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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h58177
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h785118
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.2k438
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.2k685
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h6.3k806
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.7k355
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k357
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k152
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5.1k573
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h997112
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k205
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k424
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k181
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k154
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.9k240
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6.2k746
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k230
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k274
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.7k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h20.8k2.7k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h29231
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k474
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.4k736
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k308
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k211
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.4k167
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k179
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h42453
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15020
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h39828
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h202
7d1268
30d63237
2 shows
2 tapes
1981
5/8/81
Jack Straw
5:43
Peggy-O
7:26
Me And My Uncle >
2:59
Big River
6:00
Loser
8:00
C.C. Rider
8:18
Althea >
8:39
Let It Grow >
10:22
Don't Ease Me In
3:17
Shakedown Street >
16:31
Samson And Delilah
7:24
Terrapin Station >
12:43
Playing In The Band >
16:36
Drums >
8:24
Space >
5:37
Not Fade Away >
9:16
Stella Blue >
9:23
Sugar Magnolia
8:56
U.S. Blues
5:45
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:41:38
SBD
Rating:
9.00 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-05-08.sbd.miller.95764.sbeok.flac16
Source:
SBD -> Master Cassette -> Dat (44.1k)
Lineage:
Dat(Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 700 -> Cassetter Master -> Dat -> CD (shnid=17698) supplies: Jack Straw (0:00 - 0:44) Shakedown Street (0:00 - 1:56) Playing In The Band (8:33 - 9:43) Sugar Magnolia (8:37 - end of track) Notes: -- Set 2 is seamless -- Drums and U.S. Blues with Ken Kesey on harmonica -- This is a re-mastering of shnid=28299 -- I fixed the patches and swapped the channels -- Thanks to Joe B. Jones for his help pitch correcting the patch source
Source 2 of 17
2:41:19
SBD
SHNID:
gd1981-05-08.175118.sbd.miller.phase-repair.flac1644
Taper: Barry Glassberg and Jim Wise
2:45:50
SBD
Rating:
9.14 / 15 ratings
Taper:
Barry Glassberg and Jim Wise
Transferrer:
Hunter Seamons
SHNID:
gd1981-05-08.mtx.seamons.92002.sbeok.flac16
Source:
MATRIX MIX: SBD/2 AUD (About 60%/40%)
Lineage:
Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
Taper Notes:
View NotesShow Notes: -- **with Ken Kesey on harmonica -- Seamless transition between discs 2 and 3. -- This second set is incredible!!! MATRIX MIX: SBD/2 AUD (About 60%/40%) --------------------------------------------------------------- SBD: Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) Transfered and Patched By Charlie Miller [email protected] 4/7/04 --------------------------------------------------------------- AUD 1: Source: NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) > Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD CD > EAC(secure) > mkwact > SHN(seekable) by [email protected] Recorded by Barry Glassberg AUD 2: FOB Senn 421's>Sony D5>MC>DAT>CDR Recorded by Jim Wise ---------------------------------------------------------------- Matrix Notes: 1)The the right channel of the Glassberg AUD was increased 4 dB. The audio channels were uneven. 2)The Glassberg source (the preferred source for this matrix) appears to contain 2 AUD sources in it. Towards the end of Drums there is a cut in the AUD; after the cut, a strikingly different sounding AUD is patched into the source. The quality of this “other” source was pretty bad, with some bass overload. Very luckily, Jim Wise's AUD was available and sounds just as good as Glassberg's, so I used it from that section in Drums onward to the end of the show. The audience happens to be a little more “defined” in Wise's source, but I ultimately prefer Glassberg's AUD for its richer tonal quality. So, there is a “complementary” shift in sound during Drums, but it sounds pretty much the same and is all good. 3)There were cuts in the AUD and SBD. Significantly, there were cuts in the SBD during Jack Straw (first few seconds), Shakedown Street (first 2:08 of track), Playing in the Band (8:33-9:41), and Sugar Magnolia (last few seconds of song). 4)There were some wacky fluctuations in the SBD mix during the earlier portion of Set 1. There will be moments of extra hiss, changes in vocal and guitar sound, sounds levels, etc. Some of it may be some exciting pedal work by Garcia, but this has not been verified. 5)Enjoy at high volume.
