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Goran Ivanovic [Group]
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Today In History
June 7th
0 shows
0 tapes
Years
2011
3 shows
5 tapes
2010
1 show
2 tapes
2009
2 shows
2 tapes
2008
1 show
1 tape
2007
3 shows
4 tapes
2006
19 shows
35 tapes
2005
7 shows
13 tapes
2006
3/22/06
< lead-in >
0:16
Kopanica
8:20
Ederlizi
8:56
Seven Boats
13:58
Duo
6:22
Macedonian Girl
8:37
Blacksmith's Dance
5:56
Ajde Jano
6:04
Kalajdzisko Oro
5:58
FIN
View on archive.org
Sources
Taper: Brian Skalinder
1:04:27
Taper:
Brian Skalinder
Transferrer:
Brian Skalinder
SHNID:
gorangroup2006-03-22.flac24
Source:
(24-bit) AKG C414B-XLS (split omnis) > Edirol R-4
Lineage:
Edirol R-4 > USB > PC
Taper Notes:
View NotesGoran Ivanovic Group 2006-03-22 Chicago, IL - Katerina's Taper : Brian Skalinder / [email protected] Location : On-stage Mic Config : Omni (Split, see notes) Source : AKG C414B-XLS > Edirol R-4 Record Format: 24-bit, 48 kHz Conversion : Edirol R-4 > USB > PC Edit : Adobe Audition 1.5 (fades) Dither : n/a Final Format : 24-bit, 48 kHz Track : CD-Wave NOTES First set lost due to an R-4 malfunction. Hmph. Funky venue layout since it's basically a restaurant/bar. No real stage or PA to speak of (teeny tiny PA system, if one even wants to call it that). Ran split omnis on-stage. L mic ~2' each from Goran's amp and Michael's percussion kit. R mic ~2' from Doug's position and Michael's percussion kit. Matt's bass amp was a good 5' back on the R side.
Taper: Brian Skalinder
1:04:27
Taper:
Brian Skalinder
Transferrer:
Brian Skalinder
SHNID:
gorangroup2006-03-22.flac16
Source:
(16-bit) AKG C414B-XLS (split omnis) > Edirol R-4
Lineage:
Edirol R-4 > USB > PC
Taper Notes:
View NotesGoran Ivanovic Group 2006-03-22 Chicago, IL - Katerina's Taper : Brian Skalinder / [email protected] Location : On-stage Mic Config : Omni (Split, see notes) Source : AKG C414B-XLS > Edirol R-4 Record Format: 24-bit, 48 kHz Conversion : Edirol R-4 > USB > PC Edit : Adobe Audition 1.5 (fades) Dither : MegaBitMax, Normal, Medium Noise Shaping Final Format : 16-bit, 44.1 kHz Track : CD-Wave NOTES First set lost due to an R-4 malfunction. Hmph. Funky venue layout since it's basically a restaurant/bar. No real stage or PA to speak of (teeny tiny PA system, if one even wants to call it that). Ran split omnis on-stage. L mic ~2' each from Goran's amp and Michael's percussion kit. R mic ~2' from Doug's position and Michael's percussion kit. Matt's bass amp was a good 5' back on the R side.