Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h1.4k197
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h59083
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.8k786
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h2k261
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.6k606
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k366
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k404
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.2k143
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k273
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82293
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k235
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k187
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k181
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k279
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k689
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k179
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h3.7k482
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.2k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.4k755
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85171
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k564
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k583
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.5k433
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k242
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h9.4k952
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k594
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59572
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13521
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30323
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h382
7d1277
30d57234
2 shows
2 tapes
1981
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] November 18, 2025
2:48:23
SBDREMASTER
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 18, 2025
SHNID:
gd1981-05-12.175170.sbd.miller.phase-repair.flac1644
Source:
SBD > Cassette Master > Cassette > DAT > CD
Lineage:
Transfer Info: CD > Samplitude Professional v11.2.1 > FLAC Patch Info: (3) Nakamichi CM300/CP1 -> Master Cassette -> FLAC (shnid=101925) supplies: Big River (5:27 - 5:36) Space (3:49 - 4:04) Remastering Info: FLAC > iZotope RX11 Advanced > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- I repaired the vocal phase issue on shnid=123259 -- He's Gone dedicated to Bob Marley
Transferrer: Charlie Miller
2:48:17
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-05-12.123259.sbd.miller.flac16
Source:
SBD -> Master Cassette -> Cassette -> Dat -> CD
Lineage:
CD -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a remaster of shnid=1664 -- He's Gone dedicated to Bob Marley
Taper: chasingwilma
2:59:53
SBD
Rating:
10.00 / 2 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1981-05-12.sbd.chasingwilma.118987.flac16
Source:
Sbd> D-5> MC
Lineage:
Sony Tc We435> Soundcard> Cdwave 44100/Stereo/16 Bit> Traders Little Helper Encoding Option 8
Taper Notes:
View NotesHe's Gone is dedicated to Bob Marley
Transferrer: Hunter Seamons
2:48:38
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1981-05-12.mtx.seamons.99045.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ------------------------------------------ SBD (shnid=1664): Source: SBD>Master Cassette>Cassette>DAT>CDR DAE(EAC) and SHN Encoding by Jeff M. ([email protected]) ------------------------------------------ AUD (shnid=99007): Source: Senn 421>Cassette Master Lineage: AUD> MC> DAT> CD>EAC>WAV>FLAC Encoding Original D>CD done by JR Fishman in Fall 2001 DAE(EAC-SafeMode) and FLAC Encoding, Speed Correction and Fade-In/Out removal and Cut smoothing by JR Fishman May 14-15 2009 ------------------------------------------- Thank you to Jeff M. for the SBD transfer, and to JR Fishman for the AUD transfer Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) May 17, 2009 Notes: 1) Some sizable cuts in the SBD and AUD during Drums > Space, but the show is now complete. 2) Great show.
Taper: DAE(EAC) and SHN Encoding by Jeff M. ([email protected])
2:59:53
SBD
Taper:
DAE(EAC) and SHN Encoding by Jeff M. ([email protected])
Transferrer:
Upload and Tracking/SHN Encoding of d1t01,t02,t10 & t11 by [email protected]
SHNID:
gd1981-05-12.sbd.5241.shnf
Source:
SBD>Master Cassette>Cassette>DAT>CDR
Taper Notes:
View Notes**Dedicated to Bob Marley
Source 6 of 18
2:48:09
SBD
Rating:
8.00 / 6 ratings
SHNID:
gd81-05-12.sbd.jeffm.1664.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> Master Cassette> Cassette > DAT> CDR
Taper Notes:
View NotesSBD> Master Cassette> Cassette > DAT> CDR; via Jeff M.
