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God Street Wine
Today In History
June 10th
1 show
1 tape
Years
2025
194
PlaybackListensHours
48h121
7d324
30d19426
10 shows
16 tapes
2024
14
PlaybackListensHours
48h00m
7d141
30d141
2 shows
2 tapes
2023
11
PlaybackListensHours
48h00m
7d00m
30d111
1 show
2 tapes
2022
1 show
1 tape
2021
1 show
1 tape
2019
15
PlaybackListensHours
48h00m
7d132
30d152
6 shows
7 tapes
2018
22
PlaybackListensHours
48h00m
7d00m
30d223
4 shows
6 tapes
2017
4 shows
6 tapes
2016
2
PlaybackListensHours
48h00m
7d00m
30d215m
3 shows
6 tapes
2015
1 show
1 tape
2014
3
PlaybackListensHours
48h00m
7d319m
30d319m
3 shows
3 tapes
2013
13
PlaybackListensHours
48h00m
7d00m
30d132
4 shows
11 tapes
2012
18
PlaybackListensHours
48h00m
7d101
30d182
6 shows
19 tapes
2011
14
PlaybackListensHours
48h00m
7d00m
30d141
3 shows
8 tapes
2010
2
PlaybackListensHours
48h00m
7d00m
30d218m
5 shows
22 tapes
2009
3
PlaybackListensHours
48h00m
7d17m
30d324m
1 show
2 tapes
2001
10
PlaybackListensHours
48h00m
7d00m
30d101
1 show
2 tapes
1999
56
PlaybackListensHours
48h218m
7d00m
30d567
10 shows
12 tapes
1998
5
PlaybackListensHours
48h00m
7d00m
30d526m
23 shows
28 tapes
1997
28
PlaybackListensHours
48h523m
7d00m
30d282
22 shows
24 tapes
1996
60
PlaybackListensHours
48h00m
7d1152m
30d606
34 shows
38 tapes
1995
134
PlaybackListensHours
48h00m
7d00m
30d13415
50 shows
66 tapes
1994
134
PlaybackListensHours
48h00m
7d211m
30d13414
71 shows
86 tapes
1993
57
PlaybackListensHours
48h111
7d00m
30d576
37 shows
50 tapes
1992
29
PlaybackListensHours
48h19m
7d752m
30d293
16 shows
21 tapes
1991
4
PlaybackListensHours
48h00m
7d317m
30d423m
16 shows
19 tapes
1990
14
PlaybackListensHours
48h00m
7d00m
30d142
25 shows
30 tapes
1989
9 shows
9 tapes
1988
1 show
1 tape
1996
Sources
2:38:39
SBD
Taper:
[email protected]
Transferrer:
[email protected]
SHNID:
gsw1996-04-12
Source:
SBD->DAT
Lineage:
DAT->WAV->FLAC
Taper: Scott Bernstein and Boris Lvovsky
2:38:59
Taper:
Scott Bernstein and Boris Lvovsky
Transferrer:
Scott Bernstein
SHNID:
gsw1996-04-12.akgc1000
Source:
FOB Audience DAT
Lineage:
Original Master Recording: AKG-C1000s (FOB in sweet spot) -> (likely Realistic mixer for pre-amp) -> Denon DTR-80p (@16/48) Master DAT playback: Sony R500 -> Sound Devices 722 digital input (@24/48) Mastered: Soundforge Pro 13.0 - File processed in Soundforge for graphic EQ, volume normalization, claps/yell/whistle scrubbing; 24 -> 16 bit dither using POW-r Dither with POW-r #3 noise shaping. Tracked in CDWav. Tagged in Tag&Rename 3.9.15
Taper Notes:
View NotesNote that there was one small digital glitch which had high errors during my transfer which I could not clean up with a fresh transfer (same glitch in the same spot) during "Waiting For The Tide". Recorded by Scott Bernstein and Boris Lvovsky. Thanks to Boris for bringing out his AKG-C1000s (and likely his battery powered Realistic mixer) for us to record this show with. Transferred (4/1/2021), tracked (4/19/2024), mastered (4/17-5/5/2024) and posted (5/11/2024) by Scott Bernstein Taper notes: Continuing on my journey through my God Street Wine archives, for BARN 247, I present to you GSW's return to Irving Plaza show from 4/12/1996. This is a very different band than the one that had last played at Irving on 12/31/1994 -- they had toured around the world, performed on the HORDE tour, released their album on a major label, and seen their ambitions let down by that major label. And, to be honest, the first time I was ever disappointed by the band. As you'll hear Lo speak about -- apparently there was very early internet webcast of the first set. Sadly for those people listening at home, the first set was not great. An overwhelming amount of new songs were presented on this night -- of varying quality, plus a few classics -- though some of those classics rearranged into inferior (in my opinion) versions ["Brand New Pussycat" stands our for me as an example of a song with an inferior rearrangement]. Lo even makes a comment in the second set akin to "It's too bad this wasn't the set that was webcast". Admittedly this is not a recording that I have come back to over the years. A few notes I took while listening to this show: Untitled Take Two sounds eerily like U2's "MLK" but I never realized it before this listen You can hear a slight crackling from an onstage cable during the first minute or 2 of "Girl On Fire" until it gets straightened out Features a different Bo Diddley-like (and IMO inferior) arrangement of "Brand New Pussycat" "Which Way Will She Go?" reminds me of a mashup of Bob Dylan's "She Belongs To Me" and "Visions of Johanna" "Maybe" is a piano-led song I had zero recollection of, but it's pretty First time I've ever heard a "mellow" version of "Hellfire" "RU 4 Real?" has a beautiful organ coda Before "Gem", Aaron announces "We're going to play 2 new songs for you next" "Imogene" is the highlight of this show. It's a classic version with a beautiful, long jazzy scat segment by Aaron followed by an absolutely out-of-this-world jam with all band members firing on all cylinders. If nothing else, give this a listen. "Epilog" caps the 2nd set off beautifully. "If I Can Dream" is a cool Elvis cover in the encore! I still have a few more GSW shows coming for you all in the near future... Enjoy! Scott Bernstein Follow me on Twitter to track my postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>