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Taper: Brian Skalinder
56:35
Taper:
Brian Skalinder
SHNID:
gorangroup2005-12-09-c414.flac24
Source:
(24-bit) AKG C414B-XLS (split omnis) > Edirol Transparent-PLUS (Oade) mod UA-5 > MicroTrack 2496
Taper Notes:
View NotesGoran Ivanovic Group 2005-12-09 Chicago, IL - Double Door Taper : Brian Skalinder / [email protected] Location : Center, ~3' up, on-stage Mic Config : Omnis, split ~5' Source : AKG C414B-XLS > Edirol Transparent-PLUS (Oade) mod UA-5 > MicroTrack 2496 Record Format: 24-bit, 48 kHz Conversion : MicroTrack 2496 > USB > PC Edit : Adobe Audition 1.5 (fades) Final Format : 24-bit, 48 kHz Track : CD-Wave NOTES Drunk foghorn here and there: "Yeaaaaaaaaaaaaaaahhhhhh...woooooooo! Rock & roll, maaaaan!! Rock! And! Roll!! WOOOOOOOO!!!". I politely leaned in and spoke: "Uhmmmm...they don't really play rock & roll, you know." Needless to say, he was confused.
Taper: Matt DeNardo
55:57
Taper:
Matt DeNardo
Transferrer:
Matt DeNardo
SHNID:
gorangroup2005-12-09.flac24
Source:
DPA 4021 (ORTF) > Sound Devices 722 @ 24/96, limiter engaged
Lineage:
722 > iBook > Spark > FLAC
Taper Notes:
View NotesLocation: onstage, center, 3' high Thanks to Brian Skalinder for the clamp space on his stand.
Taper: Brian Skalinder
56:35
Taper:
Brian Skalinder
SHNID:
gorangroup2005-12-09-c414.flac16
Source:
(16-bit) AKG C414B-XLS (split omnis) > Edirol Transparent-PLUS (Oade) mod UA-5 > MicroTrack 2496
Taper Notes:
View NotesGoran Ivanovic Group 2005-12-09 Chicago, IL - Double Door Taper : Brian Skalinder / [email protected] Location : Center, ~3' up, on-stage Mic Config : Omnis, split ~5' Source : AKG C414B-XLS > Edirol Transparent-PLUS (Oade) mod UA-5 > MicroTrack 2496 Record Format: 24-bit, 48 kHz Conversion : MicroTrack 2496 > USB > PC Edit : Adobe Audition 1.5 (resample, dither, fades) Dither : MegaBitMax, High noise shaping Final Format : 16-bit, 44.1 kHz Track : CD-Wave NOTES Drunk foghorn here and there: