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Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h54373
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h950128
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k443
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3.9k515
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6.2k771
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h4.3k553
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k345
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k126
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.7k417
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h985109
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k201
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.4k404
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k171
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k148
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k245
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h4.1k479
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k215
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k257
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.4k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.5k2.7k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h24326
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.5k460
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h6.9k975
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.2k282
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k170
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k167
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.4k172
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h44157
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12316
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h40927
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h181
7d1368
30d63237
2 shows
2 tapes
1975
6/17/75
Bill Graham intro
1:21
Crazy Fingers
10:27
Beat It On Down The Line
3:49
Deal
5:07
Big River
5:01
Peggio
9:37
Me & My Uncle
3:25
Help on the Way >
3:25
Slipknot! >
9:48
Franklin's Tower
9:46
intro
0:18
Blues For Allah
23:34
Sugar Magnolia
9:19
U.S. Blues
5:43
FIN
View on archive.org
Sources
Transferrer: Mastered by Charlie Miller [email protected] April 29, 2025
43:42
SBD
Rating:
10.00 / 1 rating
Transferrer:
Mastered by Charlie Miller [email protected] April 29, 2025
SHNID:
gd1975-06-17.171166.set2.winterland.sbd.mr.miller.flac24
Source:
SBD > Master Reel > WAV (24-bit/96k)
Lineage:
WAV > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Set 1 was a mess so I didn't include it -- Patch source recorded by Bob Menke & Louis Falanga
Transferrer: Mastered by Charlie Miller [email protected] April 29, 2025
43:42
SBD
Transferrer:
Mastered by Charlie Miller [email protected] April 29, 2025
SHNID:
gd1975-06-17.171164.set2.sbd.mr.miller.flac1648
Source:
SBD > Master Reel > WAV (24-bit/96k)
Lineage:
WAV > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesConverted and downsampled from 24bit/96kHz to 16bit/48kHz in Foobar2000 w/dBPoweramp/SSRC plugin by Tyler/MrCompletely Notes: -- Set 1 was a mess so I didn't include it -- Patch source recorded by Bob Menke & Louis Falanga
Taper: Tim Dalton
35:08
SBD
Taper:
Tim Dalton
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1975-06-17.145779.sbd.pcm.dalton.miller.noel.flac16
Source:
Soundboard -> ? -> PCM
Lineage:
Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
Taper Notes:
View NotesPCM source provided graciously by Tim Dalton Transfer by Charlie Miller Edited & mastered by Joe Noel March 18, 2019 Notes: - Big thanks to Tim for sharing & Charlie for directing traffic. - fresh transfer, possible upgrade to source #20084 - The Players - Jerry Garcia; guitar Bob Weir; guitar Keith Godchaux; keyboards Phil Lesh; bass Bill Kreutzmann; drums Mickey Hart; drums Donna Jean Godchaux; vocals Dan Healy; mix
Transferrer: Matrix by Derek McCabe
1:54:58
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Derek McCabe
SHNID:
gd1975-06-17.mtx.menke.gems.97079.flac16
Source:
Matrix of SBD (shnid=96125):AUD (shnid=97077):
Transferrer: Kevin Tobin
1:51:22
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1975-06-17.mtx.dts.tobin.96162.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesAudio Source Information SBD (shnid=96125) SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station A GEMS production -+-+- www.shnflac.net -+-+- Notes - Big Thanks to Matt Smith for sharing his cd's. - Patches and post production work performed by Kevin Tobin as part of the matrix\dts project using this show. Trac'ed Cdwave Flac'ed level 8 TLH Per Matt Smith: The master of this show is not in the vault so the most likely lineage goes MR@ 7 1/2 ips>R@ 3 3/4 ips. AUD (shnid=233) AUD CM>DAT>CD EAC> SHN Recorded by Rob Bertrando Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the left of dead center. --------------------------------------------------------- - DTS mixed by [email protected] - FLAC conversion 02-DEC-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of the show, 2 minutes and 42.282 seconds were missing the right channel of the SBD which was filled in using the left channel from the SBD making this portion of tuning\intro a mono recording. 2) At the beginning of the show, 2 minutes and 36.083 seconds were missing from the AUD source and was filled in with audio from the SBD source. This includes the start of Bill's introduction. 3) 2 minutes and 3 seconds into Crazy Fingers, 20.163 seconds were missing from the SBD source and was filled in with audio from the AUD source. 4) 2 minutes and 51 seconds into Crazy Fingers, 47.758 seconds were missing from the SBD source and was filled in with audio from the AUD source. 5) 4 minutes and 57 seconds into Crazy Fingers, 3 minutes and 13.540 seconds were missing from the SBD source and was filled in with audio from the AUD source. 6) 8 minutes and 46 seconds into Crazy Fingers, 5.891 seconds were missing from the SBD source and was filled in with audio from the AUD source. 7) 9 minutes and 36 seconds into Crazy Fingers, 47.131 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last notes of Crazy Fingers into the tuning between songs. 8) 1 minutes and 41 seconds into Beat It On Down The Line, 2 minutes and 16.225 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last half of BIODTL into the tuning between songs. 9) Between Deal and Big River, 1 minute and 30.313 seconds were missing from the AUD source and was filled in with audio from the SBD source. 10) Between Big River and Peggy-O, 43.077 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the start of Peggy-O. 11) Between Peggy-O and Me And My Uncle, 51.994 seconds were missing from the AUD source and was filled in with audio from the SBD source. 12) Between Me And My Uncle and Help On The Way, 35.025 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of Help on the Way. 13) At the beginning of 2nd set, 2 minutes and 21 seconds were missing from the AUD and was filled in with audio from the SBD. 14) Between Blues For Allah and Sugar Magnolia, 35.025 seconds were missing from the SBD source and was filled in with audio from the AUD source. 15) Between Sugar Magnolia and US Blues, 07.435 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of US Blues. 16) Timing of this show used the soundboard as the master to which the audience was sync'd to - for the most part the audience ran slightly fast at about .5% which agrees with Rob Bertrando comments about this show. Thank you Rob for a wonderful audience recording. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -1db AUD Right Channel -1db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Transferrer: Kevin Tobin
1:51:22
SBD
Rating:
10.00 / 7 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1975-06-17.mtx.tobin.96148.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesAudio Source Information SBD (shnid=96125) SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station A GEMS production -+-+- www.shnflac.net -+-+- Notes - Big Thanks to Matt Smith for sharing his cd's. - Patches and post production work performed by Kevin Tobin as part of the matrix\dts project using this show. Trac'ed Cdwave Flac'ed level 8 TLH Per Matt Smith: The master of this show is not in the vault so the most likely lineage goes MR@ 7 1/2 ips>R@ 3 3/4 ips. AUD (shnid=233) AUD CM>DAT>CD EAC> SHN Recorded by Rob Bertrando Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the left of dead center. --------------------------------------------------------- - Matrix mixed by [email protected] - FLAC conversion 01-DEC-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -1.5 SET TWO Stereo Matrix SBD -0 AUD -1.5 --------------------------------------------------------- Audio Patches: 1) At the beginning of the show, 2 minutes and 42.282 seconds were missing the right channel of the SBD which was filled in using the left channel from the SBD making this portion of tuning\intro a mono recording. 2) At the beginning of the show, 2 minutes and 36.083 seconds were missing from the AUD source and was filled in with audio from the SBD source. This includes the start of Bill's introduction. 3) 2 minutes and 3 seconds into Crazy Fingers, 20.163 seconds were missing from the SBD source and was filled in with audio from the AUD source. 4) 2 minutes and 51 seconds into Crazy Fingers, 47.758 seconds were missing from the SBD source and was filled in with audio from the AUD source. 5) 4 minutes and 57 seconds into Crazy Fingers, 3 minutes and 13.540 seconds were missing from the SBD source and was filled in with audio from the AUD source. 6) 8 minutes and 46 seconds into Crazy Fingers, 5.891 seconds were missing from the SBD source and was filled in with audio from the AUD source. 7) 9 minutes and 36 seconds into Crazy Fingers, 47.131 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last notes of Crazy Fingers into the tuning between songs. 8) 1 minutes and 41 seconds into Beat It On Down The Line, 2 minutes and 16.225 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last half of BIODTL into the tuning between songs. 9) Between Deal and Big River, 1 minute and 30.313 seconds were missing from the AUD source and was filled in with audio from the SBD source. 10) Between Big River and Peggy-O, 43.077 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the start of Peggy-O. 11) Between Peggy-O and Me And My Uncle, 51.994 seconds were missing from the AUD source and was filled in with audio from the SBD source. 12) Between Me And My Uncle and Help On The Way, 35.025 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of Help on the Way. 13) At the beginning of 2nd set, 2 minutes and 21 seconds were missing from the AUD and was filled in with audio from the SBD. 14) Between Blues For Allah and Sugar Magnolia, 35.025 seconds were missing from the SBD source and was filled in with audio from the AUD source. 15) Between Sugar Magnolia and US Blues, 07.435 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of US Blues. 16) Timing of this show used the soundboard as the master to which the audience was sync'd to - for the most part the audience ran slightly fast at about .5% which agrees with Rob Bertrando comments about this show. Thank you Rob for a wonderful audience recording.
Transferrer: Jamie Waddell and Kevin Tobin
1:51:22
SBD
Rating:
8.50 / 8 ratings
Transferrer:
Jamie Waddell and Kevin Tobin
SHNID:
gd1975-06-17.sbd.GEMS.96125.flac16
Source:
MSR@ 7 1/2 ips>R@ 3 3/4 ips > CD
Lineage:
CD > WAV > FLAC
Taper Notes:
View NotesPatched using shnid = 233 AUD CM>DAT>CD EAC> SHN Recorded by Rob Bertrando Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the left of dead center. --------------------------------------------------------- - FLAC conversion 30-NOV-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of the show, 2 minutes and 42.282 seconds were missing the right channel of the SBD which was filled in using the left channel from the SBD making this portion of tuning\intro a mono recording. 2) 2 minutes and 3 seconds into Crazy Fingers, 20.163 seconds were missing from the SBD source and was filled in with audio from the AUD source. 3) 2 minutes and 51 seconds into Crazy Fingers, 47.758 seconds were missing from the SBD source and was filled in with audio from the AUD source. 4) 4 minutes and 57 seconds into Crazy Fingers, 3 minutes and 13.540 seconds were missing from the SBD source and was filled in with audio from the AUD source. 5) 8 minutes and 46 seconds into Crazy Fingers, 5.891 seconds were missing from the SBD source and was filled in with audio from the AUD source. 6) 9 minutes and 36 seconds into Crazy Fingers, 47.131 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last notes of Crazy Fingers into the tuning between songs. 7) 1 minutes and 41 seconds into Beat It On Down The Line, 2 minutes and 16.225 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last half of BIODTL into the tuning between songs. 8) Between Deal and Big River, 1 minute and 30.313 seconds were missing from the SBD source and was filled in with audio from the AUD source. 9) Between Big River and Peggy-O, 43.077 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the start of Peggy-O. 10) Between Peggy-O and Me And My Uncle, 51.994 seconds were missing from the SBD source and was filled in with audio from the AUD source. 11) Between Me And My Uncle and Help On The Way, 35.025 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of Help on the Way. 12) Between Sugar Magnolia and US Blues, 07.435 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of US Blues. 13) Timing of this show used the soundboard as the master to which the audience was sync'd to - for the most part the audience ran slightly fast at about .5% which agrees with Rob Bertrando comments about this show. Thank you Rob for a wonderful audience recording.
Transferrer: David Backus
35:06
SBD
Rating:
8.00 / 1 rating
Transferrer:
David Backus
SHNID:
gd75-06-17.sbd.partial.backus.20084.sbeok.shnf
Source:
Soundboard
Lineage:
? gen cass > PCM > SEK'D Prodif 96 Pro > wav > SHN
Taper Notes:
View Notessbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN via David Backus
Taper: Rob Bertrando
1:49:21
Rating:
10.00 / 1 rating
Taper:
Rob Bertrando
Transferrer:
Tim Dalton and Charlie Miller and Sirmick
SHNID:
gd1975-06-17.143102.SonyECM-280.bertrando.dalton.sirmick.miller.fixed.flac1644
Source:
Sony ECM-280's > Sony TC-152SD > Cass master > reel > dat (44.1) - Recorded by Rob Bertrando from the floor, about 30-35' back, just to the left of dead center. Provided by Tim Dalton.
Lineage:
Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16
Taper Notes:
View NotesComments: - This is an instrumental version of "Help On The Way" Notes: - Tape flip after "MAMU" crossfaded - First 27 seconds of intro patched on from shnid 87560 - A number of small dropouts have been repaired. - Tidied up the tape pause after "Sugar Magnolia" Thanks to Joe B. jones for his help with pitch correction. Thanks to Rob Bertrando for taping and Tim Dalton for providing his copy. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick September 2018
Taper: Rob Bertrando
1:49:21
Taper:
Rob Bertrando
Transferrer:
Tim Dalton and Charlie Miller and Sirmick
SHNID:
gd1975-06-17.143100.SonyECM-280.bertrando.dalton.sirmick.miller.flac1644
Source:
Sony ECM-280's > Sony TC-152SD > Cass master > reel > dat (44.1) - Recorded by Rob Bertrando from the floor, about 30-35' back, just to the left of dead center. Provided by Tim Dalton.
