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Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h45762
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k372
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k307
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k366
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.8k378
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k164
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.5k945
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h961109
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.6k306
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k560
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.2k159
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k228
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k984
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.5k208
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.9k251
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.6k1.3k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.8k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47648
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.8k638
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h2.9k367
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k180
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k264
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h825101
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11617
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h21417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1981
5/8/81
Tuning crowd
1:59
Jack Straw
6:15
Peggy-O
7:27
Me And My Uncle
2:59
Big River
6:42
Loser
8:29
C.C. Rider
7:59
Althea
8:40
Let It Grow
10:12
Don't Ease Me In
3:15
Shakedown Street
16:38
Samson And Delilah
7:21
Terrapin Station
12:37
Playing In The Band
16:28
Drums
6:51
Space
4:51
Not Fade Away
9:13
Stella Blue
9:20
Sugar Magnolia
6:13
Sunshine Daydream
2:58
U.S. Blues
5:46
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:41:38
SBD
Rating:
9.00 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-05-08.sbd.miller.95764.sbeok.flac16
Source:
SBD -> Master Cassette -> Dat (44.1k)
Lineage:
Dat(Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 700 -> Cassetter Master -> Dat -> CD (shnid=17698) supplies: Jack Straw (0:00 - 0:44) Shakedown Street (0:00 - 1:56) Playing In The Band (8:33 - 9:43) Sugar Magnolia (8:37 - end of track) Notes: -- Set 2 is seamless -- Drums and U.S. Blues with Ken Kesey on harmonica -- This is a re-mastering of shnid=28299 -- I fixed the patches and swapped the channels -- Thanks to Joe B. Jones for his help pitch correcting the patch source
Source 2 of 17
2:41:19
SBD
SHNID:
gd1981-05-08.175118.sbd.miller.phase-repair.flac1644
Taper: Barry Glassberg and Jim Wise
2:45:50
SBD
Rating:
9.14 / 15 ratings
Taper:
Barry Glassberg and Jim Wise
Transferrer:
Hunter Seamons
SHNID:
gd1981-05-08.mtx.seamons.92002.sbeok.flac16
Source:
MATRIX MIX: SBD/2 AUD (About 60%/40%)
Lineage:
Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
Taper Notes:
View NotesShow Notes: -- **with Ken Kesey on harmonica -- Seamless transition between discs 2 and 3. -- This second set is incredible!!! MATRIX MIX: SBD/2 AUD (About 60%/40%) --------------------------------------------------------------- SBD: Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) Transfered and Patched By Charlie Miller [email protected] 4/7/04 --------------------------------------------------------------- AUD 1: Source: NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) > Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD CD > EAC(secure) > mkwact > SHN(seekable) by [email protected] Recorded by Barry Glassberg AUD 2: FOB Senn 421's>Sony D5>MC>DAT>CDR Recorded by Jim Wise ---------------------------------------------------------------- Matrix Notes: 1)The the right channel of the Glassberg AUD was increased 4 dB. The audio channels were uneven. 2)The Glassberg source (the preferred source for this matrix) appears to contain 2 AUD sources in it. Towards the end of Drums there is a cut in the AUD; after the cut, a strikingly different sounding AUD is patched into the source. The quality of this “other” source was pretty bad, with some bass overload. Very luckily, Jim Wise's AUD was available and sounds just as good as Glassberg's, so I used it from that section in Drums onward to the end of the show. The audience happens to be a little more “defined” in Wise's source, but I ultimately prefer Glassberg's AUD for its richer tonal quality. So, there is a “complementary” shift in sound during Drums, but it sounds pretty much the same and is all good. 3)There were cuts in the AUD and SBD. Significantly, there were cuts in the SBD during Jack Straw (first few seconds), Shakedown Street (first 2:08 of track), Playing in the Band (8:33-9:41), and Sugar Magnolia (last few seconds of song). 4)There were some wacky fluctuations in the SBD mix during the earlier portion of Set 1. There will be moments of extra hiss, changes in vocal and guitar sound, sounds levels, etc. Some of it may be some exciting pedal work by Garcia, but this has not been verified. 5)Enjoy at high volume.
