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June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.1k289
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h64091
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5k675
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.4k183
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.3k435
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k356
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.6k450
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k232
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k281
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k676
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.9k755
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.1k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.2k998
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k543
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k555
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k395
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k246
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.1k794
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k574
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60175
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14321
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39628
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h473
7d1277
30d57234
2 shows
2 tapes
1981
5/5/81
set up
0:58
Feel Like a Stranger
8:04
Peggy-O
6:21
El Paso
5:18
Ramble on Rose
7:09
C C Rider
7:34
Brown Eyed Women
5:26
Passenger
5:14
Althea
9:45
The Music Never Stopped
7:38
Don't Ease Me In
3:18
Scarlet Begonias
11:45
Fire On The Mountain
11:35
Estimated Prophet
10:31
Eyese of the World
10:08
Drums
11:00
Space
7:01
Uncle John's Band
11:31
Truckin'
11:30
Alabama Getaway
5:16
Johnny B. Goode
4:37
U S Blues
5:17
FIN
View on archive.org
Sources
Taper: David Prescott
2:36:31
SBD
Taper:
David Prescott
Transferrer:
Kyle Holbrook
SHNID:
gd1981-05-05.152447.beyer201-prescott.holbrook.flac2448
Source:
Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC
Taper Notes:
View Notes* must have paused between tunes OR the copy was made from a master which started Scarlet on end of tape 1 side B + some drums cut to save tape (approximately 7 minutes) /// swapped back to tape 1, missed about 8 seconds JBG ** cut at end, master missing 1 minute 25 seconds; spliced from shnID 102023 https://archive.org/details/gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Taper: David Prescott
2:36:32
SBD
Taper:
David Prescott
Transferrer:
Kyle Holbrook
SHNID:
gd1981-05-05.152446.beyer201-prescott.holbrook.flac1644
Source:
Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC
Taper Notes:
View Notes* must have paused between tunes OR the copy was made from a master which started Scarlet on end of tape 1 side B + some drums cut to save tape (approximately 7 minutes) /// swapped back to tape 1, missed about 8 seconds JBG ** cut at end, master missing 1 minute 25 seconds; spliced from shnID 102023 https://archive.org/details/gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Taper: Bob Wagner
2:54:49
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-05-05.150659.cm.fob.nak700.miller.flac16
Source:
(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Sennheiser 421 > Cassette Master (shnid=143043) supplies: Drums (7:53 - 8:24) Notes: -- Recorded by Bob Wagner -- There's a slight Spanish Jam after Truckin' -- Thanks to Jim Wise and Scott Clugston for the patch source -- This file set is 16 bit @ 44.1
Taper: Bob Wagner
2:54:49
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-05-05.150617.cm.fob.nak700.miller.flac24
Source:
(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Sennheiser 421 > Cassette Master (shnid=143043) supplies: Drums (7:53 - 8:24) Notes: -- Recorded by Bob Wagner -- There's a slight Spanish Jam after Truckin' -- Thanks to Jim Wise and Scott Clugston for the patch source
Taper: Jim Wise
2:49:39
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-05.143044.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the shnid135254 Arista mic source which supplies a 0:31 patch in "Drums", as well as a 0:05 patch at the end of "Truckin'" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 25, 2018
Taper: Jim Wise
2:49:39
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-05.143043.senn421.wise.miller.clugston.flac2496
Source:
Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the shnid135254 Arista mic source which supplies a 0:31 patch in "Drums", as well as a 0:05 patch at the end of "Truckin'" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 25, 2018
Taper: Doug Lamarre
2:38:57
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-05.135255.aud.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: brief drop out at start of Estimated was patched, nice sound quality from the maiden voyage of Doug’s D5
Taper: Doug Lamarre
2:38:57
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-05.135254.aud.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: brief drop out at start of Estimated was patched, nice sound quality from the maiden voyage of Doug’s D5
Taper: Jim Wise
2:46:56
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-05.134951.aud.wise.minches.flac24
Source:
Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing by Jim Wise
Taper: Unknown
1:41:12
Rating:
8.00 / 1 rating
Transferrer:
Ted Gidley and Andrew F
Lineage:
XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013
Taper Notes:
View NotesNotes: Does not match the AUDs currently in the database. Some audible tape damage first 90-seconds of Scarlet, smoothed with crossfades. Parts of Wise & Morris AUD recordings patched in to make the Drums complete.
Taper: Bob Morris
2:46:03
Rating:
6.00 / 3 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Source:
(FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) ; Recorded FOB from floor Section 105, Row H, Seat 10
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Doug Mow
2:43:23
Rating:
8.88 / 18 ratings
Taper:
Doug Mow
Transferrer:
Doug Mow
SHNID:
gd81-05-05.nak300-mow.ford.28356.sbeok.flac
Source:
Audience Recording: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies)
Lineage:
Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16
Taper Notes:
View Notes<b>flac16</b>; 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred byt Doug Mow; CDR> flac by Alex Ford
Taper: Jim Wise
2:47:52
Rating:
8.89 / 9 ratings
Taper:
Jim Wise
SHNID:
gd81-05-05.wise.clugston.8595.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
Master Audience Cassette:Sennheiser 421 mics > Sony TC-D5 > DAT> CDR
Taper Notes:
View NotesJim Wise's Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston