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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.6k355
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h728103
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.4k596
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k134
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.2k287
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k365
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4k508
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.4k160
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k299
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h915101
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k235
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k200
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k202
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k234
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.3k295
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k685
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k191
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h7.9k1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h15.9k2.1k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h8.7k1.2k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h91878
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k550
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k576
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.1k388
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k245
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.4k725
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k580
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59575
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h15823
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h49736
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h443
7d1277
30d57234
2 shows
2 tapes
1981
7/10/81
Samson & Delilah
8:09
Althea
8:43
Estimated Prophet >
11:09
Eyes of the World >
15:01
Drums >
11:42
Space >
5:53
Uncle John's Band >
7:38
Playin' in the Band >
6:37
China Doll >
5:43
Uncle John's Band Reprise >
1:07
Playin' in the Band Reprise >
2:35
Around & Around >
3:54
Good Lovin'
7:42
Encore: Casey Jones
5:49
FIN
View on archive.org
Sources
Taper: Jim Vita
3:03:11
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-07-10.152768.nak300.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the (FOB) Sennheiser 421 source which supplies a 0:19 patch in "Drums", as well as a 0:27 patch in "Good Lovin'" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston May 2021
Taper: Jim Vita
3:03:11
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-07-10.152767.nak300.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the (FOB) Sennheiser 421 source which supplies a 0:19 patch in "Drums", as well as a 0:27 patch in "Good Lovin'" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston May 2021
Transferrer: Charlie Miller
2:52:03
Rating:
8.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-07-10.senn421.miller.32880.sbeok.flac16
Source:
(FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: This is identical to the behind stage nak source I circulated years ago. That source was mislabeled because this is obviously a FOB Senn 421 tape. This is a new transfer from Dat cleaned up by me.
Taper: Master Cassettes Recorded by Jon Bernstein
3:07:50
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer & Mastering by Ray Ackerman Edited & Processed w/ add'l Mastering by Joe Noel January 25, 2026
SHNID:
gd1981-07-10.176354.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > Sony TC-D5 > Master Cassettes (Maxell XLIIS-90's)
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - mics or lead deck can't be recalled, possibly Nak 300's. - a quick listen reveals Bernstein's upfront & centered (again). - intrusive hand claps from patch source were removed - checksums & tags created in xACT Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - ?? for the patch source
Transferrer: Scott Clugston
2:58:00
Transferrer:
Scott Clugston
SHNID:
gd1981-07-10.172640.fob.aud.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > 24-bit/96k .wav > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette source and transfer - Thanks to Brian Schley and all the folks responsible for the Nakamichi 700 source which supplies a 4:17 patch in "Space" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2019
Transferrer: Scott Clugston
2:58:00
Transferrer:
Scott Clugston
SHNID:
gd1981-07-10.172639.fob.aud.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > 24-bit/96k .wav > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette source and transfer - Thanks to Brian Schley and all the folks responsible for the Nakamichi 700 source which supplies a 4:17 patch in "Space" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2019
Taper: Brian Schley
1:41:42
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.137694.s2.nak700.schley.flac1644
Source:
2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: Very nice FOB tape, unfortunately there is no 1st Set MAC at this time. 24-bit audio from the ID-135490 source MAC covers first thirty-five seconds of Samson, nine seconds of tape damage in Estimated, and some of Drums. Another four minutes of Drums (upsampled) covered by ID-14195. P.A. static at start of Samson. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
1:41:42
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.137693.s2.nak700.schley.flac2448
Source:
2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: Very nice FOB tape, unfortunately there is no 1st Set MAC at this time. 24-bit audio from the ID-135490 source MAC covers first thirty-five seconds of Samson, nine seconds of tape damage in Estimated, and some of Drums. Another four minutes of Drums (upsampled) covered by ID-14195. P.A. static at start of Samson. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Jon Bernstein
3:01:04
Taper:
Jon Bernstein
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.135490.aud.bernstein.flac1644
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
Taper Notes:
View NotesNote: P.A. static and fireworks audible in Samson. Patches from ID-14195; Brown Eyed Women 0:00 > 0:08, and Drums 3:36 > 8:28.
Taper: Ohr Weinberg
2:59:20
Rating:
8.67 / 6 ratings
Taper:
Ohr Weinberg
Transferrer:
Laura
SHNID:
gd1981-07-10.sonyecm.weinberg.laura.14195.sbeok.shnf
Lineage:
Ohr Weinberg's MAC w/ Sony ECM F's BOS>Sony TC-D5M>DAT>CDR>EAC>SHN
Source 11 of 12
2:52:29
Rating:
8.53 / 30 ratings
SHNID:
gd81-07-10.nak300.munder.7314.sbeok.shnf
Source:
Audience Recording: Nak 300/cp1
Lineage:
Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD
Taper Notes:
View NotesBehind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy
Source 12 of 12
2:56:16
SHNID:
gd1981-07-10.141430.aud.unk.1648