Source 4 of 17
2:42:21
SBD
Rating:
9.33 / 3 ratings
SHNID:
gd81-05-08.sbd.miller.28300.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> Master Cassette> Dat (44.1k); Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source;
Taper Notes:
View NotesSBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller
Taper: Jim Vita
2:45:01
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.152972.nak500.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in the "Shakedown Street > Samson & Delilah" transition, as well as a 0:30 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Jim Vita
2:45:01
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.152971.nak500.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in the "Shakedown Street > Samson & Delilah" transition, as well as a 0:30 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Mark Severson
2:45:37
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.148945.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Brian Schley and Andrew F. for the (FOB) audience source which supplies an 0:08 patch in "Drums" - Thanks to Barry Glassberg and all the folks responsible for the shnid17698 (FOB) Nakamichi 700 source which supplies the end of "Not Fade Away" thru "US Blues" - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:45:37
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.148944.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Brian Schley and Andrew F. for the (FOB) audience source which supplies an 0:08 patch in "Drums" - Thanks to Barry Glassberg and all the folks responsible for the shnid17698 (FOB) Nakamichi 700 source which supplies the end of "Not Fade Away" thru "US Blues" - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Frank Streeter
2:41:09
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View Notes- Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid17698 nak700 source which supplies from 8:57 thru 9:31 in "Playing In The Band", from 7:17 thru 7:50 in "Drums", as well as "Sugar Magnolia" and "US Blues" in their entirety - Transitions smoothed - Tape flip in "Drums" smoothed
Taper: Frank Streeter
2:41:10
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View Notes- Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid17698 nak700 source which supplies from 8:57 thru 9:31 in "Playing In The Band", from 7:17 thru 7:50 in "Drums", as well as "Sugar Magnolia" and "US Blues" in their entirety - Transitions smoothed - Tape flip in "Drums" smoothed
Taper: Brian Schley
1:41:49
Rating:
10.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-05-08.139413.set2.aud.schley.flac2448
Lineage:
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2017
Taper Notes:
View NotesNote: Unfortunately, Tape #1 with 1st Set & Shakedown is lost :( However, this is such a nice recording and show, it's worthy of entry into the archive as-is, and hopefully the missing tape will surface someday. ID-136537 (thanks Jim!) covers all of Shakedown, first 0:36 of Samson, and two tape-flip gaps near start of Space. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
1:41:49
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-05-08.139412.set2.aud.schley.flac1644
Lineage:
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2017
Taper Notes:
View NotesNote: Unfortunately, Tape #1 with 1st Set & Shakedown is lost :( However, this is such a nice recording and show, it's worthy of entry into the archive as-is, and hopefully the missing tape will surface someday. ID-136537 (thanks Jim!) covers all of Shakedown, first 0:36 of Samson, and two tape-flip gaps near start of Space. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Doug Lamarre
2:38:48
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-08.136760.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:38:48
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-08.136759.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper: Jim Wise
2:42:38
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-08.136537.aud.wise.minches.flac24
Source:
Cassette Audience Master: Recorded By Jeff Hellman (lead deck) > Eddie Claridge (2nd deck) > Jim Wise (3rd deck); Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorders; Location: Soundboard Stand permitted by Dan Healy; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-FLAC encoding (dBpoweramp); Tagging (Tag & Re-name)
Taper: Barry Glassberg
2:42:13
Rating:
9.56 / 10 ratings
Taper:
Barry Glassberg
SHNID:
gd81-05-08.glassberg.vernon.17698.sbeok.shnf
Source:
Audience Recording: Nak 700's
Lineage:
NAK-700's > SONY TC-D5M Dolby On, FOB
Taper Notes:
View NotesNAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon
Taper: Jim Wise
2:44:00
Rating:
8.00 / 1 rating
Taper:
Jim Wise
SHNID:
gd81-05-08.wise.munder.7912.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
FOB Senn 421's> Sony D5> MC> DAT> CDR
Taper Notes:
View NotesJim Wise FOB Senn 421's> Sony D5> MC> DAT> CDR; via Mark Linden; Seeded to etree by Willy