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June 8th
Years
1995
30k
PlaybackListensHours
48h52070
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h866113
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.7k353
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.3k290
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h7.1k977
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3.6k456
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k342
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.1k130
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h1.9k213
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h78787
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.5k173
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h962126
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.6k194
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k268
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h7.1k752
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k180
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.6k220
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.5k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3k412
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h84680
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h5.2k663
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4k520
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.8k343
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k184
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h6.7k674
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k346
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h41053
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h8712
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h20816
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h422
7d1026
30d57334
2 shows
2 tapes
1981
7/10/81
Jack Straw
6:00
Sugaree
12:19
Mama Tried >
2:31
Mexicali Blues
5:01
Loser
9:11
Cassidy
4:53
Brown Eyed Women >
5:30
C.C. Rider
8:02
Ramble On Rose
8:14
Let It Grow >
11:58
Don't Ease Me In
3:33
Samson and Delilah
6:52
Althea
10:02
Estimated Prophet >
10:50
Eyes Of The World >
14:58
Drums >
5:34
Space >
5:55
Uncle John's Band >
7:37
Playin' In The Band >
6:48
China Doll >
5:31
Uncle John's Band >
1:11
Playin' In The Band >
2:31
Around and Around >
3:51
Good Lovin'
7:37
Casey Jones
5:34
FIN
View on archive.org
Sources
Taper: Jim Vita
3:03:11
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-07-10.152768.nak300.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the (FOB) Sennheiser 421 source which supplies a 0:19 patch in "Drums", as well as a 0:27 patch in "Good Lovin'" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston May 2021
Taper: Jim Vita
3:03:11
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-07-10.152767.nak300.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the (FOB) Sennheiser 421 source which supplies a 0:19 patch in "Drums", as well as a 0:27 patch in "Good Lovin'" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston May 2021
Transferrer: Charlie Miller
2:52:03
Rating:
8.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-07-10.senn421.miller.32880.sbeok.flac16
Source:
(FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: This is identical to the behind stage nak source I circulated years ago. That source was mislabeled because this is obviously a FOB Senn 421 tape. This is a new transfer from Dat cleaned up by me.
Taper: Master Cassettes Recorded by Jon Bernstein
3:07:50
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer & Mastering by Ray Ackerman Edited & Processed w/ add'l Mastering by Joe Noel January 25, 2026
SHNID:
gd1981-07-10.176354.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > Sony TC-D5 > Master Cassettes (Maxell XLIIS-90's)
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - mics or lead deck can't be recalled, possibly Nak 300's. - a quick listen reveals Bernstein's upfront & centered (again). - intrusive hand claps from patch source were removed - checksums & tags created in xACT Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - ?? for the patch source
Transferrer: Scott Clugston
2:58:00
Transferrer:
Scott Clugston
SHNID:
gd1981-07-10.172640.fob.aud.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > 24-bit/96k .wav > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette source and transfer - Thanks to Brian Schley and all the folks responsible for the Nakamichi 700 source which supplies a 4:17 patch in "Space" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2019
Transferrer: Scott Clugston
2:58:00
Transferrer:
Scott Clugston
SHNID:
gd1981-07-10.172639.fob.aud.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > 24-bit/96k .wav > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette source and transfer - Thanks to Brian Schley and all the folks responsible for the Nakamichi 700 source which supplies a 4:17 patch in "Space" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2019
Taper: Brian Schley
1:41:42
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.137694.s2.nak700.schley.flac1644
Source:
2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: Very nice FOB tape, unfortunately there is no 1st Set MAC at this time. 24-bit audio from the ID-135490 source MAC covers first thirty-five seconds of Samson, nine seconds of tape damage in Estimated, and some of Drums. Another four minutes of Drums (upsampled) covered by ID-14195. P.A. static at start of Samson. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
1:41:42
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.137693.s2.nak700.schley.flac2448
Source:
2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: Very nice FOB tape, unfortunately there is no 1st Set MAC at this time. 24-bit audio from the ID-135490 source MAC covers first thirty-five seconds of Samson, nine seconds of tape damage in Estimated, and some of Drums. Another four minutes of Drums (upsampled) covered by ID-14195. P.A. static at start of Samson. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Jon Bernstein
3:01:04
Taper:
Jon Bernstein
Transferrer:
Andrew F.
SHNID:
gd1981-07-10.135490.aud.bernstein.flac1644
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
Taper Notes:
View NotesNote: P.A. static and fireworks audible in Samson. Patches from ID-14195; Brown Eyed Women 0:00 > 0:08, and Drums 3:36 > 8:28.
Taper: Ohr Weinberg
2:59:20
Rating:
8.67 / 6 ratings
Taper:
Ohr Weinberg
Transferrer:
Laura
SHNID:
gd1981-07-10.sonyecm.weinberg.laura.14195.sbeok.shnf
Lineage:
Ohr Weinberg's MAC w/ Sony ECM F's BOS>Sony TC-D5M>DAT>CDR>EAC>SHN
Source 11 of 12
2:52:29
Rating:
8.53 / 30 ratings
SHNID:
gd81-07-10.nak300.munder.7314.sbeok.shnf
Source:
Audience Recording: Nak 300/cp1
Lineage:
Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD
Taper Notes:
View NotesBehind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy
Source 12 of 12
2:56:16
SHNID:
gd1981-07-10.141430.aud.unk.1648