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June 7th
Years
1995
29.8k
PlaybackListensHours
48h893126
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h51874
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5.4k724
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k338
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.4k847
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.8k370
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3k372
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k152
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.4k267
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85195
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.9k224
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.2k158
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k174
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k219
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k291
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h4.9k561
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k177
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.6k344
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.3k593
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79066
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k552
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k629
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k434
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.1k234
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.5k988
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.7k464
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41549
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9214
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29521
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1981
3/5/81
Crowd/Tuning
2:14
Alabama Getaway > Greatest Story Ever Told
11:24
Friend Of The Devil
9:38
CC Rider
8:59
Althea
9:08
Mama Tried > Mexicali Blues
8:11
To Lay Me Down
9:53
New Minglewood Blues
8:49
Tennessee Jed >
8:57
The Music Never Stopped
8:24
Crowd/Tuning
4:13
Jam >
7:34
Passenger
6:26
Scarlet Begonias > Fire On The Mountain
24:21
Playin' In The Band >
14:29
Drums >
9:31
Space >
4:24
Not Fade Away >
10:28
Wharf Rat >
10:51
Around & Around
9:17
E: US Blues
5:30
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] November 15, 2025
1:38:40
SBDREMASTER
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 15, 2025
SHNID:
gd1981-03-05.175136.set2.sbd.miller.phase-repair.flac1644
Source:
SBD > Cassette Master > Cassette > DAT > CD > SHN
Lineage:
Transfer Info: SHN > dBpoweramp (WAV) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/16 Patch Info: Nakamichi DM-500 > Cassette Master (shnid=152597) supplies: Playing In The Band (6:06 - 9:36) Johnny B. Goode (2:09 - end of track) Remastering Info: FLAC > iZotope RX11 Advanced > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- I repaired the vocal phase issue on shnid=168632 -- Thanks to Jim Vita and Scott Clugston for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] November 4, 2024
1:38:40
SBD
Rating:
10.00 / 2 ratings
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 4, 2024
SHNID:
gd1981-03-05.169037.set2.sbd.phase.fix.miller.flac1644
Source:
SBD > Cassette Master > Cassette > DAT > CD > SHN
Lineage:
SHN > dBpoweramp (WAV) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This is a pitch-fix of shnid=168632 -- I removed the dolby, balanced levels and pitch corrected it -- Thanks to Jim Vita and Scott Clugston for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 26, 2023
1:38:40
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 26, 2023
SHNID:
gd1981-03-05.168632.set2.sbd.miller.flac1644
Source:
SBD > Cassette Master > Cassette > DAT > CD > SHN
Lineage:
SHN > dBpoweramp (WAV) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This is a remaster of shnid=14024 -- I removed the dolby, balanced levels and pitch corrected it -- Thanks to Jim Vita and Scott Clugston for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: seaweed
1:37:39
SBD
Taper:
seaweed
Transferrer:
Andrew F
SHNID:
gd1981-03-05.166098.s2.sbd.seaweed.flac2448
Source:
SBD > ? > Cassette
Lineage:
axell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesID-139740 patches; PITB 6:12 > 9:36 & 13:13 > 14:10, and JBGoode 2:12 > 4:25. THANKS to Seaweed1010 for sharing his old tape!
Source 5 of 18
1:35:32
SBD
Rating:
5.33 / 3 ratings
SHNID:
gd81-03-05.set2-sbd.fink.14024.sbeok.shnf
Source:
Soundboard
Lineage:
S : MC > C > D > CD > EAC > SHN
Taper Notes:
View NotesSet 2, minus encore, last song cut; See info file for details; S : MC > C > D > CD > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink ([email protected]) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.
Taper: Bob Wagner
3:12:40
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-03-05.169227.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) and Charlie Miller for the Nakamichi 500 source which supplies a 0:22 patch in "Drums" - Pitch corrected Master by Scott Clugston November 2024
Taper: Bob Wagner
3:12:41
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-03-05.169226.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) and Charlie Miller for the Nakamichi 500 source which supplies a 0:22 patch in "Drums" - Pitch corrected Master by Scott Clugston November 2024
Taper: Jim Vita
3:06:37
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-03-05.152597.nak500.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter for the Beyer M160 source which supplies a 0:15 patch in the "Not Fade Away > Wharf Rat" transition - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2021
Taper: Jim Vita
3:06:37
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-03-05.152596.nak500.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter for the Beyer M160 source which supplies a 0:15 patch in the "Not Fade Away > Wharf Rat" transition - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2021
Taper: Frank Streeter
3:02:13
Rating:
10.00 / 2 ratings
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-03-05.139740.fob.beyer.m160.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
Taper Notes:
View Notes- Thanks to Frank Streeter for the source cassettes - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid83494 nak700 source which provides the last beat of "Mexicali Blues" and the majority of the tuning before "To Lay Me Down", approximately 0:45, as well as the crowd after "Fire On The Mountain", approximately 0:10 - Between song transitions smoothed - Tape flip in "Drums" has been smoothed and is virtually transparent
Taper: Frank Streeter
3:02:13
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-03-05.139739.fob.beyer.m160.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
Taper Notes:
View Notes- Thanks to Frank Streeter for the source cassettes - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid83494 nak700 source which provides the last beat of "Mexicali Blues" and the majority of the tuning before "To Lay Me Down", approximately 0:45, as well as the crowd after "Fire On The Mountain", approximately 0:10 - Between song transitions smoothed - Tape flip in "Drums" has been smoothed and is virtually transparent
Taper: Master Cassettes Recorded by Jon Bernstein
2:57:59
Rating:
10.00 / 1 rating
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer & Mastering by Ray Ackerman Edited w/ add'l Mastering by Joe Noel September 23, 2025
SHNID:
gd1981-03-05.174921.Bernstein.MasterCassettes.t-flac2496
Source:
?? mics > ?? lead deck > ?? Deck > Master Cassettes
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesPatch info - Source Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)24/96 supplies; - Drums; 00:01 - 00:06 & 07:33 - 08:05 Notes; - The mics can't be recalled, but a quick listen reveals our taper was centered, possibly front row balcony. - All tape flips were x-faded Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - Bob Wagner for the patch source
Taper: Unknown via Craig L.
3:01:02
Rating:
8.00 / 2 ratings
Transferrer:
Andrew F.
SHNID:
gd1981-03-05.139506.aud.unk.flac1644
Lineage:
Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017
Taper Notes:
View NotesNote: Despite lack of lineage, this is a wonderful recording mix, and does not match any of the current sources. ID-129756 patches for Jam 0:00 > 3:28, Jam 4:05 > 4:15, and Drums 0:20 > 8:03.
Taper: Mason B. Taylor
3:08:43
Taper:
Mason B. Taylor
SHNID:
gd1981-03-05.naks.mason.129756.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Jim Wise
2:48:52
Rating:
8.00 / 1 rating
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-03-05.128378.senn421.wise.minches.flac16
Source:
Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding 16/44.1 version
Taper Notes:
View NotesTagging notes: Show information is embedded within the headerof each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 4/26/2014 _____________________________________________________________________________________
Taper: Jim Wise
2:48:51
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-03-05.128300.senn421.wise.minches.flac2496
Source:
Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding
Taper Notes:
View NotesTagging notes: Show information is embedded within the headerof each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 4/23/2014
Taper: Mason Taylor and Mark Radnor
2:49:17
Rating:
8.00 / 1 rating
Taper:
Mason Taylor and Mark Radnor
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1981-03-05.nak700.taylor-radnor.gross.gems.83494.flac16
Source:
NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal > HHB Porta-a-DAT
Lineage:
DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio -> (S/PDIF in) -> Wavelab 6.0 (Ozone & L2)
Taper Notes:
View Notesnotes- -sbd shnid 14024 and Jim Wise aud shnid 3290 used for small patches in Minglewood, the tape flip in drums and a glitch in A&A -noteworthy version of The Music Never Stopped
Taper: Jim Wise
2:49:05
Rating:
8.10 / 22 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd81-03-05.wise.lutch.3920.sbeok.shnf
Source:
Audience Recording: Sennheiser 421>D5 set up loge center
Lineage:
Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC> Soundforge > CD WAV > SHNv3
Taper Notes:
View NotesAudience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; <a href="http://groups.yahoo.com/group/dankseeds/files/gd81-03-05/" rel="ugc nofollow">QC</a> courtesy <a href="http://groups.yahoo.com/group/dankseeds//" rel="ugc nofollow">dankseeds</a>