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Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1981
Sources
Taper: Jim Vita
3:03:11
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-07-10.152768.nak300.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the (FOB) Sennheiser 421 source which supplies a 0:19 patch in "Drums", as well as a 0:27 patch in "Good Lovin'" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston May 2021
Taper: Jim Vita
3:03:11
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-07-10.152767.nak300.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the (FOB) Sennheiser 421 source which supplies a 0:19 patch in "Drums", as well as a 0:27 patch in "Good Lovin'" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston May 2021
Transferrer: Charlie Miller
2:52:03
Rating:
8.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-07-10.senn421.miller.32880.sbeok.flac16
Source:
(FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: This is identical to the behind stage nak source I circulated years ago. That source was mislabeled because this is obviously a FOB Senn 421 tape. This is a new transfer from Dat cleaned up by me.
Taper: Master Cassettes Recorded by Jon Bernstein
3:07:50
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer & Mastering by Ray Ackerman Edited & Processed w/ add'l Mastering by Joe Noel January 25, 2026
SHNID:
gd1981-07-10.176354.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > Sony TC-D5 > Master Cassettes (Maxell XLIIS-90's)
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - mics or lead deck can't be recalled, possibly Nak 300's. - a quick listen reveals Bernstein's upfront & centered (again). - intrusive hand claps from patch source were removed - checksums & tags created in xACT Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - ?? for the patch source
Transferrer: Scott Clugston
2:58:00
Transferrer:
Scott Clugston
SHNID:
gd1981-07-10.172640.fob.aud.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > 24-bit/96k .wav > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette source and transfer - Thanks to Brian Schley and all the folks responsible for the Nakamichi 700 source which supplies a 4:17 patch in "Space" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2019
Transferrer: Scott Clugston
2:58:00
Transferrer:
Scott Clugston
SHNID:
gd1981-07-10.172639.fob.aud.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > 24-bit/96k .wav > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette source and transfer - Thanks to Brian Schley and all the folks responsible for the Nakamichi 700 source which supplies a 4:17 patch in "Space" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2019
Taper: Brian Schley
1:41:42
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.137694.s2.nak700.schley.flac1644
Source:
2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: Very nice FOB tape, unfortunately there is no 1st Set MAC at this time. 24-bit audio from the ID-135490 source MAC covers first thirty-five seconds of Samson, nine seconds of tape damage in Estimated, and some of Drums. Another four minutes of Drums (upsampled) covered by ID-14195. P.A. static at start of Samson. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
1:41:42
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.137693.s2.nak700.schley.flac2448
Source:
2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: Very nice FOB tape, unfortunately there is no 1st Set MAC at this time. 24-bit audio from the ID-135490 source MAC covers first thirty-five seconds of Samson, nine seconds of tape damage in Estimated, and some of Drums. Another four minutes of Drums (upsampled) covered by ID-14195. P.A. static at start of Samson. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Jon Bernstein
3:01:04
Taper:
Jon Bernstein
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.135490.aud.bernstein.flac1644
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
Taper Notes:
View NotesNote: P.A. static and fireworks audible in Samson. Patches from ID-14195; Brown Eyed Women 0:00 > 0:08, and Drums 3:36 > 8:28.
Taper: Ohr Weinberg
2:59:20
Rating:
8.67 / 6 ratings
Taper:
Ohr Weinberg
Transferrer:
Laura
SHNID:
gd1981-07-10.sonyecm.weinberg.laura.14195.sbeok.shnf
Lineage:
Ohr Weinberg's MAC w/ Sony ECM F's BOS>Sony TC-D5M>DAT>CDR>EAC>SHN
Source 11 of 12
2:52:29
Rating:
8.53 / 30 ratings
SHNID:
gd81-07-10.nak300.munder.7314.sbeok.shnf
Source:
Audience Recording: Nak 300/cp1
Lineage:
Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD
Taper Notes:
View NotesBehind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy
Source 12 of 12
2:56:16
SHNID:
gd1981-07-10.141430.aud.unk.1648