Bands
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Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h49365
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.5k246
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.4k586
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k549
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.8k374
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.9k363
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k173
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.5k898
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k125
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.7k204
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.4k624
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.4k182
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.5k189
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k227
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.6k1.1k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k243
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k275
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.4k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.5k2.1k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h38840
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h3.9k505
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k713
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h2.9k375
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k203
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k203
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h50463
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30223
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h262
7d956
30d61936
2 shows
2 tapes
1981
Sources
Taper: David Prescott
2:36:31
SBD
Taper:
David Prescott
Transferrer:
Kyle Holbrook
SHNID:
gd1981-05-05.152447.beyer201-prescott.holbrook.flac2448
Source:
Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC
Taper Notes:
View Notes* must have paused between tunes OR the copy was made from a master which started Scarlet on end of tape 1 side B + some drums cut to save tape (approximately 7 minutes) /// swapped back to tape 1, missed about 8 seconds JBG ** cut at end, master missing 1 minute 25 seconds; spliced from shnID 102023 https://archive.org/details/gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Taper: David Prescott
2:36:32
SBD
Taper:
David Prescott
Transferrer:
Kyle Holbrook
SHNID:
gd1981-05-05.152446.beyer201-prescott.holbrook.flac1644
Source:
Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC
Taper Notes:
View Notes* must have paused between tunes OR the copy was made from a master which started Scarlet on end of tape 1 side B + some drums cut to save tape (approximately 7 minutes) /// swapped back to tape 1, missed about 8 seconds JBG ** cut at end, master missing 1 minute 25 seconds; spliced from shnID 102023 https://archive.org/details/gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Taper: Bob Wagner
2:54:49
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-05-05.150659.cm.fob.nak700.miller.flac16
Source:
(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Sennheiser 421 > Cassette Master (shnid=143043) supplies: Drums (7:53 - 8:24) Notes: -- Recorded by Bob Wagner -- There's a slight Spanish Jam after Truckin' -- Thanks to Jim Wise and Scott Clugston for the patch source -- This file set is 16 bit @ 44.1
Taper: Bob Wagner
2:54:49
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-05-05.150617.cm.fob.nak700.miller.flac24
Source:
(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Sennheiser 421 > Cassette Master (shnid=143043) supplies: Drums (7:53 - 8:24) Notes: -- Recorded by Bob Wagner -- There's a slight Spanish Jam after Truckin' -- Thanks to Jim Wise and Scott Clugston for the patch source
Taper: Jim Wise
2:49:39
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-05.143044.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the shnid135254 Arista mic source which supplies a 0:31 patch in "Drums", as well as a 0:05 patch at the end of "Truckin'" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 25, 2018
Taper: Jim Wise
2:49:39
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-05.143043.senn421.wise.miller.clugston.flac2496
Source:
Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the shnid135254 Arista mic source which supplies a 0:31 patch in "Drums", as well as a 0:05 patch at the end of "Truckin'" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 25, 2018
Taper: Doug Lamarre
2:38:57
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-05.135255.aud.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: brief drop out at start of Estimated was patched, nice sound quality from the maiden voyage of Doug’s D5
Taper: Doug Lamarre
2:38:57
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-05.135254.aud.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: brief drop out at start of Estimated was patched, nice sound quality from the maiden voyage of Doug’s D5
Taper: Jim Wise
2:46:56
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-05.134951.aud.wise.minches.flac24
Source:
Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing by Jim Wise
Taper: Unknown
1:41:12
Rating:
8.00 / 1 rating
Transferrer:
Ted Gidley and Andrew F
Lineage:
XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013
Taper Notes:
View NotesNotes: Does not match the AUDs currently in the database. Some audible tape damage first 90-seconds of Scarlet, smoothed with crossfades. Parts of Wise & Morris AUD recordings patched in to make the Drums complete.
Taper: Bob Morris
2:46:03
Rating:
6.00 / 3 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Source:
(FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) ; Recorded FOB from floor Section 105, Row H, Seat 10
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Doug Mow
2:43:23
Rating:
8.88 / 18 ratings
Taper:
Doug Mow
Transferrer:
Doug Mow
SHNID:
gd81-05-05.nak300-mow.ford.28356.sbeok.flac
Source:
Audience Recording: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies)
Lineage:
Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16
Taper Notes:
View Notes<b>flac16</b>; 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred byt Doug Mow; CDR> flac by Alex Ford
Taper: Jim Wise
2:47:52
Rating:
8.89 / 9 ratings
Taper:
Jim Wise
SHNID:
gd81-05-05.wise.clugston.8595.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
Master Audience Cassette:Sennheiser 421 mics > Sony TC-D5 > DAT> CDR
Taper Notes:
View NotesJim Wise's Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston