Mississippi Half Step Uptown Toodleloo -> | 1981-05-09 | Grateful Dead

3:00:35
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1981-05-09.mtx.seamons.92246.flac16
Source:
MATRIX MIX: 1 SBD/2 AUD (About 60%/40%)
Taper Notes:
View NotesMATRIX MIX: 1 SBD/2 AUD (About 60%/40%)

----------------------------------------------------
SBD:

Recording Info:
SBD -> Cassette Master -> Dat

Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
[email protected]
March 14, 2006

Patch Info
Barry Glassberg's (FOB)Nak 700.Cm supplies first 5 seconds of Half Step
Rob Eaton's (FOB)Senn 421 + PZM Mix>Cm supplies the follwoing patches:
Eyes Of The World 6:38 - 6:48
Black Peter 7:16 - end of the show

Notes:
-- Seamless transition between Discs 2 and 3.

----------------------------------------------------
AUD 1:

Source: NAK-700's > SONY TC-D5M  Dolby On taped by Barry Glassberg FOB
Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen
DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) >
Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD
CD > EAC(secure) > mkwact > SHN(seekable) by [email protected]

Recorded By Barry Glassberg

AUD 2:

Recording Info:
(FOB) Sennheiser 421 + PZM -> Cassette Master (Nak 500) -> Dat (48k)

Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(3 Discs Audio / 2 Discs FLAC)

Recorded By Rob Eaton

All Transfers and Mastering By Charlie Miller
[email protected]
March 15, 2006

---------------------------------------------------

Thanks to Charlie Miller for the sources, and to Rob Eaton and Barry Glassberg for recoding this fine, fine show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
June 10, 2008

Notes:

1) While not the most ideal AUD on its own, Glassberg's source complemented the SBD best (consistent with the 05-08-81 matrix), and Eaton's AUD is used only for patches in the SBD. In these cases, only Eaton's source plays.

2) There was more tape hiss in the SBD source, it seems, than the previous night, especially during the first two minutes of Half-Step. 

3) After the cut in the SBD during Eyes, the overall quality of the SBD is slightly diminished. One glaring difference is that not all of the drum pieces are as fully present. I noticed the high-hat (or one of them) is not present in the SBD any more, but is very audible in the AUD, so the AUD helps fill all instrumentation that is lacking in the SBD. Weird stuff.

4) As always - enjoy!