Bands
Featured
Bands
Grateful Dead
Today In History
June 12th
6 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h55474
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k187
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.1k425
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.4k317
7d5.9k756
30d38.5k5.1k
57 shows
539 tapes
1991
36.3k
PlaybackListensHours
48h5k622
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.5k935
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h3k366
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k132
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.6k300
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h994113
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k215
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.3k508
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k181
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k150
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k307
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.4k276
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k212
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k266
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.4k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
419 tapes
1976
61.3k
PlaybackListensHours
48h20.1k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h23625
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k505
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.3k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k257
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.7k189
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k191
7d12.9k1.3k
30d46.3k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.3k172
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56271
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8312
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h49432
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h524
7d1368
30d63237
2 shows
2 tapes
1981
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] November 18, 2025
2:48:23
SBDREMASTER
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 18, 2025
SHNID:
gd1981-05-12.175170.sbd.miller.phase-repair.flac1644
Source:
SBD > Cassette Master > Cassette > DAT > CD
Lineage:
Transfer Info: CD > Samplitude Professional v11.2.1 > FLAC Patch Info: (3) Nakamichi CM300/CP1 -> Master Cassette -> FLAC (shnid=101925) supplies: Big River (5:27 - 5:36) Space (3:49 - 4:04) Remastering Info: FLAC > iZotope RX11 Advanced > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- I repaired the vocal phase issue on shnid=123259 -- He's Gone dedicated to Bob Marley
Transferrer: Charlie Miller
2:48:17
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-05-12.123259.sbd.miller.flac16
Source:
SBD -> Master Cassette -> Cassette -> Dat -> CD
Lineage:
CD -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a remaster of shnid=1664 -- He's Gone dedicated to Bob Marley
Taper: chasingwilma
2:59:53
SBD
Rating:
10.00 / 2 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1981-05-12.sbd.chasingwilma.118987.flac16
Source:
Sbd> D-5> MC
Lineage:
Sony Tc We435> Soundcard> Cdwave 44100/Stereo/16 Bit> Traders Little Helper Encoding Option 8
Taper Notes:
View NotesHe's Gone is dedicated to Bob Marley
Transferrer: Hunter Seamons
2:48:38
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1981-05-12.mtx.seamons.99045.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ------------------------------------------ SBD (shnid=1664): Source: SBD>Master Cassette>Cassette>DAT>CDR DAE(EAC) and SHN Encoding by Jeff M. ([email protected]) ------------------------------------------ AUD (shnid=99007): Source: Senn 421>Cassette Master Lineage: AUD> MC> DAT> CD>EAC>WAV>FLAC Encoding Original D>CD done by JR Fishman in Fall 2001 DAE(EAC-SafeMode) and FLAC Encoding, Speed Correction and Fade-In/Out removal and Cut smoothing by JR Fishman May 14-15 2009 ------------------------------------------- Thank you to Jeff M. for the SBD transfer, and to JR Fishman for the AUD transfer Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) May 17, 2009 Notes: 1) Some sizable cuts in the SBD and AUD during Drums > Space, but the show is now complete. 2) Great show.
Taper: DAE(EAC) and SHN Encoding by Jeff M. ([email protected])
2:59:53
SBD
Taper:
DAE(EAC) and SHN Encoding by Jeff M. ([email protected])
Transferrer:
Upload and Tracking/SHN Encoding of d1t01,t02,t10 & t11 by [email protected]
SHNID:
gd1981-05-12.sbd.5241.shnf
Source:
SBD>Master Cassette>Cassette>DAT>CDR
Taper Notes:
View Notes**Dedicated to Bob Marley
Source 6 of 18
2:48:09
SBD
Rating:
8.00 / 6 ratings
SHNID:
gd81-05-12.sbd.jeffm.1664.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> Master Cassette> Cassette > DAT> CDR
Taper Notes:
View NotesSBD> Master Cassette> Cassette > DAT> CDR; via Jeff M.