Lineage:
Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16
Taper Notes:
View NotesComments: - This is an instrumental version of "Help On The Way" Notes: - Tape flip after "MAMU" crossfaded - First 27 seconds of intro patched on from shnid 87560 - A number of small dropouts have been repaired. - Tidied up the tape pause after "Sugar Magnolia" Thanks to Joe B. jones for his help with pitch correction. Thanks to Rob Bertrando for taping and Tim Dalton for providing his copy. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick September 2018
Taper: Bob Menke & Louis Falanga
1:48:59
Rating:
9.00 / 2 ratings
Taper:
Bob Menke & Louis Falanga
Transferrer:
Transfer By: Bob Menke Mastering By: Derek McCabe
SHNID:
gd1975-06-17.fob.menke.motb.97078.flac24
Source:
1 x ECM250, 1 x ECM 270 => Sony TC-152SD >> MAC
Lineage:
MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper: Bob Menke & Louis Falanga
1:53:38
Rating:
9.20 / 5 ratings
Taper:
Bob Menke & Louis Falanga
Transferrer:
Transfer by Bob Menke; Mastering By: Derek McCabe
SHNID:
gd1975-06-17.fob.menke.motb.97077.flac16
Source:
1 x ECM250, 1 x ECM 270 => Sony TC-152SD >> MAC
Lineage:
MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Source 13 of 15
1:40:40
Rating:
8.88 / 102 ratings
Source:
Sony ECM-280's > Sony TC-152SD
Lineage:
playback on Nak Dragon > Sony PCM 601ES > Beta > Sony R500 DAT >HHb-850 CDR
Taper Notes:
View NotesPitch correction and slight EQ in Audacity (This lineage not on etree as of 10/6/2007)
Taper: See info file
36:06
Rating:
9.33 / 3 ratings
Taper:
See info file
Transferrer:
Chris Chappell
SHNID:
gd1975-06-17.mtx.chappell.SB7.29465.flac16
Source:
Soundboard/Audience Matrix
Lineage:
See info file
Taper Notes:
View NotesGeneral Notes: In an effort to find something to matrix from 1975, I found this 5 song stretch at the end of set 1 from the Bob Fried Memorial Boogie that is the only portion of this show that circulates in SBD. Because this version of Peggy-O is ultimately responsible for turning me "on" to the Dead, I decided it was worth an effort to see what a matrix would sound like. The SBD suffers from multiple cassette gens and has no high end at all. My expectations were pretty low becasue of the SBD quality, but I was pleasantly surprised when coupled with the AUD at about a 1:1 ratio, that the low end from the SBD (Phil esp.) really helped round out the amazing AUD recorded by Rob Bertrando. If you don't have this show in its entirety, do yourself a favor and download Rob's AUD, because it really is a quintessential Dead bootleg. The show opener, Crazy Fingers (1st ever), is worth the download alone. Other breakouts from this show include Help on the Way (sans vocals) and Franklin's Tower. Blues For Allah would not be released for another 2 months, so it's likely that Help was a work in progress, thus the lack of lyrics for it's debut. Slipknot! appears only for the 3rd time, although it's the first time in this classic trio. Thanks to Rob Bertrando for recording the AUD and others responsible for converting and seeding this classic recording. Also thanks to the Music Never Stopped Project for finding the SBD source and getting it out there even though it's only a partial. Enjoy! Chappy Editing Notes: - Pitch Both sources were pitched differently, the SBD being the sharpest, and the AUD being the flatest. I used the AUD as my master timeline and pitch referenced the SBD to it. The SBD on average had to be pitched down about -.17 (17 cents) to achieve pitch correction - 1.00 being 100 cents which is a semitone. I did not reference A=440 as I did not desire to pitch adjust the AUD. It is very close though to A=440. - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched. Because the AUD was my master pitch and time ref, the SBD was synched to the SBD (too many edits to list). - Sonic Quality/Matrix ratio The only dynamic processing I employed was a little bit of compression (Sony Track Comp.) to the SBD source. All I was trying to do here is to add some punch to the AUD by using the low end presence of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the AUD/SBD ratio would be somewhere around 1:1. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. Crossfades were used throughout for smooth transitions to a single source.
Taper: Rob Bertrando
1:42:15
Rating:
8.94 / 35 ratings
Taper:
Rob Bertrando
Source:
Audience
Lineage:
CM > DAT > CD > EAC > SHN
Taper Notes:
View NotesAUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the left of dead center; via Alan Fink, Mark Ferguson