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June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1975
3/23/75
Bill Graham Intro
0:40
Blues For Allah >
8:58
Stronger Than Dirt >
6:45
Drums >
3:22
Stronger Than Dirt >
9:50
Blues For Allah
3:31
Johnny B Goode
4:25
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
37:01
SBD
Rating:
9.64 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1975-03-23.sbd.miller.110126.flac16
Source:
SBD -> Master Reel -> Dat
Lineage:
Dat -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View Notes-- With Merl Saunders and Ned Lagin -- I transferred this Dat in 2003 and forgot about it till now -- I believe that this is the only non-fm circulating source Patch Info: FM Source supplies: Johnny B. Goode (complete track)
Source 2 of 8
37:05
SBDREMASTER
SHNID:
gd1975-03-23.150533.remaster.flac2448
Source:
SHN Remastered: gd1975-03-23.pre-fm-sbd.hope-ross.32539.shnf Lineage: FM > ??? > WAV > SHN > Adobe Audition 2020 > FLAC
Source 3 of 8
37:27
SBDREMASTER
Rating:
10.00 / 2 ratings
SHNID:
gd1975-03-23.pre-fm-sbd.hope-ross.32539.shnf
Source:
Pre-FM SBD MR>DAT>Digi-Remaster>CD>CD>EAC>MKW>SHN
Taper Notes:
View Notesthis show smokes! definately in my mind(and many agree) one of the monumental shows in their history. also note that these are not the ETREE.ORG shortens. THEIR MD5'S WILL NOT MATCH THESE. the EAC log is included for reference. ripped and encoded by Dave Hope- Ross [email protected] please feel free to e-mail me to let me know if you want more. i do trade, so if you have a list, send it my way and hopefully, we'll be able to set somethin' up! shared on further music network 12/01
Taper: Unknown
1:12:22
SBD
Rating:
9.40 / 12 ratings
SHNID:
gd1975-03-23.sbd.snack.18525.flac16
Source:
Soundboard
Taper Notes:
View NotesMusicians: Jerry Garcia - Guitar Phil Lesh - Bass Keith Godchaux - Organ Bill Kreutzman - Drums Micky Hart - Drums Bob Weir - Guitar Merle Saunders - Organ Ned Lagin - Organ David Crosby - Guitar The Interview section, with Jerry, was done before the show on 3/23 and, while he mentions Crosby as being with the band, he never showed! The "aircheck" segment is a recording of 3/21/75 which was a "practice session" for the SNACK show and DOES feature Crosby, although his input is fairly negligable.
Transferrer: Skankweed
37:31
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Skankweed
SHNID:
gd1975-03-23.sbd.skankweed.13585.shnf
Source:
SBD>FM>?>DAT>CDR
Lineage:
CDR > EAC > SHN
Taper Notes:
View NotesMerl Saunders and Ned Lagin sat in for complete Dead set ; show was part of the SF SNACK (San Francisco Students Need Athletics, Culture, and Kicks) Benefit; performing artists (billed): Doobie Brothers, Graham Central Station, Mimi Farina, Jefferson Starship, Jerry Garcia and Friends, The Miracles, Joan Baez, Santana, Tower of Power, Neil Young, (unbilled): Bob Dylan; guest celebrities (billed): Frankie Albert, John Brodie, Rosie Casals, Werner Erhard, Cedric Hardman, Willie Mays, Jesse Owens, Gene Washington, The Rev. A. Cecil Williams; 10:00 am Sunday showtime; $5 advance; $7.50 at the door post-fm sbd
Transferrer: Matt Smith
48:26
Rating:
7.00 / 2 ratings
Transferrer:
Matt Smith
SHNID:
gd1975-03-23.126296.fm.kafer-boswell-smith.flac24
Source:
FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Taper: Peter Kafer
48:55
Rating:
10.00 / 4 ratings
Taper:
Peter Kafer
Transferrer:
Matt Smith and Pat Lee
SHNID:
gd1975-03-23.fm.lee-smith.94026.sbeok.flac16
Source:
FM Radio Broadcast > Master Reel (@ 7 1/2 ips)
Lineage:
FM MR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Pat Lee)* > CD Huge thanks to Taper Pat for dubbing a copy from the master at 7.5 ips --- (R copied @ 7.5 ips using a Revox A-77>A-77) --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
Taper Notes:
