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June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k154
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64091
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.6k886
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k338
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.7k753
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k392
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k422
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k160
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k299
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87998
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k187
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k243
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k318
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k705
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k193
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k417
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k708
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87073
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k596
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.9k635
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k260
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.5k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k619
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11417
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32023
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1981
7/10/81
Jack Straw
6:07
Sugaree
12:11
Mama Tried >
2:32
Mexicali Blues
4:37
Loser
9:11
Cassidy
5:08
Brown Eyed Women
5:33
CC Rider
8:05
Ramble On Rose
8:00
Let It Grow >
11:52
Don't Ease Me In
3:25
Samson & Delilah
6:47
Althea
10:27
Estimated Prophet >
10:49
Eyes Of The World > Jam >
14:59
Drums >
11:48
Space >
5:50
Uncle John's Band >
7:30
Playin' In The Band >
6:41
China Doll >
5:45
Uncle John's Band Reprise >
1:50
Playin' In The Band Reprise >
1:47
Around & Around >
3:51
Good Lovin'
7:36
E: Casey Jones
5:39
FIN
View on archive.org
Sources
Taper: Jim Vita
3:03:11
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-07-10.152768.nak300.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the (FOB) Sennheiser 421 source which supplies a 0:19 patch in "Drums", as well as a 0:27 patch in "Good Lovin'" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston May 2021
Taper: Jim Vita
3:03:11
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-07-10.152767.nak300.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the (FOB) Sennheiser 421 source which supplies a 0:19 patch in "Drums", as well as a 0:27 patch in "Good Lovin'" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston May 2021
Transferrer: Charlie Miller
2:52:03
Rating:
8.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-07-10.senn421.miller.32880.sbeok.flac16
Source:
(FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: This is identical to the behind stage nak source I circulated years ago. That source was mislabeled because this is obviously a FOB Senn 421 tape. This is a new transfer from Dat cleaned up by me.
Taper: Master Cassettes Recorded by Jon Bernstein
3:07:50
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer & Mastering by Ray Ackerman Edited & Processed w/ add'l Mastering by Joe Noel January 25, 2026
SHNID:
gd1981-07-10.176354.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > Sony TC-D5 > Master Cassettes (Maxell XLIIS-90's)
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - mics or lead deck can't be recalled, possibly Nak 300's. - a quick listen reveals Bernstein's upfront & centered (again). - intrusive hand claps from patch source were removed - checksums & tags created in xACT Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - ?? for the patch source
Transferrer: Scott Clugston
2:58:00
Transferrer:
Scott Clugston
SHNID:
gd1981-07-10.172640.fob.aud.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > 24-bit/96k .wav > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette source and transfer - Thanks to Brian Schley and all the folks responsible for the Nakamichi 700 source which supplies a 4:17 patch in "Space" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2019
Transferrer: Scott Clugston
2:58:00
Transferrer:
Scott Clugston
SHNID:
gd1981-07-10.172639.fob.aud.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > 24-bit/96k .wav > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette source and transfer - Thanks to Brian Schley and all the folks responsible for the Nakamichi 700 source which supplies a 4:17 patch in "Space" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2019
Taper: Brian Schley
1:41:42
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.137694.s2.nak700.schley.flac1644
Source:
2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: Very nice FOB tape, unfortunately there is no 1st Set MAC at this time. 24-bit audio from the ID-135490 source MAC covers first thirty-five seconds of Samson, nine seconds of tape damage in Estimated, and some of Drums. Another four minutes of Drums (upsampled) covered by ID-14195. P.A. static at start of Samson. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
1:41:42
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.137693.s2.nak700.schley.flac2448
Source:
2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: Very nice FOB tape, unfortunately there is no 1st Set MAC at this time. 24-bit audio from the ID-135490 source MAC covers first thirty-five seconds of Samson, nine seconds of tape damage in Estimated, and some of Drums. Another four minutes of Drums (upsampled) covered by ID-14195. P.A. static at start of Samson. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Jon Bernstein
3:01:04
Taper:
Jon Bernstein
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.135490.aud.bernstein.flac1644
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
Taper Notes:
View NotesNote: P.A. static and fireworks audible in Samson. Patches from ID-14195; Brown Eyed Women 0:00 > 0:08, and Drums 3:36 > 8:28.
Taper: Ohr Weinberg
2:59:20
Rating:
8.67 / 6 ratings
Taper:
Ohr Weinberg
Transferrer:
Laura
SHNID:
gd1981-07-10.sonyecm.weinberg.laura.14195.sbeok.shnf
Lineage:
Ohr Weinberg's MAC w/ Sony ECM F's BOS>Sony TC-D5M>DAT>CDR>EAC>SHN
Source 11 of 12
2:52:29
Rating:
8.53 / 30 ratings
SHNID:
gd81-07-10.nak300.munder.7314.sbeok.shnf
Source:
Audience Recording: Nak 300/cp1
Lineage:
Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD
Taper Notes:
View NotesBehind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy
Source 12 of 12
2:56:16
SHNID:
gd1981-07-10.141430.aud.unk.1648