total), a 0:40 patch in the Jam after "He's Gone", as well as a 2:17 patch in "Drums" - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:05 patch in the "Cumberland Blues > Looks Like Rain" transition, as well as a secondary 6:48 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston May 2021
Taper: Jim Vita
2:46:20
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.152723.nak304.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the (FOB) Sennheiser 441 source which supplies the crowd and beginning of "Tennessee Jed (0:49 total), the crowd and first few notes of "Samson & Delilah" (0:09 total), a 0:40 patch in the Jam after "He's Gone", as well as a 2:17 patch in "Drums" - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:05 patch in the "Cumberland Blues > Looks Like Rain" transition, as well as a secondary 6:48 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston May 2021
Taper: Mark Severson
2:52:39
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.144668.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the shnid104973 (FOB) Nakamichi 700 source which supplies the "Crowd" and first few notes of "Samson & Delilah" (0:31 total), a 0:03 patch in "He's Gone", as well as a 0:04 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:52:39
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.144667.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the shnid104973 (FOB) Nakamichi 700 source which supplies the "Crowd" and first few notes of "Samson & Delilah" (0:31 total), a 0:03 patch in "He's Gone", as well as a 0:04 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Frank Streeter
2:47:23
Rating:
10.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-08-30.139997.fob.senn421.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid1049796 nak700 source which supplies "Samson & Delilah" in its entirety, as well as a 0:49 patch in "Drums" - Between song transitions smoothed - "Other One" space included in "The Other One"
Taper: Frank Streeter
2:47:23
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-08-30.139996.fob.senn421.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid1049796 nak700 source which supplies "Samson & Delilah" in its entirety, as well as a 0:49 patch in "Drums" - Between song transitions smoothed - "Other One" space included in "The Other One"
Taper: Bob Wagner
2:51:48
Rating:
10.00 / 3 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.fob.nak700.wagner.miller.104976.flac24
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Wagner
2:51:48
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.fob.nak700.wagner.miller.104973.flac16
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Doug Lamarre
2:35:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-08-30.136728.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View Notesthis is a new transfer of the source tape from shnid 9707. The previous seed was mislabeled, as Doug did not get his senn 441’s until a few months after this show.
Taper: Doug Lamarre
2:35:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-08-30.136727.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View Notesthis is a new transfer of the source tape from shnid 9707. The previous seed was mislabeled, as Doug did not get his senn 441’s until a few months after this show.
Source 14 of 14
2:35:49
Rating:
8.75 / 8 ratings
SHNID:
gd81-08-30.senn441.munder.9707.sbeok.shnf
Source:
Audience Recording: Sennheiser 441's
Lineage:
FOB Senn 441's> SonyTC-150> CM> DAT> CD
Taper Notes:
View NotesFOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy