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June 11th
5 shows
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1995
30.1k
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48h47665
7d2.4k331
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49 shows
341 tapes
1994
9.7k
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48h1.6k205
7d2.8k366
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460 tapes
1993
40.9k
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48h2.5k333
7d10.6k1.4k
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656 tapes
1992
38k
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48h1.9k252
7d5.8k743
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57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.9k489
7d13.8k1.9k
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973 tapes
1990
42.9k
PlaybackListensHours
48h7.9k985
7d13.6k1.7k
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1989
48.2k
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21.5k
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48h1.1k128
7d3.2k373
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882 tapes
1987
34.3k
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48h2.2k252
7d5.7k640
30d34.3k3.7k
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1,025 tapes
1986
12.1k
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48h892100
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k206
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h4.4k523
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k155
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k144
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2.2k276
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.2k254
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k216
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.8k247
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h11.3k1.5k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h16.4k2.1k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h16918
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.6k474
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.3k1.4k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.8k236
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.6k180
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k194
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k154
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h54970
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h7512
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42528
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h624
7d1076
30d59534
2 shows
2 tapes
1968
11/1/68
Intro/Dark Star-->
12:23
Cryptical Envelopment-->
1:47
The Other One-->*
10:56
Cryptical Envelopment-->
6:58
New Potato Caboose%//
0:36
//New Potato Caboose%//**
1:44
//Alligator-->**
2:32
Drums-->**
5:09
Alligator//(-->)**
4:27
//Caution/-->
11:18
Feedback-->
7:20
And We Bid You Goodnight
1:18
FIN
View on archive.org
Sources
Transferrer: Original Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] November 28, 2020
42:29
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Original Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] November 28, 2020
SHNID:
gd1968-11-01.150968.sbd.eaton-latvala.miller.flac1644
Source:
SBD > (8-track) Master Reel (10in 15ips) > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3700)
Lineage:
DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton and Dick Latvala for this source -- The first 2:34 of Dark Star was made mono (there was almost nothing in the right channel) -- And We Bid You Good Night was made mono (there was almost nothing in the right channel) -- I pasted the left channel over the right channel so it wouldn't sound weird
Transferrer: droncit
1:06:28
SBD
Rating:
10.00 / 2 ratings
Transferrer:
droncit
SHNID:
gd1968-11-01.131661.sbd.restore.droncit.flac16
Source:
This is a restoration/rework using shnid 18100 (Cotsman) and 09580 (Axelrod); Diamond Cut Forensics versions 8.5 and Alpha 9 for the editing.
Taper Notes:
View NotesDroncit notes: I used Diamond Cut Forensics versions 8.5 and Alpha 9 for the editing. Thanks to original seeders. 1. For the high quality portion, I primarily relied on a spectral difference filter and sometimes used very light noise reduction. 2. For the "messy" portion, I used the spectral difference, band pass, notch and noise reduction filters. 3. I used 68-03-30 (ShnID 108994)for the sound profile for all the songs. 4. This set of music is listed as set 2, but it is introduced as the "last set" which may imply more than one prior set. 5. The first 2:33 or so of Dark Star is mono in the shnid 18100. In 09580 that portion of the right track is very noisy. I ran a very aggressive noise filter on it,and found it was in mono, so apparently there was a problem with the soundboard and it pops into stereo at 2:33. So I kept the 18100 version, but raised gain at the cutpoint and added some of the left channel back into the right for a couple of seconds to make a smoother transition. It's still very noticeable, but maybe not as jarring. It is hissy for the first minute or so, less so after. 6. SHnID 18100 had the drums intro to The Other One as a separate track. I combined them into one track. 7. ShnID 18100 had New Potato Caboose as one track (combining decent quality and messy sections). I split them into two track to make it easier to skip if you desire (just skip tracks 6-9). 8. Different sources and/or different paths provided different levels of hiss and different levels of quality. I tried to give them all the same overall sound. 9. There is print-through throughout the set, as well as an annoying motor noise at parts, and a motor clunk evident in certain spots (mostly the 14 minute "messy" portion), although it is most noticeable on the opening notes of Dark Star and on the pauses in And We Bid You Good Night. I corrected it in those two spots, but there is still a bit of a "smeary" quality to the music at other spots in the tape because of the generations and the print-through. 10. And We Bid You Good Night is in mono in this version. In 18100, it is stereo, but there is nothing but noise and stage echo in the right channel, so I used the left channel (with all the vocals and the cymbal). I increased the gain, used the spectral difference filter, and used a light noise reduction. There is still a little stage feedback in this version, but it's not too bad to my ears. 11. The songs are listed as one long uninterrupted set, but there are a number of cuts in the material, so it's difficult to tell for certain. 12. The Caution portion that comes from 09580 is tracked with the section from 18100. They sound similar, but the 09580 has some clicky sections that I couldnot eliminate. I did minimize them through a median filter and an impulse noise filter, but they're still evident. 12. The 14-minute extremely low quality material was a challenge. I left it in stereo and tried to get rid of some of the hiss and the annoying tape recorder motor noise, but the noise is at the same frequency as the music and vocals, so there was little I could do. I think it now sounds about as good as the worst cassettes that were being traded in the early 70s. We listened to them then; you can listen now if you want. If you do listen, there is some interesting vocal and nice guitar work. 13. Thanks to BCE for providing the playground.
