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Today In History
June 5th
5 shows
26 tapes
Years
1995
27.4k
PlaybackListensHours
48h3.1k423
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69497
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3.4k461
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k130
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k228
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.6k339
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.9k488
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k283
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h953106
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.9k220
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k199
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k191
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k212
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.9k563
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.4k190
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.4k1.1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.7k2.1k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h10.6k1.5k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h76170
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h4.1k540
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k360
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k248
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h6.4k616
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h3.1k500
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h52966
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14820
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h50038
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h372
7d1468
30d57134
2 shows
2 tapes
1981
5/8/81
Jack Straw
6:16
Peggy-O
7:25
Me And My Uncle ->
2:58
Big River
6:00
Loser
7:59
C C Rider
8:17
Althea ->
8:38
Let It Grow ->
10:22
Don't Ease Me In
3:16
Shakedown Street ->
16:31
Samson And Delilah
7:23
Terrapin Station ->
12:42
Playing In The Band ->
16:35
Drums ->
8:23
Space ->
5:36
Not Fade Away ->
9:16
Stella Blue ->
9:22
Sugar Magnolia
8:55
U.S. Blues
5:44
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:41:38
SBD
Rating:
9.00 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-05-08.sbd.miller.95764.sbeok.flac16
Source:
SBD -> Master Cassette -> Dat (44.1k)
Lineage:
Dat(Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 700 -> Cassetter Master -> Dat -> CD (shnid=17698) supplies: Jack Straw (0:00 - 0:44) Shakedown Street (0:00 - 1:56) Playing In The Band (8:33 - 9:43) Sugar Magnolia (8:37 - end of track) Notes: -- Set 2 is seamless -- Drums and U.S. Blues with Ken Kesey on harmonica -- This is a re-mastering of shnid=28299 -- I fixed the patches and swapped the channels -- Thanks to Joe B. Jones for his help pitch correcting the patch source
Source 2 of 17
2:41:19
SBD
SHNID:
gd1981-05-08.175118.sbd.miller.phase-repair.flac1644
Taper: Barry Glassberg and Jim Wise
2:45:50
SBD
Rating:
9.14 / 15 ratings
Taper:
Barry Glassberg and Jim Wise
Transferrer:
Hunter Seamons
SHNID:
gd1981-05-08.mtx.seamons.92002.sbeok.flac16
Source:
MATRIX MIX: SBD/2 AUD (About 60%/40%)
Lineage:
Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
Taper Notes:
View NotesShow Notes: -- **with Ken Kesey on harmonica -- Seamless transition between discs 2 and 3. -- This second set is incredible!!! MATRIX MIX: SBD/2 AUD (About 60%/40%) --------------------------------------------------------------- SBD: Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) Transfered and Patched By Charlie Miller [email protected] 4/7/04 --------------------------------------------------------------- AUD 1: Source: NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) > Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD CD > EAC(secure) > mkwact > SHN(seekable) by [email protected] Recorded by Barry Glassberg AUD 2: FOB Senn 421's>Sony D5>MC>DAT>CDR Recorded by Jim Wise ---------------------------------------------------------------- Matrix Notes: 1)The the right channel of the Glassberg AUD was increased 4 dB. The audio channels were uneven. 2)The Glassberg source (the preferred source for this matrix) appears to contain 2 AUD sources in it. Towards the end of Drums there is a cut in the AUD; after the cut, a strikingly different sounding AUD is patched into the source. The quality of this “other” source was pretty bad, with some bass overload. Very luckily, Jim Wise's AUD was available and sounds just as good as Glassberg's, so I used it from that section in Drums onward to the end of the show. The audience happens to be a little more “defined” in Wise's source, but I ultimately prefer Glassberg's AUD for its richer tonal quality. So, there is a “complementary” shift in sound during Drums, but it sounds pretty much the same and is all good. 3)There were cuts in the AUD and SBD. Significantly, there were cuts in the SBD during Jack Straw (first few seconds), Shakedown Street (first 2:08 of track), Playing in the Band (8:33-9:41), and Sugar Magnolia (last few seconds of song). 4)There were some wacky fluctuations in the SBD mix during the earlier portion of Set 1. There will be moments of extra hiss, changes in vocal and guitar sound, sounds levels, etc. Some of it may be some exciting pedal work by Garcia, but this has not been verified. 5)Enjoy at high volume.
Source 4 of 17
2:42:21
SBD
Rating:
9.33 / 3 ratings
SHNID:
gd81-05-08.sbd.miller.28300.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> Master Cassette> Dat (44.1k); Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source;
Taper Notes:
View NotesSBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller
Taper: Jim Vita
2:45:01
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.152972.nak500.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in the "Shakedown Street > Samson & Delilah" transition, as well as a 0:30 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Jim Vita
2:45:01
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.152971.nak500.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in the "Shakedown Street > Samson & Delilah" transition, as well as a 0:30 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Mark Severson
2:45:37
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.148945.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Brian Schley and Andrew F. for the (FOB) audience source which supplies an 0:08 patch in "Drums" - Thanks to Barry Glassberg and all the folks responsible for the shnid17698 (FOB) Nakamichi 700 source which supplies the end of "Not Fade Away" thru "US Blues" - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:45:37
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-08.148944.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Brian Schley and Andrew F. for the (FOB) audience source which supplies an 0:08 patch in "Drums" - Thanks to Barry Glassberg and all the folks responsible for the shnid17698 (FOB) Nakamichi 700 source which supplies the end of "Not Fade Away" thru "US Blues" - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Frank Streeter
2:41:09
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View Notes- Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid17698 nak700 source which supplies from 8:57 thru 9:31 in "Playing In The Band", from 7:17 thru 7:50 in "Drums", as well as "Sugar Magnolia" and "US Blues" in their entirety - Transitions smoothed - Tape flip in "Drums" smoothed
Taper: Frank Streeter
2:41:10
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View Notes- Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid17698 nak700 source which supplies from 8:57 thru 9:31 in "Playing In The Band", from 7:17 thru 7:50 in "Drums", as well as "Sugar Magnolia" and "US Blues" in their entirety - Transitions smoothed - Tape flip in "Drums" smoothed
Taper: Brian Schley
1:41:49
Rating:
10.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-05-08.139413.set2.aud.schley.flac2448
Lineage:
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2017
Taper Notes:
View NotesNote: Unfortunately, Tape #1 with 1st Set & Shakedown is lost :( However, this is such a nice recording and show, it's worthy of entry into the archive as-is, and hopefully the missing tape will surface someday. ID-136537 (thanks Jim!) covers all of Shakedown, first 0:36 of Samson, and two tape-flip gaps near start of Space. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
1:41:49
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-05-08.139412.set2.aud.schley.flac1644
Lineage:
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2017
Taper Notes:
View NotesNote: Unfortunately, Tape #1 with 1st Set & Shakedown is lost :( However, this is such a nice recording and show, it's worthy of entry into the archive as-is, and hopefully the missing tape will surface someday. ID-136537 (thanks Jim!) covers all of Shakedown, first 0:36 of Samson, and two tape-flip gaps near start of Space. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Doug Lamarre
2:38:48
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-08.136760.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:38:48
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-08.136759.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper: Jim Wise
2:42:38
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-08.136537.aud.wise.minches.flac24
Source:
Cassette Audience Master: Recorded By Jeff Hellman (lead deck) > Eddie Claridge (2nd deck) > Jim Wise (3rd deck); Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorders; Location: Soundboard Stand permitted by Dan Healy; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-FLAC encoding (dBpoweramp); Tagging (Tag & Re-name)
Taper: Barry Glassberg
2:42:13
Rating:
9.56 / 10 ratings
Taper:
Barry Glassberg
SHNID:
gd81-05-08.glassberg.vernon.17698.sbeok.shnf
Source:
Audience Recording: Nak 700's
Lineage:
NAK-700's > SONY TC-D5M Dolby On, FOB
Taper Notes:
View NotesNAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon
Taper: Jim Wise
2:44:00
Rating:
8.00 / 1 rating
Taper:
Jim Wise
SHNID:
gd81-05-08.wise.munder.7912.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
FOB Senn 421's> Sony D5> MC> DAT> CDR
Taper Notes:
View NotesJim Wise FOB Senn 421's> Sony D5> MC> DAT> CDR; via Mark Linden; Seeded to etree by Willy