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June 7th
Years
1995
29.8k
PlaybackListensHours
48h781109
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h62088
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.2k562
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k351
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.7k1.2k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.5k336
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k364
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k150
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k255
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h90199
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k210
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1k136
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k194
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.7k215
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k297
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.8k624
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k181
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.2k296
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h17.1k2.4k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.7k516
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h78576
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k558
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k597
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k426
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k227
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k950
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k369
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41850
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10314
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22717
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h553
7d1066
30d56034
2 shows
2 tapes
1981
5/5/81
Tuning
0:54
Feel Like A Stranger
10:00
Peggy O >
6:34
El Paso
6:01
Ramble On Rose
7:27
C.C. Rider
8:56
Brown Eyed Women
5:56
Passenger
5:31
Althea
9:00
The Music Never Stopped >
7:43
Don't Ease Me In
3:33
Tuning
0:34
Scarlet Begonias >
11:43
Fire On The Mountain
12:57
Estimated Prophet >
10:38
Eyes Of The World >
10:14
Drums >
11:52
Space >
6:34
Uncle John's Band >
11:37
Truckin' >
11:54
Alabama Getaway >
5:05
Johnny B. Goode
4:39
U.S. Blues
5:27
FIN
View on archive.org
Sources
Taper: David Prescott
2:36:31
SBD
Taper:
David Prescott
Transferrer:
Kyle Holbrook
SHNID:
gd1981-05-05.152447.beyer201-prescott.holbrook.flac2448
Source:
Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC
Taper Notes:
View Notes* must have paused between tunes OR the copy was made from a master which started Scarlet on end of tape 1 side B + some drums cut to save tape (approximately 7 minutes) /// swapped back to tape 1, missed about 8 seconds JBG ** cut at end, master missing 1 minute 25 seconds; spliced from shnID 102023 https://archive.org/details/gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Taper: David Prescott
2:36:32
SBD
Taper:
David Prescott
Transferrer:
Kyle Holbrook
SHNID:
gd1981-05-05.152446.beyer201-prescott.holbrook.flac1644
Source:
Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC
Taper Notes:
View Notes* must have paused between tunes OR the copy was made from a master which started Scarlet on end of tape 1 side B + some drums cut to save tape (approximately 7 minutes) /// swapped back to tape 1, missed about 8 seconds JBG ** cut at end, master missing 1 minute 25 seconds; spliced from shnID 102023 https://archive.org/details/gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Taper: Bob Wagner
2:54:49
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-05-05.150659.cm.fob.nak700.miller.flac16
Source:
(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Sennheiser 421 > Cassette Master (shnid=143043) supplies: Drums (7:53 - 8:24) Notes: -- Recorded by Bob Wagner -- There's a slight Spanish Jam after Truckin' -- Thanks to Jim Wise and Scott Clugston for the patch source -- This file set is 16 bit @ 44.1
Taper: Bob Wagner
2:54:49
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-05-05.150617.cm.fob.nak700.miller.flac24
Source:
(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Sennheiser 421 > Cassette Master (shnid=143043) supplies: Drums (7:53 - 8:24) Notes: -- Recorded by Bob Wagner -- There's a slight Spanish Jam after Truckin' -- Thanks to Jim Wise and Scott Clugston for the patch source
Taper: Jim Wise
2:49:39
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-05.143044.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the shnid135254 Arista mic source which supplies a 0:31 patch in "Drums", as well as a 0:05 patch at the end of "Truckin'" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 25, 2018
Taper: Jim Wise
2:49:39
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-05.143043.senn421.wise.miller.clugston.flac2496
Source:
Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the shnid135254 Arista mic source which supplies a 0:31 patch in "Drums", as well as a 0:05 patch at the end of "Truckin'" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 25, 2018
Taper: Doug Lamarre
2:38:57
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-05.135255.aud.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: brief drop out at start of Estimated was patched, nice sound quality from the maiden voyage of Doug’s D5
Taper: Doug Lamarre
2:38:57
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-05.135254.aud.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: brief drop out at start of Estimated was patched, nice sound quality from the maiden voyage of Doug’s D5
Taper: Jim Wise
2:46:56
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-05.134951.aud.wise.minches.flac24
Source:
Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing by Jim Wise
Taper: Unknown
1:41:12
Rating:
8.00 / 1 rating
Transferrer:
Ted Gidley and Andrew F
Lineage:
XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013
Taper Notes:
View NotesNotes: Does not match the AUDs currently in the database. Some audible tape damage first 90-seconds of Scarlet, smoothed with crossfades. Parts of Wise & Morris AUD recordings patched in to make the Drums complete.
Taper: Bob Morris
2:46:03
Rating:
6.00 / 3 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Source:
(FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) ; Recorded FOB from floor Section 105, Row H, Seat 10
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Doug Mow
2:43:23
Rating:
8.88 / 18 ratings
Taper:
Doug Mow
Transferrer:
Doug Mow
SHNID:
gd81-05-05.nak300-mow.ford.28356.sbeok.flac
Source:
Audience Recording: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies)
Lineage:
Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16
Taper Notes:
View Notes<b>flac16</b>; 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred byt Doug Mow; CDR> flac by Alex Ford
Taper: Jim Wise
2:47:52
Rating:
8.89 / 9 ratings
Taper:
Jim Wise
SHNID:
gd81-05-05.wise.clugston.8595.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
Master Audience Cassette:Sennheiser 421 mics > Sony TC-D5 > DAT> CDR
Taper Notes:
View NotesJim Wise's Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston