06
Sources
Transferrer: Kevin Tobin
1:51:22
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1975-06-17.mtx.dts.tobin.96162.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesAudio Source Information SBD (shnid=96125) SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station A GEMS production -+-+- www.shnflac.net -+-+- Notes - Big Thanks to Matt Smith for sharing his cd's. - Patches and post production work performed by Kevin Tobin as part of the matrix\dts project using this show. Trac'ed Cdwave Flac'ed level 8 TLH Per Matt Smith: The master of this show is not in the vault so the most likely lineage goes MR@ 7 1/2 ips>R@ 3 3/4 ips. AUD (shnid=233) AUD CM>DAT>CD EAC> SHN Recorded by Rob Bertrando Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the left of dead center. --------------------------------------------------------- - DTS mixed by [email protected] - FLAC conversion 02-DEC-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of the show, 2 minutes and 42.282 seconds were missing the right channel of the SBD which was filled in using the left channel from the SBD making this portion of tuning\intro a mono recording. 2) At the beginning of the show, 2 minutes and 36.083 seconds were missing from the AUD source and was filled in with audio from the SBD source. This includes the start of Bill's introduction. 3) 2 minutes and 3 seconds into Crazy Fingers, 20.163 seconds were missing from the SBD source and was filled in with audio from the AUD source. 4) 2 minutes and 51 seconds into Crazy Fingers, 47.758 seconds were missing from the SBD source and was filled in with audio from the AUD source. 5) 4 minutes and 57 seconds into Crazy Fingers, 3 minutes and 13.540 seconds were missing from the SBD source and was filled in with audio from the AUD source. 6) 8 minutes and 46 seconds into Crazy Fingers, 5.891 seconds were missing from the SBD source and was filled in with audio from the AUD source. 7) 9 minutes and 36 seconds into Crazy Fingers, 47.131 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last notes of Crazy Fingers into the tuning between songs. 8) 1 minutes and 41 seconds into Beat It On Down The Line, 2 minutes and 16.225 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last half of BIODTL into the tuning between songs. 9) Between Deal and Big River, 1 minute and 30.313 seconds were missing from the AUD source and was filled in with audio from the SBD source. 10) Between Big River and Peggy-O, 43.077 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the start of Peggy-O. 11) Between Peggy-O and Me And My Uncle, 51.994 seconds were missing from the AUD source and was filled in with audio from the SBD source. 12) Between Me And My Uncle and Help On The Way, 35.025 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of Help on the Way. 13) At the beginning of 2nd set, 2 minutes and 21 seconds were missing from the AUD and was filled in with audio from the SBD. 14) Between Blues For Allah and Sugar Magnolia, 35.025 seconds were missing from the SBD source and was filled in with audio from the AUD source. 15) Between Sugar Magnolia and US Blues, 07.435 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of US Blues. 16) Timing of this show used the soundboard as the master to which the audience was sync'd to - for the most part the audience ran slightly fast at about .5% which agrees with Rob Bertrando comments about this show. Thank you Rob for a wonderful audience recording. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -1db AUD Right Channel -1db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Transferrer: Kevin Tobin
1:51:22
SBD
Rating:
10.00 / 7 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1975-06-17.mtx.tobin.96148.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesAudio Source Information SBD (shnid=96125) SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station A GEMS production -+-+- www.shnflac.net -+-+- Notes - Big Thanks to Matt Smith for sharing his cd's. - Patches and post production work performed by Kevin Tobin as part of the matrix\dts project using this show. Trac'ed Cdwave Flac'ed level 8 TLH Per Matt Smith: The master of this show is not in the vault so the most likely lineage goes MR@ 7 1/2 ips>R@ 3 3/4 ips. AUD (shnid=233) AUD CM>DAT>CD EAC> SHN Recorded by Rob Bertrando Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the left of dead center. --------------------------------------------------------- - Matrix mixed by [email protected] - FLAC conversion 01-DEC-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -1.5 SET TWO Stereo Matrix SBD -0 AUD -1.5 --------------------------------------------------------- Audio Patches: 1) At the beginning of the show, 2 minutes and 42.282 seconds were missing the right channel of the SBD which was filled in using the left channel from the SBD making this portion of tuning\intro a mono recording. 2) At the beginning of the show, 2 minutes and 36.083 seconds were missing from the AUD source and was filled in with audio from the SBD source. This includes the start of Bill's introduction. 3) 2 minutes and 3 seconds into Crazy Fingers, 20.163 seconds were missing from the SBD source and was filled in with audio from the AUD source. 4) 2 minutes and 51 seconds into Crazy Fingers, 47.758 seconds were missing from the SBD source and was filled in with audio from the AUD source. 5) 4 minutes and 57 seconds into Crazy Fingers, 3 minutes and 13.540 seconds were missing from the SBD source and was filled in with audio from the AUD source. 6) 8 minutes and 46 seconds into Crazy Fingers, 5.891 seconds were missing from the SBD source and was filled in with audio from the AUD source. 7) 9 minutes and 36 seconds into Crazy Fingers, 47.131 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last notes of Crazy Fingers into the tuning between songs. 8) 1 minutes and 41 seconds into Beat It On Down The Line, 2 minutes and 16.225 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last half of BIODTL into the tuning between songs. 9) Between Deal and Big River, 1 minute and 30.313 seconds were missing from the AUD source and was filled in with audio from the SBD source. 10) Between Big River and Peggy-O, 43.077 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the start of Peggy-O. 11) Between Peggy-O and Me And My Uncle, 51.994 seconds were missing from the AUD source and was filled in with audio from the SBD source. 12) Between Me And My Uncle and Help On The Way, 35.025 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of Help on the Way. 13) At the beginning of 2nd set, 2 minutes and 21 seconds were missing from the AUD and was filled in with audio from the SBD. 14) Between Blues For Allah and Sugar Magnolia, 35.025 seconds were missing from the SBD source and was filled in with audio from the AUD source. 15) Between Sugar Magnolia and US Blues, 07.435 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of US Blues. 16) Timing of this show used the soundboard as the master to which the audience was sync'd to - for the most part the audience ran slightly fast at about .5% which agrees with Rob Bertrando comments about this show. Thank you Rob for a wonderful audience recording.
Transferrer: Jamie Waddell and Kevin Tobin
1:51:22
SBD
Rating:
8.50 / 8 ratings
Transferrer:
Jamie Waddell and Kevin Tobin
SHNID:
gd1975-06-17.sbd.GEMS.96125.flac16
Source:
MSR@ 7 1/2 ips>R@ 3 3/4 ips > CD
Lineage:
CD > WAV > FLAC
Taper Notes:
View NotesPatched using shnid = 233 AUD CM>DAT>CD EAC> SHN Recorded by Rob Bertrando Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the left of dead center. --------------------------------------------------------- - FLAC conversion 30-NOV-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of the show, 2 minutes and 42.282 seconds were missing the right channel of the SBD which was filled in using the left channel from the SBD making this portion of tuning\intro a mono recording. 2) 2 minutes and 3 seconds into Crazy Fingers, 20.163 seconds were missing from the SBD source and was filled in with audio from the AUD source. 3) 2 minutes and 51 seconds into Crazy Fingers, 47.758 seconds were missing from the SBD source and was filled in with audio from the AUD source. 4) 4 minutes and 57 seconds into Crazy Fingers, 3 minutes and 13.540 seconds were missing from the SBD source and was filled in with audio from the AUD source. 5) 8 minutes and 46 seconds into Crazy Fingers, 5.891 seconds were missing from the SBD source and was filled in with audio from the AUD source. 6) 9 minutes and 36 seconds into Crazy Fingers, 47.131 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last notes of Crazy Fingers into the tuning between songs. 7) 1 minutes and 41 seconds into Beat It On Down The Line, 2 minutes and 16.225 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last half of BIODTL into the tuning between songs. 8) Between Deal and Big River, 1 minute and 30.313 seconds were missing from the SBD source and was filled in with audio from the AUD source. 9) Between Big River and Peggy-O, 43.077 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the start of Peggy-O. 10) Between Peggy-O and Me And My Uncle, 51.994 seconds were missing from the SBD source and was filled in with audio from the AUD source. 11) Between Me And My Uncle and Help On The Way, 35.025 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of Help on the Way. 12) Between Sugar Magnolia and US Blues, 07.435 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of US Blues. 13) Timing of this show used the soundboard as the master to which the audience was sync'd to - for the most part the audience ran slightly fast at about .5% which agrees with Rob Bertrando comments about this show. Thank you Rob for a wonderful audience recording.