Taper: Jim Vita
2:52:57
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.153022.nak500.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:08 patch in the "Althea > Little Red Rooster" transition, as well as a 0:40 patch in "Drums" - "He's Gone" dedicated to Bob Marley - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Jim Vita
2:52:57
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.153021.nak500.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:08 patch in the "Althea > Little Red Rooster" transition, as well as a 0:40 patch in "Drums" - "He's Gone" dedicated to Bob Marley - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Bob Wagner
2:51:53
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.149199.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter and the folks responsible for the Nakamichi 700 source which supplies some crowd and the first 0:12 of "Alabama Getaway" (0:23 total), as well as a 1:19 patch in "Drums" - Other One space included in "the Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Bob Wagner
2:51:53
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-12.149198.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter and the folks responsible for the Nakamichi 700 source which supplies some crowd and the first 0:12 of "Alabama Getaway" (0:23 total), as well as a 1:19 patch in "Drums" - Other One space included in "the Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Frank Streeter
2:47:34
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-05-12.139954.fob.nak700.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid101924 nak300 source which supplies "Shakedown Street", "Looks Like Rain", "Ship Of Fools" and the first 7:56 of "Estimated Prophet", as well as a 1:10 patch in the transition between "Drums" and "Space" - Frank's master tape with the beginning of the 2nd set broke when attempting to transfer - Between song transitions smoothed - "He's Gone" dedicated to Bob Marley Transfer by Charlie Miller Mastered by Scott Clugston Date 11/18/17
Taper: Frank Streeter
2:47:34
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-05-12.139953.fob.nak700.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid101924 nak300 source which supplies "Shakedown Street", "Looks Like Rain", "Ship Of Fools" and the first 7:56 of "Estimated Prophet", as well as a 1:10 patch in the transition between "Drums" and "Space" - Frank's master tape with the beginning of the 2nd set broke when attempting to transfer - Between song transitions smoothed - "He's Gone" dedicated to Bob Marley Transfer by Charlie Miller Mastered by Scott Clugston Date 11/18/17
Taper: Master Cassettes Recorded by Jon Bernstein
2:46:33
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer, Mastering by Ray Ackerman Edited, Processed w/ add'l Mastering by Joe Noel December 13, 2025
SHNID:
gd1981-05-12.175896.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > ?? Deck > Master Cassettes
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; * Dedicated to Bob Marley - The mics can't be recalled, but a quick listen reveals our taper was centered and up front. - All tape flips were x-faded - The intrusive hand claps were removed from the patch source Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - Bob Wagner for the patch source
Taper: Doug Lamarre
2:34:03
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-12.139675.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind stage; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View NotesOnly one other complete aud in circulation for this night. I got popped during first set. Thanks Doug - RB
Taper: Doug Lamarre
2:34:03
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-12.139674.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind stage; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View NotesOnly one other complete aud in circulation for this night. I got popped during first set. Thanks Doug - RB
Taper: Tim Friend
2:50:38
Rating:
6.00 / 1 rating
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1981-05-12.nak300.friend.andrewf.101925.flac1644
Source:
3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644
Taper: Tim Friend
2:50:38
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1981-05-12.nak300.friend.andrewf.101924.flac2448
Source:
3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448
Transferrer: JR Fishman
2:42:29
Transferrer:
JR Fishman
SHNID:
gd1981-05-12.aud.fishman.99007.flac16
Source:
Set 1 Source: Senn 421>?>Cassette, Set 2 Source: Senn 421>Cassette Master
Lineage:
AUD>MC>DAT>CD>EAC>WAV>FLAC Encoding Post DAE Editing: 1st Set was somewhat too speedy and needed to be reprocessed. 1st set was speed corrected by 2.2 percent with Audacity.
Taper Notes:
View NotesThe 1st Set seems to come from a different source. It was somewhat too speedy and needed to be reprocessed. So for post processing the 1st set was speed corrected by 2.2 percent. I used existing Archive SHN Set soundboard (http://www.archive.org/details/gd81-05-12.sbd.jeffm.1664.sbeok.shnf) as a baseline. I used Audacity to do re-speeding operations. My original DAT seemed to have a few inopportune fade-ins and fade-outs as well as cuts in drums. I removed any annoying fade-ins and cuts using Cool Edit 2000 (CE 2000). With CE 2000, I used linear crossfading to smoothen the most viral cuts and fade-ins. There is a fade-in on the source DAT for the encore, Don't Ease Me In. I could not anything for this and left the original fade in.