View Notes* "Peter Kafer brought his master up on a trip for Pat to copy around that time ... chances are the master he copied was destroyed" According to Bill Gadsden, Peter's reels were ruined in his parent's attic. Do we really need another source? I believe there are 7 versions listed in the db plus the bonus disc for GD Beyond Description 1973-89 box set which omits JBG. Moreover, when I first read FMMR > R on this seed, I was skeptical that this should be circulated especially b/c we have a source that claims to be a pre-fm version and the key part of this classic was available if you preordered the box set mentioned above. However, as soon as I heard this copy, I was left with the feeling it was different enough from all other sources and should be shared with a wider audience. Unlike the other versions, it feels more pronounced, like you're right in front of the band, witnessing live music. Of course while Matt and I have the same subjective or aesthetic reaction to this reel, there's no guarantee you'll have the same reaction as well. Still, b/c it's small and classic, I say it's worth the risk that you too might really dig it! Compared with the non-official sources, it lacks a dat step, has transfer lineage, and, clearly benefits from having a high quality stand alone A/D converter involved in the transfer chain. While Jamie (**__**) hasn't heard this reel yet, I like the way he explains this theoretical issue: "dynamic range can be compared to a bedroom closet. One COULD in theory pack everything into one place ... fill the closet wall to wall ...one would then be confident everything is there in one place ... but nothing would have its Own spot..." Or, as Matt Smith described it to me, it's like going from 4 lanes to 2 lanes, and the signal or music is compromised by skipping the stand alone A/D conversion step and forcing it into 2 lanes or straight to cd. Dats and transferring straight to cd simply result in a less dynamic range of music than a "properly" handled reel. It's b/c of this process and hg equipment that fm mr > r sources can sound better than pre-fm > dat sources. Not only is avoiding the dat step key but so is the transfer method and tools. While I was skeptical at first, I didn't think a fm reel could sound better than a pre-fm source, I felt like I was hearing things in this master piece I haven't heard before! And even when compared with the release, the keys sound better in the mix to me. For some reason, they're simply less buried and more present. It's probably the way the release was equalized. The pre-fm, release, and this version all sound sweet to me but each provides the listener with a different experience of this set. The release sounds "cleaner" than this reel, however, and I think the percussion sounds better or more distinct at times too. And while all versions suffer from brief moments of monitor or equipment noise, the release does the best job masking that flaw. In general, while the other sources sound more compressed or bunched and even distant by comparison, this reel recording seems to have better separation and clarity, or a dynamic range of music. Even Jerry sounds better in this full compliment of sound; he seems to have a richer tone. It feels more like you're at a show instead of listening to something recorded in a studio. I like the way Matt put it, "To me, this is a perfect companion to the 2-28-75/Blues for Allah rehearsals. Basically it's the album in very raw form 'live' on stage and a live broadcast to boot! What balls these guys had!! The interplay between all the musicians even at the early stages(even after taking 4 months off!) of developing the album is so tight and focused I find it utterly thrilling listening. One can hear every instrument perfectly clear with this mix."
Source 8 of 8
36:47
Rating:
10.00 / 1 rating
Source:
FM > ??? > WAV > SHN
Taper Notes:
View NotesComplete Show - First "Blues For Allah" - First "Stronger Than Dirt" - with Merl Saunders and Ned Lagin - without Donna - FM broadcast KIOI-San Francisco - Students Need Athletics Culture & Kicks (SNACK) benefit - also: Doobie Brothers; Graham Central Station; Mimi Farina; Jefferson Starship; Joan Baez; Santana; Tower Of Power; Bob Dylan with Neil Young Originally part of gd1991-03-31 on gdlive.com.