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1975
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June 19th
9 shows
78 tapes
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1995
27.1k
49 shows
343 tapes
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13.4k
85 shows
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83 shows
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41.7k
57 shows
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47.1k
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1988
20.1k
82 shows
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41.7k
88 shows
1,025 tapes
1986
12.2k
47 shows
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1985
33.8k
73 shows
1,357 tapes
1984
26.7k
67 shows
1,075 tapes
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20.1k
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38.4k
63 shows
753 tapes
1981
28.6k
92 shows
868 tapes
1980
69.8k
91 shows
794 tapes
1979
20.1k
79 shows
608 tapes
1978
36.6k
87 shows
592 tapes
1977
223.8k
64 shows
419 tapes
1976
108.6k
45 shows
298 tapes
1975
7.2k
25 shows
63 tapes
1974
78k
42 shows
324 tapes
1973
74.9k
75 shows
445 tapes
1972
56.4k
88 shows
361 tapes
1971
32.7k
82 shows
357 tapes
1970
38.1k
101 shows
376 tapes
1969
28k
112 shows
326 tapes
1968
7.1k
41 shows
125 tapes
1967
1.6k
23 shows
55 tapes
1966
5.6k
32 shows
78 tapes
1965
602
2 shows
2 tapes
1975
9/28/75
Help On The Way -->
6:10
SlipKnot!
7:37
The Music Never Stopped
7:48
Beat it on Down the Line -->
3:33
Franklins's Tower
7:49
Big River
5:20
Must have been the roses
6:09
Truckin --> Eleven Jam --> Drums -->
16:49
Stronger Than Dirt -->
6:23
Not Fade Away -->
10:07
Goin' Down the Road Feelin' Bad -->
7:10
One more Saturday Night
5:54
FIN
View on archive.org
Sources
Taper: Bob Menke and Louis Falanga
1:51:47
Rating:
9.75 / 16 ratings
Taper:
Bob Menke and Louis Falanga
Transferrer:
Bob Menke and Derek McCabe
SHNID:
gd1975-09-28.fob.menke-falanga.motb-0069.91770.flac24
Source:
2 x Sony ECM-270 => Sony TC-152 >> MAC
Lineage:
MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes -- Various drop outs patched with SBD (shnid=9392). -- Various drop outs patched to mono. -- s1t{14,15} - Transition between "Goin' Down The Road Feeling Bad" and "One More Saturday Night" patched with SBD (shnid=9392). Notes -- s1t12 - "King Solomon's Marbles" as listed is based on the sub-track titles from the CD version of "Blues For Allah", but just tracked here as one song. Title listings of this instrumental found on both commercial releases and legally traded sources are, to say the least, inconsistent. Whatever the case, we reckoned it was paramount to continue the tradition of inconsistency. Taper Talk -- According to Bob Menke, "It was an overcast day and we got there early. About 8:30 in the morning. That is how we ended up about 10-15 feet from the stage. The mics were mounted on broom sticks (handheld) and they were split about 20 feet apart. The upfront vocals I believe are the product of a small (relative to PA speakers) speaker on the floor of the stage next to the right PA column. The vocals seem to be blasting from that speaker. Another very intersting point is the fact that the Jefferson Starship opened and their sound from the same PA absolutely sucked. Nothing approaching the clarity and sound quality the Dead got from the same system."
Taper: Bob Menke and Louise Falanga
1:51:47
Rating:
9.57 / 14 ratings
Taper:
Bob Menke and Louise Falanga
Transferrer:
Derek McCabe
SHNID:
gd1975-09-28.fob.menke-falanga.motb-0069.91769.flac16
Source:
2 x Sony ECM-270 => Sony TC-152 >> MAC
Lineage:
MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes -- Various drop outs patched with SBD (shnid=9392). -- Various drop outs patched to mono. -- d2t0{6,7} - Transition between "Goin' Down The Road Feeling Bad" and "One More Saturday Night" patched with SBD (shnid=9392). Notes -- d2t04 - "King Solomon's Marbles" as listed is based on the sub-track titles from the CD version of "Blues For Allah", but just tracked here as one song. Title listings of this instrumental found on both commercial releases and legally traded sources are, to say the least, inconsistent. Whatever the case, we reckoned it was paramount to continue the tradition of inconsistency. Taper Talk -- According to Bob Menke, "It was an overcast day and we got there early. About 8:30 in the morning. That is how we ended up about 10-15 feet from the stage. The mics were mounted on broom sticks (handheld) and they were split about 20 feet apart. The upfront vocals I believe are the product of a small (relative to PA speakers) speaker on the floor of the stage next to the right PA column. The vocals seem to be blasting from that speaker. Another very intersting point is the fact that the Jefferson Starship opened and their sound from the same PA absolutely sucked. Nothing approaching the clarity and sound quality the Dead got from the same system."