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June 11th
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1981
3/13/81
Shakedown Street
13:31
Minglewood Blues
7:28
Cassidy ->
5:56
Althea
8:53
The Music Never Stopped
8:49
FIN
View on archive.org
Sources
Transferrer: Remastered By Charlie Miller [email protected] November 22, 2025
44:56
SBDREMASTER
Transferrer:
Remastered By Charlie Miller [email protected] November 22, 2025
SHNID:
gd1981-03-13.175257.sbd.set1p.miller.phase-repair.flac1644
Source:
SBD > Cassette Master > Reel > DAT (48k)
Lineage:
Transfer Info: DAT (Sony PCM-R500) > Apogee Ensemble > Peak > AIFF Mastering Info: AIFF > Samplitude Pro v11.2 > Adobe Auditon v1.5 > FLAC Remastering Info: FLAC > iZotope RX11 Advanced > Samplitude Pro X6 Suite > FLAC
Taper Notes:
View NotesNotes: -- I repaired the vocal phase issue on shnid=113101 -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Remastered by Charlie Miller [email protected] November 22, 2025
3:02:56
SBDREMASTER
Transferrer:
Remastered by Charlie Miller [email protected] November 22, 2025
SHNID:
gd1981-03-13.175256.sbd.miller.remaster.flac1644
Source:
Set 1: SBD > Cassette Master > Reel > DAT (shnid=113101) Set 2: SBD > Old Mono Cassette (shnid=33336)
Lineage:
Remastering Info: FLAC > iZotope RX11 Advanced > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- I repaired the vocal phase issue on the Set 1 soundboard -- I did a lot of work to the Set 2 soundboard -- Thanks to Rob Eaton, Jake Feinberg, Bob Wagner and Scott Clugston -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
44:53
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1981-03-13.pset1.sbd.digitalrbb.miller.113101.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF Mastering Info: AIFF -> Samplitude Professional v11.2 -> Adobe Auditon v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- Only half the set was on the Dat -- Thanks to Joe B. Jones for helping with the pitch correction
Transferrer: Charlie Miller
44:37
SBD
Transferrer:
Charlie Miller
SHNID:
gd1981-03-13.set1.sbd.digitalrbb.miller.112659.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- Only half the set was on the Dat
Source 5 of 15
1:36:05
SBD
Rating:
6.00 / 2 ratings
Lineage:
Old cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC
Taper: Bob Wagner
3:04:58
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-03-13.147852.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (with bass EQ)> Sony D5M (dolby B)(Maxell XLIIS)
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Alan Zimmerman and all the folks responsible for the shnid81392 Sennheiser 421 source which supplies a 0:19 patch in "The Music Never Stopped", as well as the "Don't Ease Me In" encore in its entirety - Thanks to the folks responsible for the shnid33336 soundboard source which supplies a 0:21 patch in "Drums" - Pitch corrected Mastered by Scott Clugston March 2019
Taper: Bob Wagner
3:04:58
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-03-13.147851.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (with bass EQ)> Sony D5M (dolby B)(Maxell XLIIS)
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Alan Zimmerman and all the folks responsible for the shnid81392 Sennheiser 421 source which supplies a 0:19 patch in "The Music Never Stopped", as well as the "Don't Ease Me In" encore in its entirety - Thanks to the folks responsible for the shnid33336 soundboard source which supplies a 0:21 patch in "Drums" - Pitch corrected Mastered by Scott Clugston March 2019
Taper: Frank Streeter
3:00:30
Rating:
9.50 / 4 ratings
Taper:
Frank Streeter
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1981-03-13.140010.FOB-akg-d330bt.streeter.miller.sirmick.flac2496
Source:
Source: AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017
Taper Notes:
View NotesNotes: - tape flips after "Jack-A-Roe" and during "Space" patched with shnid 132621 - Thank you Jim Wise and David Minches. - tapes pauses smoothed with crossfades. - All tracks have been pitch corrected. Thanks to Frank Streeter and Charlie Miller. edited and mastered SIRMick November 2017
Taper: Bob Wagner
3:02:26
Rating:
8.00 / 4 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-03-13.nak700.wagner.miller.90455.sbeok.flac16
Source:
(FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell DXLIIS/Dolby B) D
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesPatch Info: Sennheiser 421 -> Cassette Master -> Sound Forge -> CD (shnid=4167) supplies: The Music Never Stopped (6:55 - 7:15) Don't Ease Me In (complete track) Notes: -- All disc changes are seamless -- Thanks to Bob Wagner for lending me his masters
Taper: Master Cassettes Recorded by Jon Bernstein
2:56:14
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer by Ray Ackerman Edited & Mastered by Joe Noel September 30, 2025
SHNID:
gd1981-03-13.174927.aud.Bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > ?? Deck > Master Cassettes
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - The mics can't be recalled, but a quick listen reveals our taper was centered & upfront. - All tape flips were x-faded where applicable Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - Bob Wagner for the patch source
Taper: Jim Wise
2:55:46
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1981-03-13.132621.aud.sennheiser421.flac24
Source:
Cassette Audience Master recorded by Jim Wise; Sennheiser MD 421 mic's mounted on a stand- Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name) Jim Wise
Taper: Jim Wise
2:55:46
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1981-03-13.132620.aud.sennheiser421.flac16
Source:
<b>flac16/48kHz</b>; Cassette Audience Master recorded by Jim Wise; Sennheiser MD 421 mic's mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversion(r8brain) by Jim Wise
Taper: Steve Rolfe
3:00:34
Rating:
8.50 / 4 ratings
Taper:
Steve Rolfe
Transferrer:
David Minches
SHNID:
gd1981-03-13.nak700.rolfe.minches.99104.flac16
Source:
2 Nak 700s> Sony TC-D5
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper Notes:
View NotesThis is the 16 bit/44.1 kHz version. Thanks to Joe B. Jones for pitch correction.
Taper: Alan Zimmerman
3:00:37
Taper:
Alan Zimmerman
Transferrer:
David Minches
SHNID:
gd1981-03-13.senn421.zimmerman.minches.81392.sbeok.flac16
Source:
2 Sennheiser 421s (Alan thinks)> Sony TC-158 (Fuji FX-I 90s) > MAC
Lineage:
MAC > Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
Taper: Jim Wise
2:56:17
Rating:
9.43 / 23 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise and Jamie Lutch
SHNID:
gd1981-03-13.wise.lutch.4167.sbeok.shnf
Source:
Senn 421 > D5 > MAC > Nakamichi Dragon > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR
Lineage:
Master CDR > CDR > EAC > Soundforge > CD WAV > SHN
Taper Notes:
View NotesJim Wise did the taping and the Analog > Digital conversion Jamie Lutch created the SHNs from a copy of the Master CD Level Flux at beginning of Jack-A-Roe - smoothed a bit in Soundforge Cassette Flip Drums>Space- crossfaded Cassette Flip beginning of Sugar Magnolia - crossfaded Cassette Flip beginning of Eyes - crossfaded