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June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1981
7/10/81
Crowd
0:41
Jack Straw
7:11
Sugaree
12:56
Mama Tried >
2:32
Mexicali Blues
4:52
Loser
9:22
Cassidy
4:55
Brown Eyed Women
5:34
CC Rider
8:51
Ramble On Rose
8:45
Let It Grow >
11:53
Don't Ease Me In
3:28
Samson & Delilah
7:22
Althea
10:28
Estimated Prophet >
10:50
Eyes Of The World >
15:00
Drums >
11:52
Space >
5:44
Uncle John's Band >
7:38
Playin' In The Band >
6:43
China Doll >
5:39
Uncle John's Band Reprise >
1:52
Playin' Reprise >
1:48
Around & Around >
3:52
Good Lovin'
7:44
E: Casey Jones
5:39
FIN
View on archive.org
Sources
Taper: Jim Vita
3:03:11
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-07-10.152768.nak300.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the (FOB) Sennheiser 421 source which supplies a 0:19 patch in "Drums", as well as a 0:27 patch in "Good Lovin'" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston May 2021
Taper: Jim Vita
3:03:11
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-07-10.152767.nak300.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the (FOB) Sennheiser 421 source which supplies a 0:19 patch in "Drums", as well as a 0:27 patch in "Good Lovin'" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston May 2021
Transferrer: Charlie Miller
2:52:03
Rating:
8.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-07-10.senn421.miller.32880.sbeok.flac16
Source:
(FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: This is identical to the behind stage nak source I circulated years ago. That source was mislabeled because this is obviously a FOB Senn 421 tape. This is a new transfer from Dat cleaned up by me.
Taper: Master Cassettes Recorded by Jon Bernstein
3:07:50
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer & Mastering by Ray Ackerman Edited & Processed w/ add'l Mastering by Joe Noel January 25, 2026
SHNID:
gd1981-07-10.176354.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > Sony TC-D5 > Master Cassettes (Maxell XLIIS-90's)
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - mics or lead deck can't be recalled, possibly Nak 300's. - a quick listen reveals Bernstein's upfront & centered (again). - intrusive hand claps from patch source were removed - checksums & tags created in xACT Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - ?? for the patch source
Transferrer: Scott Clugston
2:58:00
Transferrer:
Scott Clugston
SHNID:
gd1981-07-10.172640.fob.aud.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > 24-bit/96k .wav > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette source and transfer - Thanks to Brian Schley and all the folks responsible for the Nakamichi 700 source which supplies a 4:17 patch in "Space" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2019
Transferrer: Scott Clugston
2:58:00
Transferrer:
Scott Clugston
SHNID:
gd1981-07-10.172639.fob.aud.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > 24-bit/96k .wav > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette source and transfer - Thanks to Brian Schley and all the folks responsible for the Nakamichi 700 source which supplies a 4:17 patch in "Space" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2019
Taper: Brian Schley
1:41:42
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.137694.s2.nak700.schley.flac1644
Source:
2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: Very nice FOB tape, unfortunately there is no 1st Set MAC at this time. 24-bit audio from the ID-135490 source MAC covers first thirty-five seconds of Samson, nine seconds of tape damage in Estimated, and some of Drums. Another four minutes of Drums (upsampled) covered by ID-14195. P.A. static at start of Samson. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
1:41:42
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.137693.s2.nak700.schley.flac2448
Source:
2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: Very nice FOB tape, unfortunately there is no 1st Set MAC at this time. 24-bit audio from the ID-135490 source MAC covers first thirty-five seconds of Samson, nine seconds of tape damage in Estimated, and some of Drums. Another four minutes of Drums (upsampled) covered by ID-14195. P.A. static at start of Samson. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Jon Bernstein
3:01:04
Taper:
Jon Bernstein
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.135490.aud.bernstein.flac1644
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
Taper Notes:
View NotesNote: P.A. static and fireworks audible in Samson. Patches from ID-14195; Brown Eyed Women 0:00 > 0:08, and Drums 3:36 > 8:28.
Taper: Ohr Weinberg
2:59:20
Rating:
8.67 / 6 ratings
Taper:
Ohr Weinberg
Transferrer:
Laura
SHNID:
gd1981-07-10.sonyecm.weinberg.laura.14195.sbeok.shnf
Lineage:
Ohr Weinberg's MAC w/ Sony ECM F's BOS>Sony TC-D5M>DAT>CDR>EAC>SHN
Source 11 of 12
2:52:29
Rating:
8.53 / 30 ratings
SHNID:
gd81-07-10.nak300.munder.7314.sbeok.shnf
Source:
Audience Recording: Nak 300/cp1
Lineage:
Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD
Taper Notes:
View NotesBehind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy
Source 12 of 12
2:56:16
SHNID:
gd1981-07-10.141430.aud.unk.1648