RELISTENTOGaraj Mahal
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Today In History
June 6th
Years
2026
8
PlaybackListensHours
48h333m
7d00m
30d82
2 shows
2 tapes
2025
2 shows
5 tapes
2024
3 shows
3 tapes
2022
2
PlaybackListensHours
48h00m
7d00m
30d236m
5 shows
10 tapes
2019
2 shows
3 tapes
2018
18
PlaybackListensHours
48h00m
7d00m
30d184
3 shows
11 tapes
2017
1 show
1 tape
2011
1 show
1 tape
2010
6
PlaybackListensHours
48h00m
7d00m
30d61
13 shows
14 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d244m
22 shows
39 tapes
2008
10 shows
11 tapes
2007
23
PlaybackListensHours
48h00m
7d163
30d234
26 shows
34 tapes
2006
41
PlaybackListensHours
48h00m
7d277
30d4110
20 shows
22 tapes
2005
60
PlaybackListensHours
48h00m
7d00m
30d6013
33 shows
47 tapes
2004
18
PlaybackListensHours
48h00m
7d00m
30d183
42 shows
51 tapes
2003
51
PlaybackListensHours
48h00m
7d00m
30d519
46 shows
53 tapes
2002
18
PlaybackListensHours
48h00m
7d00m
30d183
49 shows
62 tapes
2001
24
PlaybackListensHours
48h00m
7d00m
30d245
29 shows
37 tapes
2000
6
PlaybackListensHours
48h00m
7d62
30d62
2 shows
2 tapes
2006
1/7/06
Jan Jan
15:21
Alvin
8:35
Ivory Tower
18:16
Hotel
15:33
Gulam Sabri
21:13
The Chicken
11:34
Techionics
21:47
Make a Hippy Happy
17:27
E: Folk Song
19:58
FIN
View on archive.org
Sources
Taper: Kenny Shook
2:29:44
SBD
Rating:
10.00 / 3 ratings
Taper:
Kenny Shook
Transferrer:
Kenny Shook
SHNID:
gm2006-01-07.sbd.flac
Source:
SBD>Sony D8
Lineage:
Sony PCM-R300>coax>HHb830>Flac
Taper Notes:
View NotesThere is a slight buzz throughout the show, but it is barely listenable when they are playing. A band favorite show! The show will fit on two 80 min discs if you put the encore at the end of disc 1.
Taper: Kenny Shook, Mikey Jones, & James Bartoli
2:29:36
Rating:
10.00 / 2 ratings
Taper:
Kenny Shook, Mikey Jones, & James Bartoli
Transferrer:
James Bartoli
SHNID:
gm2006-01-07.matrix
Source:
3 source post-mix (see notes below)
Lineage:
Post-mix in AudioDesk 2.04: align tracks and time-scale Source 1 & 2 to Source 3***, set 3 stereo track mix; Bounce to Disc w/ plug-ins on master fader: Dynamics v3.0.2 (light compression); Trim (normalize)); split tracks) -> .aiff -> xACT v1.58 -> FLAC (level 8)
Taper Notes:
View NotesSpecial thanks to Fareed Haque for the permission to upload the mixdown of this show. ----------------------------------------- 3 Source post mix: Source 1: SBD -> Sony D8 -> Sony PCM-R300 (playback) -> coax -> HHb830 -> flac* -> LMA download: http://www.archive.org/details/gm2006-01-07.sbd.flac -> xACT v1.58 (CD extraction as one file per set) -> AudioDesk 2.04 (import) *Taped and Transferred by Kenny Shook Source 2: JW Mod. AKG 461s (ORTF, ~36" high, stage lip. DFC) -> Sound Devices MP-2 > Oade Mod. SBM-1 -> Hosa ODL 276 -> JB3 @ 16bit/44.1kHz -> Firewire > CdWave (tracking) > FLAC Forntend Level 6 -> untracked CD-Rs** -> xACT v1.58 (CD extraction) -> Audio Desk 2.04 (import) **Taped and Transferred by Mikey Jones Source 3: AKG C 451 B/ST (~ 20' Separation, left mic clamped to utility pole 2' below ceiling above stage lip & pointed down at guitar amp, right mic ~ 6' high on stage lip pointed at keys amps) -> Edirol UA-5 (Oade Bros. P-Mod.) -> MDAT (Sony PCM-M1: record, Sony PCM-R500: playback) -> Tascam CD-RW750 (via s/pdif, auto-resample to 44.1khz) -> MCD-R -> xACT v1.58 (CD extraction as one file per set) -> AudioDesk 2.04 (import) Taped and transferred by James Bartoli Post-mix in AudioDesk 2.04: align tracks and time-scale Source 1 & 2 to Source 3***, set 3 stereo track mix; Bounce to Disc w/ plug-ins on master fader: Dynamics v3.0.2 (light compression); Trim (normalize)); split tracks) -> .aiff -> xACT v1.58 -> FLAC (level 8) ***Source 3 was used as the master timeline because the Sony PCM-M1 seemed by reason to have the best clock between the three recording devices. Mixed, mastered, and FLAC'd by James Bartoli