05
1981
Sources
Transferrer: Hunter Seamons
2:48:38
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1981-05-12.mtx.seamons.99045.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ------------------------------------------ SBD (shnid=1664): Source: SBD>Master Cassette>Cassette>DAT>CDR DAE(EAC) and SHN Encoding by Jeff M. ([email protected]) ------------------------------------------ AUD (shnid=99007): Source: Senn 421>Cassette Master Lineage: AUD> MC> DAT> CD>EAC>WAV>FLAC Encoding Original D>CD done by JR Fishman in Fall 2001 DAE(EAC-SafeMode) and FLAC Encoding, Speed Correction and Fade-In/Out removal and Cut smoothing by JR Fishman May 14-15 2009 ------------------------------------------- Thank you to Jeff M. for the SBD transfer, and to JR Fishman for the AUD transfer Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) May 17, 2009 Notes: 1) Some sizable cuts in the SBD and AUD during Drums > Space, but the show is now complete. 2) Great show.
Taper: Jim Vita
2:52:57
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.153022.nak500.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:08 patch in the "Althea > Little Red Rooster" transition, as well as a 0:40 patch in "Drums" - "He's Gone" dedicated to Bob Marley - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Jim Vita
2:52:57
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.153021.nak500.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:08 patch in the "Althea > Little Red Rooster" transition, as well as a 0:40 patch in "Drums" - "He's Gone" dedicated to Bob Marley - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Bob Wagner
2:51:53
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.149199.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter and the folks responsible for the Nakamichi 700 source which supplies some crowd and the first 0:12 of "Alabama Getaway" (0:23 total), as well as a 1:19 patch in "Drums" - Other One space included in "the Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Bob Wagner
2:51:53
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.149198.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter and the folks responsible for the Nakamichi 700 source which supplies some crowd and the first 0:12 of "Alabama Getaway" (0:23 total), as well as a 1:19 patch in "Drums" - Other One space included in "the Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Frank Streeter
2:47:34
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-05-12.139954.fob.nak700.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid101924 nak300 source which supplies "Shakedown Street", "Looks Like Rain", "Ship Of Fools" and the first 7:56 of "Estimated Prophet", as well as a 1:10 patch in the transition between "Drums" and "Space" - Frank's master tape with the beginning of the 2nd set broke when attempting to transfer - Between song transitions smoothed - "He's Gone" dedicated to Bob Marley Transfer by Charlie Miller Mastered by Scott Clugston Date 11/18/17
Taper: Frank Streeter
2:47:34
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-05-12.139953.fob.nak700.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid101924 nak300 source which supplies "Shakedown Street", "Looks Like Rain", "Ship Of Fools" and the first 7:56 of "Estimated Prophet", as well as a 1:10 patch in the transition between "Drums" and "Space" - Frank's master tape with the beginning of the 2nd set broke when attempting to transfer - Between song transitions smoothed - "He's Gone" dedicated to Bob Marley Transfer by Charlie Miller Mastered by Scott Clugston Date 11/18/17
Taper: Master Cassettes Recorded by Jon Bernstein
2:46:33
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer, Mastering by Ray Ackerman Edited, Processed w/ add'l Mastering by Joe Noel December 13, 2025
SHNID:
gd1981-05-12.175896.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > ?? Deck > Master Cassettes
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; * Dedicated to Bob Marley - The mics can't be recalled, but a quick listen reveals our taper was centered and up front. - All tape flips were x-faded - The intrusive hand claps were removed from the patch source Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - Bob Wagner for the patch source
Transferrer: JR Fishman
2:42:29
Transferrer:
JR Fishman
SHNID:
gd1981-05-12.aud.fishman.99007.flac16
Source:
Set 1 Source: Senn 421>?>Cassette, Set 2 Source: Senn 421>Cassette Master
Lineage:
AUD>MC>DAT>CD>EAC>WAV>FLAC Encoding Post DAE Editing: 1st Set was somewhat too speedy and needed to be reprocessed. 1st set was speed corrected by 2.2 percent with Audacity.
Taper Notes:
View NotesThe 1st Set seems to come from a different source. It was somewhat too speedy and needed to be reprocessed. So for post processing the 1st set was speed corrected by 2.2 percent. I used existing Archive SHN Set soundboard (http://www.archive.org/details/gd81-05-12.sbd.jeffm.1664.sbeok.shnf) as a baseline. I used Audacity to do re-speeding operations. My original DAT seemed to have a few inopportune fade-ins and fade-outs as well as cuts in drums. I removed any annoying fade-ins and cuts using Cool Edit 2000 (CE 2000). With CE 2000, I used linear crossfading to smoothen the most viral cuts and fade-ins. There is a fade-in on the source DAT for the encore, Don't Ease Me In. I could not anything for this and left the original fade in.