05
1981
Sources
Taper: Barry Glassberg and Jim Wise
2:45:50
SBD
Rating:
9.14 / 15 ratings
Taper:
Barry Glassberg and Jim Wise
Transferrer:
Hunter Seamons
SHNID:
gd1981-05-08.mtx.seamons.92002.sbeok.flac16
Source:
MATRIX MIX: SBD/2 AUD (About 60%/40%)
Lineage:
Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
Taper Notes:
View NotesShow Notes: -- **with Ken Kesey on harmonica -- Seamless transition between discs 2 and 3. -- This second set is incredible!!! MATRIX MIX: SBD/2 AUD (About 60%/40%) --------------------------------------------------------------- SBD: Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) Transfered and Patched By Charlie Miller [email protected] 4/7/04 --------------------------------------------------------------- AUD 1: Source: NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) > Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD CD > EAC(secure) > mkwact > SHN(seekable) by [email protected] Recorded by Barry Glassberg AUD 2: FOB Senn 421's>Sony D5>MC>DAT>CDR Recorded by Jim Wise ---------------------------------------------------------------- Matrix Notes: 1)The the right channel of the Glassberg AUD was increased 4 dB. The audio channels were uneven. 2)The Glassberg source (the preferred source for this matrix) appears to contain 2 AUD sources in it. Towards the end of Drums there is a cut in the AUD; after the cut, a strikingly different sounding AUD is patched into the source. The quality of this “other” source was pretty bad, with some bass overload. Very luckily, Jim Wise's AUD was available and sounds just as good as Glassberg's, so I used it from that section in Drums onward to the end of the show. The audience happens to be a little more “defined” in Wise's source, but I ultimately prefer Glassberg's AUD for its richer tonal quality. So, there is a “complementary” shift in sound during Drums, but it sounds pretty much the same and is all good. 3)There were cuts in the AUD and SBD. Significantly, there were cuts in the SBD during Jack Straw (first few seconds), Shakedown Street (first 2:08 of track), Playing in the Band (8:33-9:41), and Sugar Magnolia (last few seconds of song). 4)There were some wacky fluctuations in the SBD mix during the earlier portion of Set 1. There will be moments of extra hiss, changes in vocal and guitar sound, sounds levels, etc. Some of it may be some exciting pedal work by Garcia, but this has not been verified. 5)Enjoy at high volume.
Taper: Mark Severson
2:45:37
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.148945.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Brian Schley and Andrew F. for the (FOB) audience source which supplies an 0:08 patch in "Drums" - Thanks to Barry Glassberg and all the folks responsible for the shnid17698 (FOB) Nakamichi 700 source which supplies the end of "Not Fade Away" thru "US Blues" - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:45:37
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.148944.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Brian Schley and Andrew F. for the (FOB) audience source which supplies an 0:08 patch in "Drums" - Thanks to Barry Glassberg and all the folks responsible for the shnid17698 (FOB) Nakamichi 700 source which supplies the end of "Not Fade Away" thru "US Blues" - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston January 2019