RELISTENTOGaraj Mahal
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Today In History
June 6th
1 show
1 tape
Years
2026
8
PlaybackListensHours
48h00m
7d00m
30d82
2 shows
2 tapes
2025
2 shows
5 tapes
2024
3 shows
3 tapes
2022
2
PlaybackListensHours
48h00m
7d00m
30d236m
5 shows
10 tapes
2019
2 shows
3 tapes
2018
18
PlaybackListensHours
48h00m
7d00m
30d184
3 shows
11 tapes
2017
1 show
1 tape
2011
1 show
1 tape
2010
6
PlaybackListensHours
48h00m
7d00m
30d61
13 shows
14 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d244m
22 shows
39 tapes
2008
10 shows
11 tapes
2007
23
PlaybackListensHours
48h00m
7d163
30d234
26 shows
34 tapes
2006
41
PlaybackListensHours
48h00m
7d277
30d4110
20 shows
22 tapes
2005
60
PlaybackListensHours
48h00m
7d00m
30d6013
33 shows
47 tapes
2004
18
PlaybackListensHours
48h00m
7d00m
30d183
42 shows
51 tapes
2003
51
PlaybackListensHours
48h00m
7d00m
30d519
46 shows
53 tapes
2002
18
PlaybackListensHours
48h00m
7d00m
30d183
49 shows
62 tapes
2001
24
PlaybackListensHours
48h00m
7d00m
30d245
29 shows
37 tapes
2000
6
PlaybackListensHours
48h00m
7d62
30d62
2 shows
2 tapes
2002
3/30/02
Gulam Sabri
17:19
Be Dope
14:14
Stoked on Rasaki
14:20
Make a Hippy Happy
15:59
Seamos
15:41
Junct
13:53
Never Give Up Giving It Up
19:59
Poodle Factory
13:02
Jan Jan
12:02
Kiss (Prince cover
5:21
FIN
View on archive.org
Sources
Taper: Dan Heend
2:21:50
Taper:
Dan Heend
Transferrer:
Caleb Epstein
SHNID:
garaj2002-03-30-mk4v.shnf
Source:
(onstage) Schoeps MK4V/CMC6 > Lunatec V2 > Benchmark AD2402-96 > DAARWIN-24 Laptop
Lineage:
Mastered using Sonic Foundry SoundForge
Taper Notes:
View NotesHere's how the show was converted to 16/44.1 CD-DA audio from the original 24/48 master source. The methods used were specified by Dan and performed by Caleb. Each set was processed separately in Sound Forge using the Waves DirectX plug-ins as follows: o Waves Lineq Lowband "Remove DC Offset and Low Freq. Rumble" o Waves L2 Ultramaximizer, bit depth 24, no dither, no noise shaping, Output -0.2 dB, Threshold -2.0 dB (Set I) and -3.9 dB (Set II), ARC enabled o Resample to 44.1 kHz o Waves L2 Ultramaximizer, bit depth 16, Dither Type 1, Ultra Noise Shaping, Output 0 dB, Threshold 0 dB, ARC enabled o Save As > 16/44.1 WAV file Tracking done with CD Wave, compressed using Shorten 3.5.1 (seekable) Notes from Dan about the show: Very cool place that Tribeca Blues Cafe is. Intimate. Unfortunately, physical limitations presented by the stage dimensions, coupled with the placement of many smoke-emitting candles placed on the stage, caused my mics to be placed a little closer to the band (or drums at least) than I would have liked, which resulted in a good 15 minutes of fear and cringing when Kai sat down cross-legged right next to the right mic and proceeded to wail away during his bass solo, with his eyes closed most of the time... the headstock of his bass swinging often and wildly, many times sweeping within microns of the right microphone. And while he played and played for what seemed like forever, coming ever so close to bashing the mics for what seemed like an eternity, he finally did whack the mic stand one time... not hard enough to knock it over, and he didn't even seem to notice at all... He was in the zone. But the whole thing made for quite a tense moment, and you can imagine the sigh of relief I had when he finally stood up. But anyway, I'm sure that somewhere on the recording during a bass solo is going to be a nice thump. Goes with the territory I guess. I thought the band was definitely on, though. Hope you do too.