Transferrer: MSR > R > D > CD by Jim Powell. EAC > SHN by J.Barnes. Track 5a edited by Seth Kaplan
1:07:08
SBD
Rating:
10.00 / 2 ratings
Transferrer:
MSR > R > D > CD by Jim Powell. EAC > SHN by J.Barnes. Track 5a edited by Seth Kaplan
SHNID:
gd1968-11-01.sbd.kaplan.20008.sbeok.shnf
Source:
MSR > R > D > CD > EAC (secure) > SHN
Taper Notes:
View Notes* severely attenuated signal, useless for music 14:03 total. Additional note: Attenuated signal sequence (track 5a) was initially almost completely inaudible. Both channels were subsequently run through Cool Edit 2000 and amplified 40 db including reduction of some degree of hiss and removal of several artifacts result- ing in a fairly listenable segment. This tape consists of two segments, the first running for 35:02, from the introduction of the Dead's "last set" through the first 2:21 of New Potato Caboose, and the second starting a couple minutes in to Alligator and running through the end of the set in 32:14. At 0:41 of New Potato Caboose the strength of the signal falls away severely in both channels, past all recovery and continues in this state for 14:03 before resuming proper strength and continuing for 19:54 to the end of the tape. I note that Eaton lists for this date 11/01/68 Silver Dollar Fair, Chica Ca - xcerpt 4.9, 055min, Sbd, A0D1, Reel M->Dat 1, 44k, 10inch 8trk Master [EMAIL PROTECTED]>3700 x 0->3700 x 1 After We Bid You Goodnight Phil tells the audience to "Come back next week -- this is a good place." Latvala played a Viola Lee from this date at one of the Fillmore Dick's Picks Release Parties. It's not clear to me how all this fits together. We have mastered both a complete version, including the 14:03 of bad signal, and an edited version, with this segment removed. Both versions are included in this set.
Transferrer: David Litfin, Jim Powell, J. Barnes, and JCotsman
56:28
SBD
Rating:
8.00 / 17 ratings
Transferrer:
David Litfin, Jim Powell, J. Barnes, and JCotsman
SHNID:
gd68-11-01.sbd.cotsman.18100.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MR > C > D > CD > EAC > SHN
Taper Notes:
View NotesCaveat: --From 0:36 in New Potato through the Alligator reprise, the quality drops off severely due to extremely low recording levels. Edits were made to raise the volume and reduce the hiss levels, which dominated the barely audible music. This portion was taken from the J. Powell/J. Barnes SHN seed and patched into a different SBD>MR>C>D>CD source---a source that has somewhat more noticeable hiss, though there are no significant raspy distortions that can be noticed on the MSR>R>D>CD source. Notes: --splice in New Potato at 0:36 (where the quality severely drops) --most of New Potato is missing --Alligator cuts in with a minute or two missing --there are probably a number of minutes missing after the Alligator reprise.
Transferrer: Jim Powell and J Barnes
53:11
SBD
Rating:
9.33 / 6 ratings
Transferrer:
Jim Powell and J Barnes
SHNID:
gd1968-11-01.sbd.kaplan.17080.sbeok.shnf
Source:
MSR > R > D > CD
Lineage:
CD > EAC > SHN
Taper Notes:
View NotesThis tape consists of two segments, the first running for 35:02, from the introduction of the Dead's "last set" through the first 2:21 of New Potato Caboose, and the second starting a couple minutes in to Alligator and running through the end of the set in 32:14. At 0:41 of New Potato Caboose the strength of the signal falls away severely in both channels, past all recovery and continues in this state for 14:03 before resuming proper strength and continuing for 19:54 to the end of the tape. Originally the source contained both a complete version, including the 14:03 of bad signal, and an edited version, with this segment removed. Since then a third version has circulated that contains a digitally modified version 14:03 where the music is at least audible. This is the "edited" version.
Transferrer: Seth Kaplan
42:17
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Seth Kaplan
SHNID:
gd1968-11-01.sbd.kaplan.9965.shnf
Source:
MSR>C>D>CD
Taper Notes:
View NotesExtraction and .shn encoding by Seth Kaplan ([email protected]) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and .shntool
Transferrer: Mike Axelrod, Matt Vernon, Raoul Duke
42:17
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Mike Axelrod, Matt Vernon, Raoul Duke
SHNID:
gd1968-11-01.sbd.axelrod.9580.shnf
Source:
SBD>MSR>C>DAT>CDR
Lineage:
CDR > EAC(secure) > CDWav(retracking) > mkwact(seekable)
Taper Notes:
View NotesNote: 1. There is clearly a Caution jam going into feedback so I tracked it separately. I started feedback where the drums stopped and it was only guitar feedback. Here's what deadlists has to say about this source COMMENTS The circulating copy of this that is MSR>Cass>DAT>CDR has an announcer who clearly states before Dark Star that the Grateful Dead played an earlier set. Circulating tapes all cut at the very beginning of New Potato Caboose and splice into the Feedback. DeadBase XI lists the end of this one as New Potato Caboose going into Alligator > Caution > Feedback > AWBYGN, which is probably just speculation on what's missing - but that would be a good guess based on the song list and time period.