Source 4 of 17
2:42:21
SBD
Rating:
9.33 / 3 ratings
SHNID:
gd81-05-08.sbd.miller.28300.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> Master Cassette> Dat (44.1k); Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source;
Taper Notes:
View NotesSBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller
Taper: Jim Vita
2:45:01
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.152972.nak500.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in the "Shakedown Street > Samson & Delilah" transition, as well as a 0:30 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Jim Vita
2:45:01
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.152971.nak500.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in the "Shakedown Street > Samson & Delilah" transition, as well as a 0:30 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Mark Severson
2:45:37
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.148945.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Brian Schley and Andrew F. for the (FOB) audience source which supplies an 0:08 patch in "Drums" - Thanks to Barry Glassberg and all the folks responsible for the shnid17698 (FOB) Nakamichi 700 source which supplies the end of "Not Fade Away" thru "US Blues" - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:45:37
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.148944.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Brian Schley and Andrew F. for the (FOB) audience source which supplies an 0:08 patch in "Drums" - Thanks to Barry Glassberg and all the folks responsible for the shnid17698 (FOB) Nakamichi 700 source which supplies the end of "Not Fade Away" thru "US Blues" - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Frank Streeter
2:41:09
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View Notes- Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid17698 nak700 source which supplies from 8:57 thru 9:31 in "Playing In The Band", from 7:17 thru 7:50 in "Drums", as well as "Sugar Magnolia" and "US Blues" in their entirety - Transitions smoothed - Tape flip in "Drums" smoothed
Taper: Frank Streeter
2:41:10
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View Notes- Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid17698 nak700 source which supplies from 8:57 thru 9:31 in "Playing In The Band", from 7:17 thru 7:50 in "Drums", as well as "Sugar Magnolia" and "US Blues" in their entirety - Transitions smoothed - Tape flip in "Drums" smoothed
Taper: Brian Schley
1:41:49
Rating:
10.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-05-08.139413.set2.aud.schley.flac2448
Lineage:
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2017
Taper Notes:
View NotesNote: Unfortunately, Tape #1 with 1st Set & Shakedown is lost :( However, this is such a nice recording and show, it's worthy of entry into the archive as-is, and hopefully the missing tape will surface someday. ID-136537 (thanks Jim!) covers all of Shakedown, first 0:36 of Samson, and two tape-flip gaps near start of Space. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
1:41:49
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-05-08.139412.set2.aud.schley.flac1644
Lineage:
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2017
Taper Notes:
View NotesNote: Unfortunately, Tape #1 with 1st Set & Shakedown is lost :( However, this is such a nice recording and show, it's worthy of entry into the archive as-is, and hopefully the missing tape will surface someday. ID-136537 (thanks Jim!) covers all of Shakedown, first 0:36 of Samson, and two tape-flip gaps near start of Space. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Doug Lamarre
2:38:48
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-08.136760.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:38:48
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-08.136759.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper: Jim Wise
2:42:38
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-08.136537.aud.wise.minches.flac24
Source:
Cassette Audience Master: Recorded By Jeff Hellman (lead deck) > Eddie Claridge (2nd deck) > Jim Wise (3rd deck); Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorders; Location: Soundboard Stand permitted by Dan Healy; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-FLAC encoding (dBpoweramp); Tagging (Tag & Re-name)
Taper: Barry Glassberg
2:42:13
Rating:
9.56 / 10 ratings
Taper:
Barry Glassberg
SHNID:
gd81-05-08.glassberg.vernon.17698.sbeok.shnf
Source:
Audience Recording: Nak 700's
Lineage:
NAK-700's > SONY TC-D5M Dolby On, FOB
Taper Notes:
View NotesNAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon
Taper: Jim Wise
2:44:00
Rating:
8.00 / 1 rating
Taper:
Jim Wise
SHNID:
gd81-05-08.wise.munder.7912.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
FOB Senn 421's> Sony D5> MC> DAT> CDR
Taper Notes:
View NotesJim Wise FOB Senn 421's> Sony D5> MC> DAT> CDR; via Mark Linden; Seeded to etree by Willy