Taper: Jim Vita
2:52:57
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.153022.nak500.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:08 patch in the "Althea > Little Red Rooster" transition, as well as a 0:40 patch in "Drums" - "He's Gone" dedicated to Bob Marley - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Jim Vita
2:52:57
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.153021.nak500.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:08 patch in the "Althea > Little Red Rooster" transition, as well as a 0:40 patch in "Drums" - "He's Gone" dedicated to Bob Marley - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Bob Wagner
2:51:53
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.149199.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter and the folks responsible for the Nakamichi 700 source which supplies some crowd and the first 0:12 of "Alabama Getaway" (0:23 total), as well as a 1:19 patch in "Drums" - Other One space included in "the Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Bob Wagner
2:51:53
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.149198.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter and the folks responsible for the Nakamichi 700 source which supplies some crowd and the first 0:12 of "Alabama Getaway" (0:23 total), as well as a 1:19 patch in "Drums" - Other One space included in "the Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Frank Streeter
2:47:34
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-05-12.139954.fob.nak700.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid101924 nak300 source which supplies "Shakedown Street", "Looks Like Rain", "Ship Of Fools" and the first 7:56 of "Estimated Prophet", as well as a 1:10 patch in the transition between "Drums" and "Space" - Frank's master tape with the beginning of the 2nd set broke when attempting to transfer - Between song transitions smoothed - "He's Gone" dedicated to Bob Marley Transfer by Charlie Miller Mastered by Scott Clugston Date 11/18/17
Taper: Frank Streeter
2:47:34
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-05-12.139953.fob.nak700.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid101924 nak300 source which supplies "Shakedown Street", "Looks Like Rain", "Ship Of Fools" and the first 7:56 of "Estimated Prophet", as well as a 1:10 patch in the transition between "Drums" and "Space" - Frank's master tape with the beginning of the 2nd set broke when attempting to transfer - Between song transitions smoothed - "He's Gone" dedicated to Bob Marley Transfer by Charlie Miller Mastered by Scott Clugston Date 11/18/17
Taper: Master Cassettes Recorded by Jon Bernstein
2:46:33
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer, Mastering by Ray Ackerman Edited, Processed w/ add'l Mastering by Joe Noel December 13, 2025
SHNID:
gd1981-05-12.175896.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > ?? Deck > Master Cassettes
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; * Dedicated to Bob Marley - The mics can't be recalled, but a quick listen reveals our taper was centered and up front. - All tape flips were x-faded - The intrusive hand claps were removed from the patch source Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - Bob Wagner for the patch source
Taper: Doug Lamarre
2:34:03
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-12.139675.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind stage; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View NotesOnly one other complete aud in circulation for this night. I got popped during first set. Thanks Doug - RB
Taper: Doug Lamarre
2:34:03
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-12.139674.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind stage; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View NotesOnly one other complete aud in circulation for this night. I got popped during first set. Thanks Doug - RB
Taper: Tim Friend
2:50:38
Rating:
6.00 / 1 rating
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1981-05-12.nak300.friend.andrewf.101925.flac1644
Source:
3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644
Taper: Tim Friend
2:50:38
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1981-05-12.nak300.friend.andrewf.101924.flac2448
Source:
3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448
Transferrer: JR Fishman
2:42:29
Transferrer:
JR Fishman
SHNID:
gd1981-05-12.aud.fishman.99007.flac16
Source:
Set 1 Source: Senn 421>?>Cassette, Set 2 Source: Senn 421>Cassette Master
Lineage:
AUD>MC>DAT>CD>EAC>WAV>FLAC Encoding Post DAE Editing: 1st Set was somewhat too speedy and needed to be reprocessed. 1st set was speed corrected by 2.2 percent with Audacity.
Taper Notes:
View NotesThe 1st Set seems to come from a different source. It was somewhat too speedy and needed to be reprocessed. So for post processing the 1st set was speed corrected by 2.2 percent. I used existing Archive SHN Set soundboard (http://www.archive.org/details/gd81-05-12.sbd.jeffm.1664.sbeok.shnf) as a baseline. I used Audacity to do re-speeding operations. My original DAT seemed to have a few inopportune fade-ins and fade-outs as well as cuts in drums. I removed any annoying fade-ins and cuts using Cool Edit 2000 (CE 2000). With CE 2000, I used linear crossfading to smoothen the most viral cuts and fade-ins. There is a fade-in on the source DAT for the encore, Don't Ease Me In. I could not anything for this and left the original fade in.