Taper: Rob Bertrando
1:49:21
Rating:
10.00 / 1 rating
Taper:
Rob Bertrando
Transferrer:
Tim Dalton and Charlie Miller and Sirmick
SHNID:
gd1975-06-17.143102.SonyECM-280.bertrando.dalton.sirmick.miller.fixed.flac1644
Source:
Sony ECM-280's > Sony TC-152SD > Cass master > reel > dat (44.1) - Recorded by Rob Bertrando from the floor, about 30-35' back, just to the left of dead center. Provided by Tim Dalton.
Lineage:
Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16
Taper Notes:
View NotesComments: - This is an instrumental version of "Help On The Way" Notes: - Tape flip after "MAMU" crossfaded - First 27 seconds of intro patched on from shnid 87560 - A number of small dropouts have been repaired. - Tidied up the tape pause after "Sugar Magnolia" Thanks to Joe B. jones for his help with pitch correction. Thanks to Rob Bertrando for taping and Tim Dalton for providing his copy. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick September 2018
Taper: Rob Bertrando
1:49:21
Taper:
Rob Bertrando
Transferrer:
Tim Dalton and Charlie Miller and Sirmick
SHNID:
gd1975-06-17.143100.SonyECM-280.bertrando.dalton.sirmick.miller.flac1644
Source:
Sony ECM-280's > Sony TC-152SD > Cass master > reel > dat (44.1) - Recorded by Rob Bertrando from the floor, about 30-35' back, just to the left of dead center. Provided by Tim Dalton.
Lineage:
Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16
Taper Notes:
View NotesComments: - This is an instrumental version of "Help On The Way" Notes: - Tape flip after "MAMU" crossfaded - First 27 seconds of intro patched on from shnid 87560 - A number of small dropouts have been repaired. - Tidied up the tape pause after "Sugar Magnolia" Thanks to Joe B. jones for his help with pitch correction. Thanks to Rob Bertrando for taping and Tim Dalton for providing his copy. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick September 2018
Taper: See info file
36:06
Rating:
9.33 / 3 ratings
Taper:
See info file
Transferrer:
Chris Chappell
SHNID:
gd1975-06-17.mtx.chappell.SB7.29465.flac16
Source:
Soundboard/Audience Matrix
Lineage:
See info file
Taper Notes:
View NotesGeneral Notes: In an effort to find something to matrix from 1975, I found this 5 song stretch at the end of set 1 from the Bob Fried Memorial Boogie that is the only portion of this show that circulates in SBD. Because this version of Peggy-O is ultimately responsible for turning me "on" to the Dead, I decided it was worth an effort to see what a matrix would sound like. The SBD suffers from multiple cassette gens and has no high end at all. My expectations were pretty low becasue of the SBD quality, but I was pleasantly surprised when coupled with the AUD at about a 1:1 ratio, that the low end from the SBD (Phil esp.) really helped round out the amazing AUD recorded by Rob Bertrando. If you don't have this show in its entirety, do yourself a favor and download Rob's AUD, because it really is a quintessential Dead bootleg. The show opener, Crazy Fingers (1st ever), is worth the download alone. Other breakouts from this show include Help on the Way (sans vocals) and Franklin's Tower. Blues For Allah would not be released for another 2 months, so it's likely that Help was a work in progress, thus the lack of lyrics for it's debut. Slipknot! appears only for the 3rd time, although it's the first time in this classic trio. Thanks to Rob Bertrando for recording the AUD and others responsible for converting and seeding this classic recording. Also thanks to the Music Never Stopped Project for finding the SBD source and getting it out there even though it's only a partial. Enjoy! Chappy Editing Notes: - Pitch Both sources were pitched differently, the SBD being the sharpest, and the AUD being the flatest. I used the AUD as my master timeline and pitch referenced the SBD to it. The SBD on average had to be pitched down about -.17 (17 cents) to achieve pitch correction - 1.00 being 100 cents which is a semitone. I did not reference A=440 as I did not desire to pitch adjust the AUD. It is very close though to A=440. - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched. Because the AUD was my master pitch and time ref, the SBD was synched to the SBD (too many edits to list). - Sonic Quality/Matrix ratio The only dynamic processing I employed was a little bit of compression (Sony Track Comp.) to the SBD source. All I was trying to do here is to add some punch to the AUD by using the low end presence of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the AUD/SBD ratio would be somewhere around 1:1. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. Crossfades were used throughout for smooth transitions to a single source.